Saturday, February 15, 2020

THE ORPHAN SCRIVENER -- ISSUE # ONE HUNDRED AND TWENTY-ONE -- 15 FEBRUARY 2020

According to the source consulted, it was either Anonymous or Aristotle who remarked it was necessary to stand in the cold to appreciate a snowflake's beauty. There's been plenty of opportunity this past couple of months to do so, preferably from inside the house. We are currently snowed-in, but this gives us more spare time to compose this latest Orphan Scrivener and we are grateful for that. Subscribers may however feel differently after reading it...


MARY'S BIT or REFLECTIONS ON MIRRORS

There is something disturbing about mirrors, especially the way they reverse their image. A useful visual effect for mystery clues this may well be, but I find those common household artefacts to be, well, strange.

Alice was able to enter the looking glass world because, as Lewis Carroll relates, the mirror over the room's fireplace turned into an easily penetrated silvery mist. She certainly had an less fraught method of passing into another world than similar entrances and exits as presented in Jean Cocteau's Orphee. But then Alice did not meet Death -- or at least his messenger -- as portrayed by fashionably dressed Maria Casares to well-known poet played by Jean Marais in the title role.

Orphee and other characters pass between this world and the other by stepping through mirrors. To do so Orphee must first don a pair of gloves, extending his arms so his hands go through the reflective portal before the rest of him. I wondered at the time why gloves would be necessary but after the intertubes arrived Mr Google kindly provided the answer. Cocteau's technical wallah invented fairly simple special effects. Thus hands through the mirror images (no pun intended) were created by the actor dipping his gloved hands into a large container of mercury, followed by judicious cutting and tilting of the footage of the act which, combined with close-up focus camera work, apparently depicts his hands going through the mirror. Still unanswered: how did the producers got hold of the necessary amount of mercury to set up the shot?

Folk customs connect mirrors with entrances to another world. For example, when I was growing up mirrors were covered or turned to the wall when household deaths occurred, a custom usually explained as intended to prevent the soul of the deceased becoming trapped. In writing that, I am reminded Cocteau pointed out mirrors reflect our aging.

Local tradition in our area meant neighbours drew their curtains as a mark of respect when the funeral cortege left the bereaved household, whose curtains were closed when a death occurred. We might speculate the custom grew up from a wish to prevent reflections from window panes serving as a mirror, although there are those who point to its origins in the natural wish for privacy at a time when keeping the departed at home until the funeral was widespread. That custom was mentioned in Ruined Stones, as well as one I experienced: it was frowned upon for females to attend funerals, even a new widow and close family members.

I still run a search now and then for a radio presentation from some time ago but not being able to recall its title, I shall briefly describe its content and hope a subscriber recognises it and can provide that information. . The narrator visits a friend for a chat and to bring him fresh library books. The former relates his experience with an Indian curse whereby when looking into a mirror the viewer sees someone looking over their shoulder although there is nobody standing behind them. The sufferer can only free themselves from the curse by telling someone else, who then inherits the nasty thing. A moral dilemma if ever we heard one, no? And why is this fellow describing the curse to his friend, knowing full well what will result? No doubt subscribers have already guessed: the narrator eventually reveals the library books he has brought with him are written in braille.

Could the plot have been inspired by the old belief a girl will be able to see the face of her future husband by sitting in front of a candlelit mirror combing her hair and eating an apple -- presumably not at the same time -- causing an image of the man she will eventually marry to appear behind her? I have no idea, but for a time after that broadcast I felt uneasy if I passed a mirror in the dark. Talk about effective writing!


NECESSARY EVIL or THE BSP TICKER

It's still quiet on the news front, as happens from time to time in even the best-ordered life. And speaking of time, today we celebrate our newsletter reaching a milestone. It was on February 15, 2000 we launched the good ship Orphan Scrivener for the first time, and since then every two months without fail we've been down at the docks waving our hankies to it as we sent it off to go a-voyaging. That debut issue was dedicated to the folks at Poisoned Pen, who as we put it rescued John from slush pile Hades. Subscribers who came on board later who are interested in taking a dip into the history of our writings and other assorted ramblings will find it archived on our website along with the whole run of issues at http://reedmayermysteries.000webhostapp.com/toc1.htm After that little speech, now's the time to throw handfuls of confetti about accompanied by good long blasts of tooting before the glasses of virtual champagne are brought around!


ERIC'S BIT or LITERARY COMPANIONS OF THE SCOURGE OF RIVER CITY

When Mary said she was going to write about mirrors the first thing I thought of was The Hungry Glass, an episode of the television series Thriller, which scared my very young and sensitive self out of my overly active wits. A married couple moves into a house that is haunted by images reflected in glass and mirrors. Eventually the hazy phantom in an attic mirror reaches right through the glass to grab the inquisitive wife and draw her into the mirror. Well, I don't mind telling you, that just about did me in.

Okay, I was eleven. The Hungry Glass was not exactly Orphee, though it was written by Robert Bloch who was pretty darned good, and Donna Douglas and William Shatner were not quite Maria Casares and Jean Marais. Yes, the protagonist in the drama that scared me silly went on to play the only wooden Star Fleet captain in Federation history and the terrifying ghost in the mirror turned out to be Elly May Clampett of the Beverly Hillbillies. Makes you wonder, doesn't it?

Mirrors are disturbing. I never understood those diagrams showing how light enters a mirror and is reversed. They made it look like the light passes right through the mirror, only adding to the mystery. Thanks to mirrors I'm not even sure what I look like, since the image I see in the bathroom mirror is the reverse of what the world sees. Is that a good thing or bad? Do most people see themselves as looking like they do in photographs or in the mirror? I never look at photos of myself, if I can help it.

A few days ago I read Low Heights, a 2003 mystery by the French author Pascal Garnier. A character botches his impersonation of another man when he forgets about the perversity of mirrors and puts a distinguishing scar on the wrong side of his face. He'd had a stroke and maybe his mind was deteriorating. It is a strange book. The poor fellow retires to the mountains with his nurse. One day a man arrives claiming to be his long-lost son. Then the vultures show up. Literal as well as figurative.

"In the tradition of Simenon" the blurb said. As do the blurbs on most French mysteries in translation. Georges Simenon is far better known outside France than any other French mystery writer. He is one of my favorite authors, French or otherwise, not just for his mysteries but for the non-Maigret books he dubbed "hard novels" as well.

There are an immense number of Simenon books available in English, but not so many by other French mystery novelists. As far as I know publishers have not stampeded to translate them as they have Scandinavian works. A shame, because I developed a liking for French literature back in college when one of my courses introduced me to everything from Voltaire and Balzac (the scourge of River City, you might recall) up to Louis Ferdinand Celine and Alain Robbe-Grillet.

During the last couple of weeks I thought to read some French mystery authors. I mentioned Pascal Garnier. I also read Three to Kill, one of ten mysteries written by Jean-Patrick Manchette in the seventies and early eighties. He is said to have reinvigorated the French mystery. In Three to Kill businessman Georges Gerfaut witnesses a murder. He's a typical man on the run until he decides to turn the tables and track down his pursuers. The plot does not develop as formulaically as you might expect. Manchette's style and ironic perspective make for a different kind of reading experience than you would get from the usual English language bestseller.

Perhaps it is only the result of cultural differences but French writers have always struck me as rather eccentric in the way they write, the characters they write about, and the stories they tell. There is a certain (don't hate me for saying it) je ne sais quoi about their novels. For example, consider Fred Vargas (the archaeologist Frédérique Audoin-Rouzeau) whose series sleuth Commissaire Jean-Baptiste Adamsberg doesn't use deductive reasoning. Whereas Simenon's Inspector Maigret solves crimes by discovering the true natures and motivations of those involved at which point the murderer becomes clear, Adamsberg doesn't even do that. He purports to be able to sense the evil and cruelty oozing out of perpetrators. In The Chalk Circle Man this peculiar detective -- who still carries a flame for a vanished mistress who had a pet monkey named Richard III -- seeks a man who is drawing blue chalk circles at night around stray objects in Paris streets, sensing that a circle will soon surround a corpse.

Whether these French mysteries are representative or not I can't say. Next up on my list is a mystery by Patrick Modiano which ought to be good since he won the Nobel Prize for Literature in 2013. At any rate it is sure to be different from what I'm used to and maybe that's why I enjoy French authors. They offer me a slightly disorienting view of the world, like looking at the reversed image in a mirror.


AND FINALLY

Just to add to the cold collywobbles experienced by most of us when contemplating April 15th aka US Tax Return Day, a quick reminder the same date will also see the arrival of the next issue of Orphan Scrivener.

See you then!
Mary R & Eric

who invite you to visit their home page, to be found hanging out on the virtual washing line that is the Web at http://reedmayermysteries.000webhostapp.com/ There you'll discover the usual suspects, including more personal essays, a bibliography, and our growing libraries of links to free e-texts of classic and Golden Age mysteries, ghost stories, and tales of the supernatural. It also hosts the Orphan Scrivener archive, so don't say you weren't warned! Our joint blog, largely devoted to reviews of Golden Age of Mystery fiction, lurks about at http://ericreedmysteries.blogspot.com/ Intrepid subscribers may also wish to know our noms des Twitter are @marymaywrite and @groggytales. Drop in some time!


Sunday, December 15, 2019

THE ORPHAN SCRIVENER -- ISSUE # ONE HUNDRED AND TWENTY -- 15 DECEMBER 2019

History records Sir Walter Scott as observing that we build snow statues and then weep when they melt. We suspect most hereabouts would cheer rather than weep, given we had our first major snowstorm a week or so ago, even though winter has hardly approached its starting blocks. If that isn't enough to chill your blood, read on...


ERIC'S BIT or BEE STINGS THEY WERE NOT

Recently I finished re-reading all twenty-one of John D. MacDonald's Travis McGee books. As a mystery reader, you probably already know that McGee lives on a houseboat in Florida and works as a "salvage consultant" who recovers others' property for a fifty percent fee. The novels appeared between 1964 and 1984 and the series was near the end before I discovered it. When I did, John D. MacDonald instantly became one of my favorite authors.

His work was so popular that I was easily able to locate the McGee novels I'd missed at library and garage sales and in used book stores. Then I started to hunt the numerous paperback originals he'd produced during the fifties and early sixties for publishers like Gold Medal. I must have accumulated a hundred old MacDonald paperbacks in various states of decay, many of the covers featuring young women whose relationship to the story within was as scanty as their clothing.

How popular the McGee books remain with the general public I can't say. Not very, would be my guess. He doesn't fit the modern detective mold. He isn't a loner or an alcoholic. He isn't the product of a dark past nor is he plagued by personal demons. His speech isn't terse, tough and full of wisecracks. Quite the contrary. He is prone to ramble on philosophically, for pages at a time. And he's more likely to deliver a lecture on environmental conservation than on the muzzle velocities of assault rifles. All of which probably precludes any new Travis McGee movie ever being made, more's the pity. (Amazingly there is only a 1970 film starring Rod Taylor and a television movie that, absurdly, moved the setting from Florida to California)

In one of Lee Child's books, Jack Reacher, breaking into a building, slits the throat of an unsuspecting night watchman. Not a villain. Just an anonymous night watchman. This is the sort of casual violence Travis McGee never engaged in. McGee was not a human killing machine. He used physical force when necessary but it troubled him. He didn't revel in violence, he regretted it.

John D. MacDonald's violence is real, not the cartoon violence we so often read these days. It hurts. It has lasting effects. A MacDonald protagonist does not get shot twice and keep fighting as if he'd suffered a couple of bee stings. McGee needs time to heal. Perhaps in our increasingly brutal era people don't like to be reminded about the reality of violence.

Don't get me wrong, I love modern action and comic book films, but I want something more true to life from time to time, especially from books.

Like his depictions of violence, MacDonald's bad guys are real. Disturbingly so. And horribly human. Not cartoons, so overblown as to be laughable. In more than one book a MacDonald character advances an idea that I believe. That there are human beings who are just plain bad. Without redeeming characteristics. Born bad. Not the result of twisted childhoods. Maybe this utter blackness of the soul is what makes MacDonald's villains so frightening.

Although I was introduced to MacDonald by his most famous creation, his non-Travis McGee books are equally good. Sharply written noir crime novels for the most part, they often had sociological undertones. For one thing he was a sharp observer of the corporate cancer that has metastasized in today's society. In A Key to the Suite, MacDonald describes the corporate gamesmanship and backstabbing leading to murder at a trade convention without ever identifying what the particular corporation produces -- because it doesn't matter, corporate environments being so similar.

Although Travis McGee has received only two movie treatments, MacDonald's 1957 novel The Executioners was filmed twice, as Cape Fear, in 1962 starring Gregory Peck and Robert Mitchum and in 1991 with Robert De Niro and Nick Nolte. I haven't seen either movie and I just finished reading the book for the first time last week. The plot concerns a lawyer and his family being threatened by a criminal he helped put in prison.

What distinguishes the book from modern thrillers I have read is, as with the Travis McGee series, its realism. The family does defend itself by reluctantly resorting to tactics they would never have imagined themselves capable of. However, they do not put on war paint and turn into superhuman ace marksmen and martial arts experts overnight, as seems to be the norm these days.

Though this is a recommendation of John D. MacDonald's writings, and his Travis McGee series in particular, I admit that today's readers might find the pace of the McGee books too slow and his ruminations could well try their patience. And, yes, from a modern perspective McGee may appear to be a male chauvinist. I prefer to think of him, as he tries to think of himself, as chivalrous.

Who knows, my perspective on MacDonald might say more about me than the actual books. But then that's the beauty of books. We make them so personal.


NECESSARY EVIL or THE BSP TICKER

TWO DEGREES FROM STEPHEN KING or DID WE REALLY SEE THAT?

We live about as far from the world of cinematic extravagancies as it is possible be, so it was especially strange to find ourselves suddenly appearing in a film starring Johnny Depp.

A few nights ago we watched Secret Window, the Depp vehicle based on a novella by Stephen King. At one point his character, a writer, is looking through the June 1995 issue of Ellery Queen Mystery Magazine to locate a story he needed to prove he had not plagiarized a fellow writer. As he flicks through the magazine, to our astonishment we caught a brief glimpse of our names at the head of a page and while we were still boggling, he consulted the index of contents. And there we were with The Obo Mystery, our first short story about Inspector Dorj of Mongolia. So the answer to our headline is yes, we did. Here's the content list for that issue:

http://www.philsp.com/homeville/CFI/t353.htm#BOT

RED-FACED or GET IT RIGHT!

Apologies are due to Gary Hogg, presenter of The Geordie Hour on Radio Tyneside. Last time around we declared it was repeated on Wednesdays at 9 pm, following initial broadcasts at 5 pm Sundays (their time, adjust as necessary for your time zone!). Well, we wuz wrong. Mind, Sunday at 5 pm was right, but the programme is now repeated at 7 pm Wednesday. As we observed at the time (no pun intended) we listen courtesy of the intertubez but several other options are listed here:

https://www.radiotyneside.co.uk/f18/main/pages/howtolisten.php


AN EXCITING THANKSGIVING WEEK or IT ALL MAKES WORK FOR THE WORKING MAN TO DO

Our holiday week could well be described as real life imitating art, for it followed a pattern similar to the story related in the old Flanders and Swann favourite The Gasman Cometh.*

Monday began with smoke and soot on the water heater. Obviously an emergency replacement was needed, but the plumber could not oblige until the chimney had been checked for blockages. Fortuna smiled, for the appropriate expert was able to came on Tuesday. He discovered the outside length of flue was almost choked with rust and had a couple of holes in it. In fact, when he shook it, it came off in his hand! His opinion was it was made of inferior material compared to the inside portion, which he judged to be of excellent quality.

Once the outside part of the chimney was replaced, raised, and strapped securely in place, the plumber was able to out next day to look over the situation, measure the niche where water heater lives, and give us a quote. He was of the opinion it dated from the eighties, when things were built to last. Unfortunately he could not return on Thursday due to the holiday, but arrived on Friday. As it happened, he was already booked to do a local water heater replacement that morning so would already be in the area. He arrived about an hour early as the first job was much easier to accomplish than expected. The householder had not pressed the reset button -- how embarrassing!

His arrival kicked off a series of events reminiscent of the Flanders and Swann classic, except compressed into one afternoon rather than a week. To begin with, he had difficulty emptying the water heater via the usual method of hooking a hosepipe to the heater drain. This meant having to turn off the water to the whole house and draining the water lines. This took 45 minutes to get the task done because the heater had so much sediment in it, one of the disadvantages of living in an area with hard water. As the work continued, it was discovered the gas valve needed replacement, so gas was cut off. Thus no heat and a cold house.

Even so, appliance replacement was now under way!

Onward he forged, detaching a tangle of old copper piping from the heater. Having done that, he realised he could not get it out of its niche. The solution: the vanity sink had to be taken off the little cupboard it perches on in order for both of them to be moved a few feet so the old heater could be hauled away. By which we deduced the vanity was installed after the heater.

The replacement water heater was brought in and it was discovered that although it featured the same 40 gallon capacity as the old one it was wider than its predecessor. At this point we began to wonder if knocking down part of a wall might be in the near future. But we were fortunate, as the new arrival only just fitted into its niche with a couple of inches to spare. Almost done now, no? No! The brand new gas valve proved to have a part missing but the plumber had the right type in his van. So with a new valve and replacement lines attached and gas and water restored, the heater fired up.

As Flanders and Swann observed all those years ago, household matters of this nature all make work for the working man to do. Once a certain amount of time has passed after dealing with this sort of difficult situation, we're generally able to laugh about all the mess and chaos involved -- but right now a feeble smile is really about all we can raise.

We are now taking predictions on which appliance will conk out next...

* https://genius.com/Flanders-and-swann-the-gas-man-cometh-lyrics


AND FINALLY

We are fast approaching the gate of the year. Before it creaks open to allow 2020 to come down the pike, we'll close with all good wishes for whatever holiday our subscribers celebrate and the same for the endeavours of those who don't. The next Orphan Scrivener will show up in your in-box on February 15th, the twentieth anniversary of its first issue. It hardly seems possible!

See you then!
Mary R & Eric

who invite you to visit their home page, to be found hanging out on the virtual washing line that is the Web at http://reedmayermysteries.000webhostapp.com/ There you'll discover the usual suspects, including more personal essays, a bibliography, and our growing libraries of links to free e-texts of classic and Golden Age mysteries, ghost stories, and tales of the supernatural. It also hosts the Orphan Scrivener archive, so don't say you weren't warned! Meantime, our joint blog, largely devoted to reviews of Golden Age of Mystery fiction, lurks about at http://ericreedmysteries.blogspot.com/ Intrepid subscribers may also wish to know our noms des Twitter are @marymaywrite and @groggytales. Drop in some time!


Tuesday, October 15, 2019

THE ORPHAN SCRIVENER -- ISSUE # ONE HUNDRED AND NINETEEN -- 15 OCTOBER 2019

Here we are in the season Keats famously described as one of mists and mellow fruitfulness. The mists we've woken to mornings of late and the mellow fruitfulness are here in displays resembling multi-coloured quilts adorning supermarkets and roadside stands. But a pair of recent light frosts also remind us winter is peering over the horizon, and if that's not enough to chill your blood, try reading on...


MARY'S BIT or GEORDIE REGGAE? AYE, IT'S A THING!

I've been known to declare I speak three languages -- English English, American English, and Geordie, the dialect of Newcastle on Tyne and, some say, Gateshead across the river. Ruined Stones, our second Grace Baxter novel, being set during Second World War Newcastle necessarily used the local terms in various characters' conversations. Ever helpful, we provided a brief glossary of terms used, and I was reminded of this when a friend in England asked me if Mr Maywrite was learning to speak Geordie.

But it didn't end there! Dear me, no. Not long afterwards the same friend wrote to say she had asked Gary Hogg, presenter of The Geordie Hour, to play something for Eric and I and that it would be broadcast the following week. And what is the The Geordie Hour you may ask? Well, it's an hour-long broadcast on Radio Tyneside's hospital radio network, and it's devoted to music by local musicians or those who are not from the area but have some connection to it. They also occasionally broadcast area stand-up comics or recitations after the fashion of Stanley Holloway, but with a local flavour.

Speaking of flavour, a couple of Sundays ago the programme played a Geordie reggae rendition of The Banana Boat Song, in which the chorus advises the singer he would get wrong if he divint gan eeyem (translation: he'll get in trouble if he doesn't go home).

Artists played includes not just the famous but also names unfamiliar to me, including Holy Moly & The Crackers, Pons Aelius (a nice nod to the city's Roman roots), and the Toy Dolls, whose James Bond Lives Down Our Street really ought to be nominated for the Rock Song Title Hall of Fame, if such there be. Mean to say, can programme listeners really see 007 catching the number 32 bus, though doubtless he would do it in style.

Adding to the fun for me is hearing the familiar accent again. Some experts reckon its roots are in the Scandinavian and Germanic languages spoken by the Anglo-Saxons, and others opine there was a strong Celtic and Norse influence on its development. Which may well be so but alas, for the fleeing sands of time! My family in England have been known to observe I am losing my accent. True, at times it's been thought to be Scottish or (oddly to my ear at least, no pun intended) even Australian, when it isn't being guessed as demonstrating New England origins. However, if any subscribers have an interest not only in the programme content but also in hearing purer Geordie than mine -- and why not, given those accents were voted the most appealing in the country a decade or so back? -- the Hour is broadcast at 5 pm on Sundays their time and repeated on the following Wednesdays at 9 pm. We listen courtesy of the intertubez but there are several others options as listed here:

https://www.radiotyneside.co.uk/f18/main/pages/howtolisten.php

On that particular Sunday we were surprised to hear not one but three call-outs to us during the course of the programme. And the recording Gary played for us as the Hour ended? A brass band performing Tyneside songs. Their selection included the city's unofficial anthem Blaydon Races, which relates the eventful journey of a crowded omnibus gannen (going) along Scotswood Road to visit the titular races. At one point the fast-moving bus loses a wheel, resulting in an accident causing some riders to have broken noses and ribs. Local landmarks are noted as the bus belts past them, including the Armstrong factory as it was known in 1862, the year in which the song is set and thus well before its merger with Vickers.

It was a particularly appropriate choice, because the street in which the Reed family lived ran down to that very road, debouching opposite the Vickers-Armstrong canteen. So the lyrics and that particular recording of Blaydon Races also evoke memories of Sunday mornings, when four or five Salvation Army members playing brass instruments would come around regularly to play on street corners, including ours.


NECESSARY EVIL or THE BSP TICKER

That faint clicking you hear is either death watch beetles at work in the antique timbering of Maywrite Towers or the sound of the BSP ticker idling, for there is but one item of news this time.

We have been experiencing some bother getting the August Orphan Scrivener distributed, and even now we are not certain it was actually transmitted. So if any subscriber did not receive that issue, they may like to point their clickers to our website, where it can now be read at

http://reedmayermysteries.000webhostapp.com/tos118.htm


ERIC'S BIT or I LICKED THE STAMP HABIT

A few days ago I picked up a sheet of the new postage stamps commemorating the first moon landing. I asked for them because I liked the way they looked and the milestone they depicted, not because I am a collector.

In my wild youth I did have a brief fling with philately but nothing came of it. Yes, I licked my stamp habit. I couldn't tell you what became of my album, or even whether it was a Harris or a Scott. Collecting has never appealed to me, especially when it mostly entails looking through catalogs and spending as much as you can afford to accumulate things. But that may be because I could never afford to spend much.

My dad collected stamps and succeeded in getting me interested for a while. Those old bits of printed paper commemorating ancient events and personages long dead were fascinating and educational. As a child I had never heard of the Italian freedom fighter Garibaldi, or the Columbian Exposition or Franklin Roosevelt's Four Freedoms. Also, the commonest stamps could be had very cheaply.

To be honest though what fascinated me most were the eccentric varieties of postage. I liked the stamps which were relegated to the back of album, stamps I'd never have reason to see, like registered and certified delivery postage.

Foreign countries produced the most exotic stamps. Tonga's banana shaped stamp for example, or the rose scented stamps issued by Bhutan years after my interest had waned. Bhutan also put out a stamp which, when placed on the phonograph, played the country's national anthem. Serious collectors abhorred this sort of thing and for good reason. They weren't real stamps in the sense that they were intended to be used for postage. They were printed outside the issuing countries to be sold to collectors and probably never graced an envelope in Bhutan or Tonga.

One set of stamps was issued by the American owners of Kaulbach Island in Canada. They were only to be used to prepay the cost of a carriage service that operated between Kaulbach Island and Chester, Nova Scotia. The bottom of each sheet of Kaulbach Island stamps provides the following instruction: "Not valid for the carriage of mail by the Canada Post Office. To be used only in the Kaulbach Island Local Carriage Service and may be placed only on the back of envelopes. Use Canadian postal stamps on all mail for posting in Canada."

I guess Mary and I could issue stamps to be used only for the transport of mail from our local post office to Casa Maywrite.


AND FINALLY

Thus ends this All Banana Issue, so we'll close by reminding subscribers that, courtesy of the seemingly magical and invisible machinery we know as the intertubez, we shall reappear in subscribers' in-boxes on December 15th.

See you then!
Mary R & Eric

who invite you to visit their home page, to be found hanging out on the virtual washing line that is the Web at http://reedmayermysteries.000webhostapp.com/ There you'll discover the usual suspects, including more personal essays, a bibliography, and our growing libraries of links to free e-texts of classic and Golden Age mysteries, ghost stories, and tales of the supernatural. It also hosts the Orphan Scrivener archive, so don't say you weren't warned! Meantime, our joint blog, largely devoted to reviews of Golden Age of Mystery fiction, lurks about at http://ericreedmysteries.blogspot.com/ Intrepid subscribers may also wish to know our noms des Twitter are @marymaywrite and @groggytales. Drop in some time!


The Orphan Scrivener -- Issue # One Hundred and Fifty-Nine -- 15 June 2026

The noiseless feet of time have been marching in double-quick cadence this last couple of months since in retrospect it seems only a few day...