Saturday, December 15, 2018

THE ORPHAN SCRIVENER -- ISSUE # ONE HUNDRED AND FOURTEEN -- 15 DECEMBER 2018

Since we last darkened subscribers' in-boxes, we've had an eventful time of it (in the Chinese curse sense) after three household appliances -- washer, cooker, and heating boiler -- got together in a plan to conk out within a month or so of each other. At the time of writing they've been replaced or repaired, so hopefully there won't be more domestic drama for a while. Speaking of which, we present this last issue of Orphan Scrivener for the year. Have at it!


ERIC'S BIT or AN OLD-FASHIONED CHRISTMAS

Christmas isn't what it used to be -- driving SUVs to crowded malls to buy electronic gizmos to stick under artificial trees. Give me an old-fashioned Christmas like the ones I used to know.

Driving a Volkswagen Beetle through the white and drifted snow put one in touch with the winter season. The heater used to blow flakes into the interior and everyone emerged with rosy cheeks at the shopping center.

Those quaint old shopping centers had real stores. You needed to go outside to visit each one. They weren't just big rooms all under the same roof. It's just not Christmas without icy sidewalks and rock salt stains on your shoes.

And none of this tree in a box, some assembly required rubbish. If you wanted a tree in the old days you had to trek through the wilderness of the Agway parking lot to make a selection. When you got home you needed to hack the bottom of the trunk to make it fit the tree stand.

Then there are today's electronic games. Where's the holiday spirit in that? An electric speedway race car set...now there's a gift that says Noel.

Everything these days is too far removed from nature. When I lived in New York City I turned on my good old-fashioned black and white television set and while carols played in the background watched a grainy picture -- just like grandpa used to see -- of a real burning yule log. Kids today don't even know what a yule log is. Or a black and white TV.

No, the holidays aren't what they used to be. Even the aftermath is different. If you overspent and were late with a department store payment you'd receive a little note, which typically began "Maybe you forgot?" Do you remember polite bill collectors? That was a long time ago.


NECESSARY EVIL or THE BSP TICKER

There's a fair bit of news to cover so follow the ticker tape...

AN EMPIRE FOR RAVENS HAS FLOWN or THERE'S A GIVEAWAY!


Now that An Empire For Ravens has taken wing into the world, reviews are beginning to appear. The latest is online over at Kings River Life, where Diane Hockley recommends John's latest adventure, saying "This twelfth story in the John, the Lord Chamberlain, series does not disappoint. Although the story starts slowly, it builds to a crescendo of violence, betrayal, and tragedy as the answer to Felix’s disappearance unfolds. John is an interesting and sympathetic character, enigmatic but immensely likable." Oh, and there's a giveaway too!* Point your clicker here for more info:

http://kingsriverlife.com/12/08/an-empire-for-ravens-by-mary-reed-and-eric-mayer/

*Ends December 22nd!

A SECOND CHANCE or MURDER IN WARTIME REDUX


On Veterans Day Mystery Readers Journal editor Janet Rudolph reposted a link to the summer 2017 issue. Its theme was Murder In Wartime and our essay appeared therein. Entitled His Debts Were Settled At Last, it concerned the real life case of a murderer who thought he had covered his tracks exceedingly well -- but was wrong. While ours is not online, links lead to essays by James Benn, Maureen Jennings, and Peter Lovesey. Index of all contributors and their topics:

https://mysteryreadersinc.blogspot.com/2018/11/murder-in-wartime-mystery-readers.html

TEN AUTHORS SPEAK! or WE HAVE IT COVERED


On 30th October ten authors contributed their thoughts on covers by nominating a favourite and commenting on why it caught their eye. After all, a striking cover encourages readers to pick up a book and isn't that one of the most important steps towards making the purchase?

https://annelouisebannon.com/mary-reed-does-a-survey-on-book-covers/#.W9iz-2hKieE

Anne's blog is an eclectic mix of her various passions, including sewing, cooking, and living green, as well as presenting a variety of stray thoughts plus guest posts, featuring authors writing about their work or themselves.

ACCENTS AHOY! or RUINED STONES RETURNS


December 4th saw the debut of an extract from our WWII mystery Ruined Stones featured on Kings River Life's Mysteryrat's Maze podcast. Actor Paddy Myers did a marvellous job all round, especially on the varied accents involved, so we listened with grins from ear to ear. The podcast is available at

https://mysteryratsmaze.podbean.com/e/ruined-stones-by-eric-reed/

and is also available on iTunes and Googleplay.

Podcast episodes feature short mystery stories and chapters of mystery novels read by actors from California's San Joaquin Valley. As new episodes are uploaded, older ones may be accessed at https://mysteryratsmaze.podbean.com/ To check whose work will be featured and when, sign up for the newsletter at http://tinyletter.com/kingsriverlife

MORE REVELATIONS or OLD CONNECTIONS


On November 1st Book Reporter uploaded a new interview, whose revelations included how we connected with the then very young Poisoned Pen Press (an unlikely story if ever there was one), why the Gutenberg site is our friend, and how our writing approach is derived from world-building in science fiction and fantasy.

https://www.bookreporter.com/authors/mary-reed/news/talk-110118


MARY'S BIT or DON'T LEAVE HOME WITHOUT ONE!

Ambrose Bierce's Devil's Dictionary defines a barometer as an ingenious instrument indicating what kind of weather someone is having. This stuck in memory because a while ago I suddenly noticed a positive rash of barometers appearing in all manner of cinematic and TV productions as well as the written word.

So just for the heck of it, I started to note them down as spotted. They're proving to be more numerous than anticipated, in the strange way that sometimes happens once you become aware of a particular thing. A couple of examples: there are two John Mills films where a barometer was observed lurking in the background -- The Long Memory, a crime film wherein Mills played a man falsely imprisoned for murder who returns after his release to enact revenge on those who framed him, and The October Man, featuring an excellent noir plot in which his character, because he is suffering badly from the result of a brain injury, is not certain if he's guilty of murder or not.

On the less fraught front, Dry Rot, adapted from a popular farce of the type presented for many years by London's Whitehall Theatre in London. Starring Brian Rix, a mainstay of this type of comedy, the plot concerns a kidnapped racehorse (its French jockey is also grabbed), both hidden in a secret room in a country hotel equipped with the hall barometer so commonly seen in a certain class of household and hostelries. Did Rix lose his trousers at some point? Of course he did! Meantime, pint-sized comedian Arthur Askey's character is working as make-up man for a TV network in Make Mine A Million and assists shady Sid James to publicise a new brand of washing powder by breaking into national broadcasts with advertisements, in what may well be the earliest cinematic example of a hacking.

As for TV appearances, subscribers may have noticed the barometer in the hall of the BBC's historical reality show The 1940s House, another in the foyer of the Fawlty Towers hotel in John Cleese's comedy series, and a truly magnificent specimen in an episode of The Ghost and Mrs Muir.

There's even an historical mystery reference for aficionados. The instrument is mentioned in The Reigate Puzzle, the sixth story in Conan Doyle's Memoirs of Sherlock Holmes. A burglary takes place in a country house near the titular town, the thieves running off with a strange collection of loot, to wit, a volume of Homer, a pair of candlesticks, a letter-weight, a ball of twine -- and a small oak barometer. Holmes of course immediately deduces what this odd assortment means.

Finally, a couple of favourite literary references from A Tramp Abroad, in which Mark Twain relates the amusing origin of barometer soup and the tale of the narrow escape of a Mont Blanc guide who was among those swept away in an avalanche. About to fall into a glacier crevice as happens to the other sweptees, his life was saved by the long barometer strapped to his back. It served as a bridge across the chasm, holding him suspended there until rescuers arrive.

Cautious Alpine travellers, there you have it. Barometers: Don't Leave Home Without One!


AND FINALLY

We'll close with best wishes for the season to our subscribers and a hope the new year will be better for all of them than the current year has been, while also reminding them that the next Orphan Scrivener will arrive in their in-boxes on 15th February.

See you then!
Mary R and Eric

who invite you to visit their home page, to be found hanging out on the virtual washing line that is the Web at http://home.earthlink.net/~maywrite/ There you'll discover the usual suspects, including more personal essays, a bibliography, and our growing libraries of links to free e-texts of classic and Golden Age mysteries, ghost stories, and tales of the supernatural. There's also the Orphan Scrivener archive, so don't say you weren't warned! Our joint blog is at http://ericreedmysteries.blogspot.com/ Intrepid subscribers may also wish to know our noms des Twitter are @marymaywrite and @groggytales Drop in some time!


Monday, October 15, 2018

THE ORPHAN SCRIVENER -- ISSUE # ONE HUNDRED AND THIRTEEN -- 15 OCTOBER 201

We are now at that time of the year when mornings are slower to dawn and nightfall is drawing in something shocking. Samuel Taylor Coleridge described the latter indication of advancing winter wonderfully well when he observed that the dark comes at one stride. Another thing that arrives at one stride, although in its case it's via the unlit tubes of the interwebz, is this latest issue of Orphan Scrivener. Click on your lights and read on...


MARY'S BIT or AT LEAST THERE WERE TREES IN THE CEMETERY

It's about a fortnight to Halloween, when the spirits of the departed are said to pass through the veil between us and them for just that one night. Yet it's possible in some places they don't have to wait for late October to visit our side, given my brother once advised us younger siblings if we happened to be waiting at the bus stop next to the cemetery at the top of our street we should never turn round if someone tapped on our shoulder.

My contention is if such tappers of shoulders were able to make the journey during daylight they would not have to wait until I wanted to catch a bus at night, because while I was never in the cemetery during the dark hours I was quite often there of a weekend afternoon strolling about or tidying up overgrown graves, none of which had any connection with the Reeds since nobody in our family was buried there. Even so, there were neglected resting places requiring attention and I was there so why not do it?

It is sad to think of a family dying out completely or circumstances forcing them to move away, no longer able to keep weeds down or bring a bunch of flowers or talk to their departed loved ones. Then too I have no doubt there are many sad stories to be told of someone falling out with the rest of their relatives, who now cannot bring themselves to at least keep their final resting place in good repair. There's many a tale hidden in cemeteries and not all of them as complimentary as most epitaphs. In fact, when pondering that point we would do well to recall the slogan of the News of the World: all human life is there. Except in this case the lives involved are now extinct.

Newcastle's St John's Cemetery, familiarly known as Elswick Cemetery, covers about twenty acres of sloping terrain facing south, giving a panoramic view of the River Tyne and beyond. It has elaborate gothic gateways and now disused buildings -- a couple of lodges, a chapel for members of the Church of England and another for dissenters -- all in a state in sad disrepair these days.

My favourite monuments were the beautiful, if soot encrusted, angels. Since the cemetery opened in Victorian times, its tombs, gravestones, and memorials were soon blackened, inscriptions flaking away by the action of the acid atmosphere locals enjoyed before the Clean Air Act.

Speaking of angels, my favourite was across the river in Gateshead's Saltwell Park. Whenever there I visited the angel, portrayed with magnificently outspread wings and holding out a chaplet representing peace for the fallen. A memorial to Gateshead men who died in the Boer War, it's situated within sight of Saltwell Towers, an ornate red brick Victorian mansions. As a child I often wished I could live there. I particularly enjoyed strolling along its crenelated walk overlooking a maze created when the original family occupied the Towers. Many's the time I've leaned on that wall looking down into alleys of clipped yews, especially when visitors to the park were fumbling around in them trying to find their way out again. The older me has pondered more than once what a wonderful setting house and maze would be for a murder mystery. One day perhaps.

Crossing back over the river, Elswick Cemetery was one of my childhood favourite places. There were trees! Actual trees! You'd have to trek a fair way from our street to see any trees once outside the cemetery, set as it is amid an urban sea of streets of terraced housing with slate roofs and concrete back yards in a city of shipyards, factories, and foundries. During those years if I was not up in our attic reading, I was most likely to be found somewhere on that quiet twenty acres.

Given my affectionate memories of these places, it's not surprising Elswick Cemetery and the Boer Memorial both make appearances in Ruined Stones, our second Grace Baxter novel. However, it was not until we were writing it that I realised I must have passed by Dr John Hunter Rutherford's grave numerous times when wandering about Elswick Cemetery, not knowing at the time the grammar school I was to attend years later was named after him. In fact, it was not until then I learned the school motto is his clan's motto, engraved on his monument -- nec sorte nec fato, meaning neither by chance nor fate.

And speaking of fate and chance, we've had three narrow escapes from suddenly falling trees somehow missing us, the house, or the buggy. I guess our guardian angels were on the job!

Since a photograph is worth a paragraph or three, interested parties may care to view these excellent examples. Dr Rutherford's grave (scroll down the page)

https://www.skyscrapercity.com/showthread.php?t=982536&page=181

Saltwell Park's Boer Memorial, with a sun-lit Saltwell Towers in the background

https://en.wikipedia.org/wiki/Saltwell_Park#/media/File:Boer_War_Memorial,_Saltwell_Park_-_geograph.org.uk_-_1580717.jpg


NECESSARY EVIL or THE BSP TICKER

This time around, the ticker is trotting out a fairly fast footage so let's get right to it.

LAUNCHING SOON or AN EMPIRE FOR RAVENS ON THE RUNWAY

In just over a week's time An Empire For Ravens takes flight. While the official publication date is 23rd October, it's already available for pre-order at the usual suspects on and offline. PW gave it a starred review, describing it as outstanding and adding "The cleverness of the plot and the solution to the murder are among the series’s best." Full review here

https://www.publishersweekly.com/978-1-4642-1065-5

STOP PRESS or AN AUTHORIAL CRIMESPREE

We heard this very afternoon Crimespree Magazine has just published our Five Things About... interview, in which we chatted about how we came to be published by Poisoned Pen Press -- an unusual tale as we would be the first to admit -- our co-writing method, and the extensive research needed for An Empire For Ravens, given neither of us have set foot in Rome.

http://crimespreemag.com/five-things-an-empire-for-ravens-by-mary-reed-and-eric-mayer/

AN OVERLOOKED RESOURCE or ADVERTISEMENT: WRITER SEEKS IDEAS

A question often asked of writers is where they find their plot ideas. There are numerous places to stumble over them, but an unusual and somewhat overlooked resource is described in our guest essay for the Writers Who Kill blog -- with several examples even!

https://writerswhokill.blogspot.com/2018/10/advertisement-writer-seeks-ideas-by.html

Founded in 2010 by mystery authors, the Writers Who Kill blog features writers at various stages in their careers, providing a venue for them to discuss aspects of writing and books as well as offering opportunities for guest author interviews and essays.

WORLD RULER MARRIES WORKING GIRL or AN UNLIKELY STORY?

Sounds like a tired trope: world ruler marries working girl, and together they help the downtrodden, living happily ever after. But how many of those couples are later considered saints by the Eastern Orthodox Church? Suzanne Adair's Relevant History blog features guests showing just how non-boring history is, and never mind what you thought about it in high school! Our contribution deals with an unusual and important aspect of the unlikely story of Justinian and Theodora.

http://bit.ly/2OKRaaU

JOHN GRILLED or HIS GREATEST FEAR, AMONG OTHER TOPICS

John was grilled like a kipper by Lois Winston for her Killer Crafts and Crafty Killer blog. Revelations therein include one of the strangest things his biographers had him experience, what he dislikes about himself, and his greatest fear.

https://anastasiapollack.blogspot.com/2018/10/book-club-friday-interview-with-mary.html


ERIC'S BIT or A NIGHTMARE AT THE MALL

Sometimes I wonder why we aren't afraid to doze off every night. You never know what you're going to run into in your sleep. In my case it usually isn't good.

The other night I came to consciousness abruptly with Mary shaking my shoulder, the final reverberations of a hideous scream still echoing in my ears.

"Are you awake? You were yelling. What was it?"

"A nightmare."

"I gathered that. About what?"

Generally my dreams leak back into my subconscious like a retreating fog before I can recall them, but this time I grabbed hold of a wispy tendril and yanked the nasty thing back into the light.

"We were visiting the mall."

Dawn must have been near because the bedroom windows showed as grey rectangles. Strange how the worst of night's terrors stalk the borders of day. There wasn't enough light yet to see the perplexity on Mary's face but I could hear it in her voice. "I know you don't like shopping but--"

"Well, you see, we went with my parents. My dad had just brought a lion home. The lion went with us too."

"A lion? What did your father want with a lion?"

"I have no idea. If he had an urge for a lion...." I shrugged even though Mary couldn't see me, the same way I gesticulate when I'm on the phone. "Anyhow, on the way to the mall there really wasn't enough room in the back of the car for the two of us and a fully grown lion. Besides, I was a little concerned about whether it was entirely tame."

"Then you started yelling?"

"Nothing happened in the car. Then we were sitting on one of those low, blocky seats they always have in the middle of mall corridors. Like a square, hard ottoman. Is there a name for them?"

"I'll Google it when we get up. I'm surprised everyone fit on the seat."

"Probably it was just the lion perched there. "

"Salivating over the passing shoppers?"

"Actually the place was deserted. Everything was dim, like when they start to turn the lights out at closing time. But I realized that half the money in our bank account had vanished."

Mary agreed that would be enough to make anyone scream and asked how I had found out. I tried to recall but had to admit I couldn't. My dreams invariably give the impression of having stretched far back beyond the final scenes I can remember. "At any rate, I wanted to go to the bank's branch office to see what was going on."

"Perhaps your father bought the lion on your debit card?"

Somewhere in the gray light beyond the window a bird sang out, no doubt causing the hearts of several earthworms to palpitate in terror as my heart still did, provided the aortic arches that serve earthworms as hearts can palpitate. "I needed to find the bank. I walked along the nearest corridor, then turned down another. The whole place was in a weird half-light. Most of the storefronts were boarded up. There seemed to be construction going on. Black plastic tarps hung from the ceiling in places, hiding whatever was behind them."

"Suddenly an eldritch horror burst out from behind one of the tarps?"

"No. Nothing like that. It was a lot worse. I noticed a woman coming along the corridor towards me."

"A hazy indistinct shape?" suggested Mary, a hazy, indistinct shape in the faint light from the gradually brightening windows.

"No, she was just like anyone you'd see at the mall. I wish I could tell you she was a foggy wraith, a noctilucent phantom."

Mary asked me why.

"Because I really like the word noctilucent, don't you? Now, picture it. I'm in this gloomy, empty corridor of boarded-up stores, the mouldering ruins of ancient Merry Go Rounds and Father and Son Shoes. And this woman is coming towards me, the only living thing I've seen here."

"Except for the rest of the family and the lion?"

"They're all out of the story at this point. Dreams are funny that way. So then she walks past me and as she does, she says 'The mall is closed'! Which is when I started screaming."

"'The mall is closed'?"

"Please, don't repeat it. Makes me shiver just remembering it."

"You were screaming because the mall was closed?"

"I guess you had to be there."


AND FINALLY

We don't know about what's now happening there but since subscribers have arrived here, we'll close with a reminder the next issue of Orphan Scrivener will roar into their in-boxes on 15th December.

See you then!
Mary R and Eric

who invite you to visit their home page, to be found hanging out on the virtual washing line that is the Web at http://home.earthlink.net/~maywrite/ There you'll discover the usual suspects, including more personal essays, a bibliography, and our growing libraries of links to free e-texts of classic and Golden Age mysteries, ghost stories, and tales of the supernatural. There's also the Orphan Scrivener archive, so don't say you weren't warned! Our joint blog is at http://ericreedmysteries.blogspot.com/ Intrepid subscribers may also wish to know our noms des Twitter are @marymaywrite and @groggytales Drop in some time!


Wednesday, August 15, 2018

THE ORPHAN SCRIVENER -- ISSUE # ONE HUNDRED AND TWELVE -- 15 AUGUST 2018

August has been described as summer's last messenger of misery, and we venture to declare most, if not all, of us would nod in weary agreement as heatwaves continue here and abroad. Alas, August is also the month when another issue of Orphan Scrivener slinks forth to add to subscribers' gloom. And here it is...


ERIC'S BIT or KING OF THE WILD SUMMER VACATION

When I was thirty and writing about my so very recent childhood, I remarked on how summers between school years seemed to stretch on forever as if that was something that anyone who'd ever gone to school or been a child needed to be told. Recently I've come to realize there is a different kind of truth to the old cliche.

In fact, those summers have lasted forever for me. The detail and persistence of my memories of living them have permanently shaped the mythology of my life and my interpretation of everything that has happened to me since. This is true of all my recollected past, but those summers, early and filled with fresh, vivid experiences, have had an especially strong effect.

Just the other evening as I started up the stairs to the office I paused to glance out the back window into a gray twilight, already thickening into night under the bushes and ferns at the border of the woods. At the edge of my vision a flash of green appeared high in the air, vanished, then reappeared closer to the center of the yard for an instant. My mind wanted to draw a dim line of imagined luminescence, a stop-action animation, joining where the flash had been to where it was.

On an another July evening, decades ago, around the edges of the big lawn, in the dark massed brush between a cottage and a creek, in the shadowy bergamot, beneath the black, drooping boughs of hemlocks, a thousand fireflies flashed in and out of existence. Our brains do not like randomness, particularly when it is too big to grasp, so almost immediately, practically before the last pale line of sunset had faded from above the rolling mountains, the insects appeared to have synchronized, like a neon sign, shattered into innumerable tiny pieces yet still blinking in unison. No longer tiny, individual fliers, but a huge, mysterious pattern, beating against the darkness.

After that, how could I ever be satisfied with a single firefly, or even a few? Right then and there was fixed in my mind the ideal summer night, that all summer nights would be judged against.

Similarly how could I be happy with a handful of days off from work once I had experienced the eternity of freedom between third and fourth grade? For that matter, why was it necessary to work so hard for a living when I was used to earning all the money I needed by ambling about, picking up returnable soda cans careless parkgoers left littered next to the brick grills and picnic tables under the birches? It didn't take many five cent deposits to purchase all the red hot Atomic jawbreakers and fudge popsicles I needed.

There was during those summers one instance of great good luck, or so I imagined. It was the year I collected Davy Crockett cards. What a thrill it was to open the crinkly wax paper, pop the hard slab of gum into my mouth, and wipe pink dust off the first card in the pack. What would it be? A picture I'd never seen, or just another of the boring pictures of Davy fighting Indians, of which I already had a dozen duplicates? The bubble gum was too sweet and the flavor barely lasted as long as it took me to go through the five cards. At the beginning of the summer nearly every pack held a new treasure. But as my collection grew so too did my disappointments. More and more often I found only familiar pictures.

The little store that sold the cards and penny candies and other items vacationers might want sat beside the road not far from the park. I recall setting out on my almost daily quest, having saved up a quarter or so from my soda can collecting. At the road I walked alongside the macadam which was hot enough to burn the soles of your feet if you didn't move fast enough.

As the end of summer neared and the unthinkable horror of school loomed, I had found 79 out of the set of 80. I lacked only Number 76 -- A Bullet Finds Its Mark. Week after week (or so it seems in recollection) I looked for that card, only to find more damned Indians. The taste of the gum was practically enough to give me a belly ache. Was #76 rare, like a Mickey Mantle baseball card? But why that card in particular, which I knew from watching the Disney series must show the death of the gambler on the ramparts of the Alamo?

It was the very last day at the park, or near enough, that I trudged to the store in despair and took the pack the proprietor kindly handed to me. I had all but given up hope as I opened the wax paper, pushed the gum aside, and ran a finger through the dust. And to my amazement there he was, Thimblerig the gambler, bent over from the impact of a musket ball to the chest.

Victory!

Years later I was told that the store owner, having heard often enough about the card I lacked, had unwrapped and examined every pack in the cartons he had so he could hand me the appropriate one.

Though the park is long gone, replaced by a gravel parking lot, those childhood summers have stayed with me. As the years have passed I've kept searching, hoping to find that final thing -- whatever it might be -- that will make everything complete.


NECESSARY EVIL or THE BSP TICKER

Our anxious waiting period is over! The ticker just coughed out the first notices for An Empire For Ravens and to our delight Publishers Weekly has awarded it a *starred* review. Declaring it to be "outstanding", the reviewer is of the opinion "The cleverness of the plot and the solution to the murder are among the series’s best." Hurrah!

Meantime, Kirkus Reviews thought the novel "places the reader in the middle of the turmoil of sixth-century Rome and into a tense historical mystery."

Available in four editions, An Empire For Ravens appears in October and may be pre-ordered from

Amazon

https://shorturl.at/oCUV0

directly from Poisoned Pen Press

https://poisonedpenpress.com/books/an-empire-for-ravens-a-john-the-lord-chamberlain-mystery-12/

or from the usual suspects on or offline.

A brief description for interested parties:

Emperor Justinian's former Lord Chamberlain, John, receives a letter from his longtime comrade Felix, and, placing loyalty to a friend above his own safety, risks defying imperial edict by leaving his exile in Greece for Rome where Felix is in some kind of trouble.

For years a Captain of the Excubitors at the court in Constantinople, Felix has achieved his ambition to become a general when Justinian sends him to serve under General Diogenes in fighting for Rome against the besieging Goths.

John’s covert entrance into Rome is ambushed, driving him deep into ancient catacombs before he exits into the heart of the city. Arrested and brought before Diogenes, John learns that Felix is missing. It has been two days since he went to call upon Archdeacon Leon, a troublesome man at the heart of Felix’s dispatch to the city.

When sent to lodge at Felix’s quarters, John finds the household in disarray, evidence that Felix has taken a questionable lover and run up his usual debts, and someone is rifling supplies. Then a young woman servant, also missing, is found dead. John has many mysteries to solve before Diogenes’ courier to Justinian can return and prompt John’s immediate execution.


MARY'S BIT or WHEN APPLIANCES TURN ROGUE

Last summer I described the battle to get our lawnmower to start. I'm happy to report this year the mower has been behaving itself better. Indeed, this week it took only three pulls on the string thingy to get it chugging away.

In retrospect, the lawmmower aggravation could well have been an omen of the distressing pattern now developing at Casa Maywrite. Subscribers will remember in the last newsletter I mentioned they were conspiring to misbehave, although fortunately not in a murderous fashion as in the Benny Hill Show sketch when appliances turned rogue and attacked their owners.

Here, the fridge led the charge. It's an ancient model. So ancient that when we called the manufacturer about replacing a crisper drawer, the customer service representative could not find it in their list. So it's fair to say the model is at least thirty years old but while we can manage with the current crisper, the freezer compartment is more problematic. It works as it should and items remain rock solid in there, well, except ice cream tends not as firm as we might like, but its door is a miracle of improvisation. Its hinge was already broken when we arrived but we've managed to get it to work with a curious arrangement formed of bent wire and stretchy hair bands. We've been seeking a possible replacement for some time now. When the current appliance is retired it could serve as a garage beer cooler, if we ever drank beer and had a garage. But someone might like to take it for that purpose when the time comes.

The problem is the new fridge must be small enough to navigate the space between cooker and the corner of the stairs, since a niche under the latter is the only place it can go. Further, it must be below a certain height, depth, and width to fit the available space. So far all we've been able to find are either too small or too tall. The fellow at the store whence will come our cooker was not hopeful about our finding a model of the right height, given the current available sizes of these appliances. So the search goes on. Wish us luck!

However, the bigger difficulty we have is the gas cooker. A while ago its oven suddenly took to opening with a crash, due to a malfunctioning door rod. Either that or gremlins have taken up residence in the crawl space. Plus now the oven cannot be relied on to maintain the set heat. All in all, it seems a better idea to replace it rather than have it repaired, though spare parts are still available though the model itself is not.

An easy solution, no?

Ha!

For a start, due to the kitchen's configuration there's only space for an apartment sized cooker. These may be ordered online, but that won't work for us because we'd still have to find a gas fitter. Fortuna however smiled and we've just found a local source happy not only to provide a cooker of the right size but also to deliver and install it, and take the old one away. Can't shake a stick at that for service, can you? It may be a few weeks before it's available, since they sends in orders in batches of ten, but should things become really desperate, special delivery is available at additional cost. Stay tuned!

Irony however is not dead. Less than ten minutes after the buggy rolled home after visiting said shop, a small white service van drew up next door, its side boldly announcing it to be from an appliance repair business. The mechanical universe may conspire against us but does it have to taunt us as well?


Friday, June 15, 2018

THE ORPHAN SCRIVENER -- ISSUE # ONE HUNDRED AND ELEVEN -- 15 JUNE 201

Lately our household appliances have been getting together to misbehave, so our recent days have not featured dances of delight (obligatory tip of chapeau to Phil Ochs). Even so, Orphan Scrivener waltzes along and so strike up the band!


MARY'S BIT or IF YOU WERE A GHOST...

Summer is here and that means an increase in entertaining indoors and out. For the socially shy such occasions can be nerve wracking and the biggest question to be faced is how to start a conversation with a stranger?

When I was in my teens offering a light was a sure-fire way to get the conversational ball rolling, but that possibility is now largely gone with the smoky wind, despite encouragement offered by the Singing Postman's 'A 'Ee Got A Loit, Boy? sung in broad Norfolk dialect -- so much more comfortable than formal dress, no?

I never had much patience for another popular opening, an enquiry about birth signs. However, impatience is a trait astrologers generally connect with Sagittarius -- not my sign, so make of it what you will. If you have the patience.

Many conversations in these jamborees start with a query concerning what the other party does to scratch out a living, why not ask about interesting or comical incidents at their workplace instead?

If asked the latter question I would relate the fraught occasion when I dropped the tray while taking the visiting chairman of the board's light lunch to him. The ham and salad were scattered far and wide, the coffee puddled at my feet. Panic ensued among the other secretaries. It was early closing day and so replacing the all important ham was just not possible. So I washed it extremely well, gave the salad a second thorough sluicing, made more coffee, and brazened it out. When I collected the tray our chairman said it was the best ham he had ever tasted.

Then there was the time I was offered the very nice job on which I had set my sights. I am convinced to this day I snagged it because the boss and I spent most of the hour long interview discussing The Lord of the Rings, both of us being Tolkien fans. How did this meeting of the minds come out? Because I was asked about my hobbies and replied reading was important to me. I am not so sure such a question would even be allowed these days.

Another good conversational opening: the most embarrassing incident the other person saw. For example, when I still lived in England I happened to be in a fish and chip shop among several people standing at the counter chatting to the fryer while waiting for the next batch of chips to be cooked. A fellow came in and gave one of my fellow queuers a hearty boot in the rear. Needless to say, he immediately whipped around and confronted the kicker, who went pale and said "I thought you were someone else!" There has to be a story behind the incident, but I never learnt what it was, alas.

A handful of gambits more recently composed with my immediate thoughts on what I would reply if asked myself. What's on your bucket list? (To see the sea again). I've often wished I could tap dance, how about you? (True, but I don't think my wonky ankle would like it). Ever noticed how the sets of many TV shows or films have a barometer in the background? (We have, and they are more numerous than might be thought. Also, says Eric, sightings of a stuffed bear). What's your favourite remedy for flu? (Try a lemon drink as hot as you can stand it and then off to bed immediately). If you were a ghost, where would you haunt? (Still debating that one).

I do have a natural advantage when beginning conversations with strangers. It's not so much starting one as just listening once the other person hears my accent, for I find a high proportion of people I have met in this country have either been to the UK or would like to visit it. So we get along like a house on fire comparing notes on places they've visited over there or would like to see one day.


NECESSARY EVIL or THE BSP TICKER

And now for the first of this year's summer round-ups...

AWAY THEY FLY or NERVOUS DAYS ARE HERE AGAIN

ARCs of An Empire for Ravens are currently flying off to reviewers, and once again the dark talons of anxiety grip us. It's curious, we admit, but no matter the nature of the first review, once it's out the nervous cloud lifts.

Empire's official publication date is October 2nd, but print editions are already available for pre-order from Amazon

shorturl.at/hBEKO

Barnes & Noble

shorturl.at/DJ389

and Poisoned Pen Press

https://poisonedpenpress.com/books/an-empire-for-ravens-a-john-the-lord-chamberlain-mystery-12/

For those who prefer them, the ebook will also become available in the next month or two.

KRL'S NEW VENTURE or A RUINED STONES EXTRACT

Kings River Life Magazine has just announced their new mystery podcast, Mysteryrat's Maze Podcast. Episodes will broadcast short mystery stories and first chapters of mystery novels, read by actors in California's San Joaquin Valley. We've just heard their November 6th podcast will feature an extract from Ruined Stones, published last July under our shadow identity Eric Reed. Those interested in subscribing to these podcasts should point their clicker to http://mysteryratsmaze.podbean.com. To check who'll be featured and when, KRL offer a podcast newsletter at http://tinyletter.com/kingsriverlife

SHORT AND SOMETIMES SWEET or INTERNATIONAL SHORT STORY MONTH

The news arrived too late for the last issue so here's the skinny. Members of the Short Mystery Fiction elist contributed to May's International Short Story Month, we among them with The Thorn (http://home.earthlink.net/~maywrite/thorn05.htm) and Or Equivalent Experience (http://kingsriverlife.com/10/20/or-equivalent-experience/), the latter inspired by a newspaper advert some years ago seeking participants for a psychic fair.


ERIC'S BIT or AN UNMUSICAL BRICK

Sunday afternoon I watched a live set by Priests on YouTube. Wikipedia identifies the band as post-punk. Music classifications have proliferated since the Sixties. Back then there was only rock n’ roll and all the other stuff I didn’t listen to. Whatever they are, Priests are loud. I listened while Mary did the laundry. The machine noise spared her from the concert. Don’t think I make my co-author drudge away while I entertain myself. After all, I serve as head cook and bottle washer at Casa Maywrite.

Mary and I do agree on a lot of music. She introduced me to Phil Ochs, the folk/protest singer who was never properly appreciated during his short lifetime. I haven’t quite converted her to punk rock. Oh, I dare say she can bear the Ramones, or at least pretends to. They are one of my favorite bands.

Music fascinates me in a way writing can’t. I’ve spent too much time writing for it to retain any glamor. I know too much about the mechanics. I know too well how tapping out letters one by one on a keyboard can ultimately result in a novel, but to me coaxing a song from guitar strings might as well be magic.

I am as unmusical as a brick. At college I was the only male student who didn’t sport a guitar around campus. When it came to mating rituals I was a peacock without a tail. The high point for my musical career was playing triangle in the fourth grade production of The Anvil Chorus, and not lead triangle either. Around that time my dad wanted me to learn trumpet, the instrument he played in the navy band, but I didn’t have the lung capacity or the interest. And who wants to monkey with an instrument you need to periodically let spit out of anyway?

Those trumpet lessons taught me that I lack the ability to comprehend not just musical notation but the very concept of notes. What are they? Where do they come from? Not out of my mouth, that’s for sure. I’ve got plenty of mumbles in there, and grumbles, rumbles, squawks, and croaks. All sorts of unpleasant noises, but not a single note. Our grade school music teacher taught us “Do Re Mi” but all I got was “Beats Me….”

No matter where I try to start a song it always ends up going too high or low. I’ve suffered a lifetime of public shame, lip syncing the National Anthem and Happy Birthday and The Old Wooden Cross while everyone around me warbled and boomed in joyful tunefulness. I got so much practice moving my lips vaguely I could’ve appeared on American Bandstand.

But the beauty of my musical ignorance is that I can listen uncritically, in amazement, with pure enjoyment. Unlike writing, music retains its mysterious glamour.

I was into rock and the British Invasion back when people were “into” things. The Kinks, Beatles, Doors, Stones.Then in the eighties, going to school in New York City, I toured Village record stores every week searching for the newest punk/new wave singles. I even squeezed in a few visits to the CBGB rock club, seeing Blondie, Wire, and the Dead Boys.

Lately I’ve been listening to music again after being out of touch for many years. It’s remarkable how many great new artists I’ve missed. My generation’s music didn’t have a monopoly on genius. Maybe I ought to take guitar lessons. Then again, why ruin it for myself?


AND FINALLY

As promised last time, we close with an update on last June's Great Red-Headed Woodpecker War. This year we've occasionally heard his buddies hammering about in the woods, but the dawn visits of a specific bird seeking to practice drum solos on our guttering last summer have not been repeated. These days the sleepy buzz of mowers forms most of what we hear, or at least before August heat makes lawns look forlorn and die off. Meantime, August 15th will see the next issue of Orphan Scrivener buzzing into subscribers' in-boxes.

See you then!
Mary R and Eric

who invite you to visit their home page, to be found hanging out on the virtual washing line that is the Web at http://home.earthlink.net/~maywrite/ There you'll discover the usual suspects, including more personal essays, a bibliography, and our growing libraries of links to free e-texts of classic and Golden Age mysteries, ghost stories, and tales of the supernatural. There's also the Orphan Scrivener archive, so don't say you weren't warned! Our joint blog is at http://ericreedmysteries.blogspot.com/ Intrepid subscribers may also wish to know our noms des Twitter are @marymaywrite and @groggytales Drop in some time!


Sunday, April 15, 2018

THE ORPHAN SCRIVENER -- ISSUE # ONE HUNDRED AND TEN -- 15 APRIL 2018

Nature is said to abhor a vacuum, and since this year American tax returns are not due today as usual but rather two days hence, ever helpful we rush in to fill the empty space in subscribers' reading matter. Let's hope we won't tax subscribers' patience!


ERIC'S BIT or TOO INDECOROUS FOR THE LIVING ROOM

Our new John the Lord Chamberlain mystery contains some surprising twists (we hope) and according to our publisher the trade paperback will also feature a "French fold." I had to look the term up. Very fancy. We've had twists before but never a French fold.

An Empire for Ravens will also be available as an ebook and to be honest, that's the edition I'd buy because I always read onscreen. It just seems natural. Starting back in the mid-eighties I became accustomed to working at a computer all day. I find I have less and less patience with objects that take up physical space.

I do have fond memories of books printed on paper. Among the first volumes I recall are the ones that filled the small, darkly varnished bookcase next to the rocking chair in my grandparents' Victorian furnished living room. Most impressive was Bunyan's The Pilgrim's Progress, uncomfortably heavy in my preschool hands, a foreboding tome, looking ancient with its antique lettering, gilt fading from the embossed pictures of religious figures. Just as old and worn looking but more friendly were Heidi and The Wind in the Willows, both of which my grandmother read to me while we sat together in the rocker. The cover of The Wind in the Willows had been rendered soft and flexible from use, while Heidi boasted a brightly colored scene of the Alps pasted to its cloth front.

The books in the spare room were very different, newer. The awkwardly fat Reader's Digest Condensed books looked ugly to me because their covers were plain text. More interesting were the bright little Erle Stanley Gardner and A. A. Fair paperbacks. These were my grandmother's favorite reading but with their guns and garrotes and red-lipped, long-legged ladies, I suspect she considered them too indecorous for the living room.

I had my own books at home, Little Golden Books with thick board covers and gilded spines. A few years later came Tom Swift Junior. I loved the jackets, each one displaying the mind and eye boggling invention of the book's title. Tom Swift and His Atomic Earth Blaster! Tom Swift and His Spectromarine Selector! Other favorites were large illustrated science and history books with their satisfying weight and slick pages.

Then there was the library with its books in every shape, size, and binding. I particularly recall Thornton W. Burgess' Old Mother West Wind series. They were unusually small volumes -- child sized -- and hidden here and there amidst the text pages were picture plates, Harrison Cady's humorous depictions of Grandfather Frog, Billy Mink, Jerry Muskrat, and their friends.

The picture books I read before anything else were large and thin. Luckily. I could pile up a lot of Doctor Seuss books to haul home. It was close to a mile walk and the load got heavy by the time I staggered up the hill leading to my house. Sometimes I couldn't carry enough back to last all day and had to make a second trip after I'd gone through the first batch.

When I started buying my own books they were almost always paperbacks and one paperback is much the same as another. Except for the ones I found used in thrift stores, secondhand bookshops, and yard sales. They came in all degrees of decay, shedding bits of spine and corners of brown pages on my shelves. Sometimes the brittle sheets detached from the desiccated spine, leaving the pages to sit loose between the covers. A challenge to read. And more of a challenge to reassemble when, as occasionally happened, I dropped a book.

Different species of paperbacks existed in New York City where I went on day trips, largely to find reading matter. For example, I was heavily into science fiction for a while and not only did New York bookstores stock rare (in the US) British titles, but the covers were weirdly glossy and exotically colorful compared to their American counterparts. Did it enhance my sense of wonder to read from such obviously alien artifacts?

In New York I also bagged foreign books in translation that local stores never stocked. New Directions published many of these in trade paperback, a format that was relatively rare back in the early seventies, and usually reserved for literary material with limited appeal. Trade paperbacks signaled that the contents were out of the ordinary. I bought works by Raymond Queneau, Louis-Ferdinand Céline, Arthur Rimbaud, and Baudelaire. All French authors. All in trade paperback. But none of them got a French fold.


NECESSARY EVIL or THE BSP TICKER

There's Big News on the ticker tape this time round!

JOHN'S NEXT ADVENTURE or AN EMPIRE FOR RAVENS

An Empire For Ravens will be published in various formats by Poisoned Pen Press on October 2nd. John's latest adventure is set in besieged Rome, by coincidence also the setting for our locked room short story The Finger of Aphrodite in The Mammoth Book of Roman Whodunits (2003).

The official blurb for Ravens reads thusly:

Missing treasure, murder, possible treason....Emperor Justinian's former Lord Chamberlain John risks defying imperial edict by leaving his exile in Greece for Rome, where his longtime comrade Felix is in some kind of trouble. Felix has finally become a general and is fighting for Rome against the besieging Goths. John's covert entrance into Rome is ambushed, driving him deep into ancient catacombs before he exits into the heart of the city to find that Felix is missing, his household is in disarray, and a young woman servant is found dead.

The ticker tape operators wish to inform subscribers Ravens is already available for pre-order

https://www.amazon.com/exec/obidos/ASIN/1464210659/ref=nosim/speculativefic05

and doubtless from other locations on and offline in due course.


MARY'S BIT or AVOID THAT ISOLATED RESIDENCE!

I have a regrettable liking for films of the Old Dark House persuasion (henceforth ODH), or at least those involving mysteries. And so, based on countless hours viewing their old-fashioned cinematic creepiness, a few observations on the sort of events to be expected in them.

Family gatherings are popular settings. Other arrivals at the front door: strangers stranded by a flash flood or experiencing car trouble or sometimes just wandering about lost because the driver would not stop and ask locals for directions.

Lights will fail, particularly during a thunderstorm. However, its strobe-like flashes of lightning will semi-reveal at intervals what is happening, while also creating inky shadows where anyone could be lurking -- and usually is.

Landline wires, assuming telephonic apparatus is installed given the isolation and age of the house, will be cut by a person up to no good or their outside accomplice. Alternatively the line may be brought down by high winds accompanying the afore-mentioned thunderstorm.

A cat will lurk behind the curtains, ready to leap out and scare someone. Unless the drapes conceal someone of evil intent, a corpse, or an unlatched French window previously known to have been locked as part of barring the house to intruders.

Servants tend to be few but usually include a butler given to making ominous predictions or details of the family curse, and a housekeeper with sinister looks, even when not party to the shenanigans. Lack of servants also means an inevitably overgrown garden, setting the scene for fleeing heroines to trip and injure their ankles.

Doors and windows fly open at the least puff of wind, unless the latter are found to be nailed shut as someone tries to escape from the house. Windows may also be equipped with bars, though not of the spirituous liquors type.

Secret passages are an architectural feature routinely found in the ODH. They are usually accessed via a swinging-out bookcase or fiddling with carvings on the wainscoting and often feature peep holes in their walls.

Sliding panels are also popular. Alert viewers may spot their locations early on, given their presence is strongly indicated by sofas, armchairs, or bed-heads placed closer to the wall than is usual.

Eyes in oil paintings move, their gaze following the protagonists or future victims around the room. The same effect may also involve the visor of a suit of armour.

Popular furnishings in these films include large, elaborate wardrobes (a favourite place of concealment for both the quick and the dead) and grandfather clocks whose sudden loud chimes at the wrong times inevitably startle those within earshot, including the cat behind the curtains.

Old dark houses are not as well insulated as modern homes, so draughts abound. Thus a candle will blow out almost before it's lit. On the other hand, as all players of Clue are well aware, a candlestick makes a good weapon....


AND FINALLY

We shall now return to our annual battle with ants, currently being fought in the bathroom. Meantime, the next issue of Orphan Scrivener will creep into subscribers' inboxes on 15th June. By then we may be able to declare victory in the woodpecker war mentioned last year since so far, though we've heard them hammering away in the woods, our particular red-headed devil has not yet returned to torment us further. See you then!
Mary R and Eric

who invite you to visit their home page, to be found hanging out on the virtual washing line that is the Web at http://home.earthlink.net/~maywrite/ There you'll discover the usual suspects, including more personal essays, a bibliography, and our growing libraries of links to free e-texts of classic and Golden Age mysteries, ghost stories, and tales of the supernatural. There's also the Orphan Scrivener archive, so don't say you weren't warned! Our joint blog is at http://ericreedmysteries.blogspot.com/ Intrepid subscribers may also wish to know our noms des Twitter are @marymaywrite and @groggytales Drop in some time!


Thursday, February 15, 2018

THE ORPHAN SCRIVENER -- ISSUE # ONE HUNDRED AND NINE -- 15 FEBRUARY 2018

This winter weather has been, and indeed continues to be, hard for many, bringing to mind the proverbial saying to the effect we should reconcile ourselves to present trials because the future may bring worse ones. Meantime, here's another issue of Orphan Scrivener. We leave subscribers to draw their own conclusions...


MARY'S BIT or BEFORE CEILING CAT

It's not too often we need to turn our thoughts to ceilings, except when they develop brown stains which tend to take on strange resemblances to clipper ships or a galloping horse or whatever other image our subconscious suggests to us, accompanied by that sinking feeling the roof must have sprung a leak. Of course, ceilings also loom large in certain mysteries, ghost stories, and horror films, where the strange stain up there is scarlet and...drips.

There was a ceiling mystery of a different kind a year or two back when the extension housing our bathroom developed a leak. The solution was to reroof it and in the process of doing so, the builder discovered that the original roof was still in place below the one visible to the world, so the bathroom in effect had a false ceiling. Not uncommon, of course, but in this case there was a gap between the two roofs a couple of feet high. Needless to say, with a pair of mystery writers in residence the discovery triggered a discussion of how such a situation could have come about and how it could be integrated into a novel. Certainly small items could be temporarily concealed there but as a hiding place for a living person -- my immediate thought until I realised how small the height of the secret place was -- it would be useless. Naturally bodies also sprang to mind, along with remembrance of Kipling's ghost story The Return Of Imray, in which a ceiling is used to great effect.

In a house we previously inhabited there was a false ceiling in the basement. Our cat Sabrina sometimes hid up there and for all we knew slept there as well. She reached it by launching herself from a sink up to a window sill where she liked to sit and survey the outside and then from there into the space between the ceiling and the floor of the room upstairs. This was well before we discovered the intertube's famous Ceiling Cat and so now, catching a glimpse of its frowning feline face reminds us of Sabrina, long gone though she is.

Earlier still my family lived in a Victorian maisonette which still sported traces of faded glory. Though built for the working class, its front room (the equivalent of a parlour) had been constructed with a ceiling featuring a circle of decorative mouldings centred around its original gas light. Not as elaborate as the ceiling compared to a frosted wedding cake in The Great Gatsby perhaps, but striking in an ordinary home. As an aside, let me mention the seance in Ruined Stones, the second Grace Baxter novel, took place in a room modelled after the one just described, so while the maisonette itself is long gone, along with the entire terraced street and its neighbours, the ceiling and other architectural features remain remembered in print at least. While on the topic, the maisonette where Grace takes lodgings is a mirror image of the one in which my older sister began married life, complete with a low sloping ceiling at one end of the kitchen so steep it made the space beneath it virtually useless as living space.

Speaking of low ceilings, they are one of the most striking features of the house where we now live. It is no exaggeration to declare that downstairs a light bulb can be changed without the need of a step stool and while admittedly we are both taller than average for our genders according to official statistics, we still did not expect to occasionally bang our knuckles on the ceiling upstairs when disrobing or getting dressed or being careless when putting on or taking off a sweater.

The low head room upstairs also means a ceiling fan is out of the question since installing one would be dangerous to our heads, although in a different way than Alice found when she drank from a magic bottle -- a danger in itself, one would think, since she did not know what it contained. In any event, the result was Alice found her noggin pressed to the ceiling and was forced to stoop to avoid a broken neck. Another instance is to be found in A Christmas Carol, when Scrooge and the Ghost of Christmas past revisit Scrooge's former employer Mr Fezziwig, first seen sitting at a high desk. It is noted had he been two inches taller his head would have knocked against the ceiling. Similarly in Crime and Punishment a room is described as low-pitched enough that a man over average height would feel uneasy about the possibility of knocking his head against its ceiling.

So much for the visible. But what of the invisible? Gutenberg.org, that wonderful source of fiction etexts, offers a collection entitled Famous Modern Ghost Stories. Edited by Emily Dorothy Scarborough, its contents include Fitz-James O'Brien's haunting (in both senses of the word) tale What Was It? After reading it, short or tall, you may well find yourself feeling uneasy and glancing up at the ceiling more than usual.


NECESSARY EVIL or THE BSP TICKER

News of blogs and interviews and similar appearances is scanty on the ground at the moment -- would the same also applied to the last fall of snow, still so frozen footprints hardly register on it! -- given all our available time is currently devoted to completing John's latest adventure. We expect to send it to Poisoned Pen next month, so there should be more news of it in our April newsletter. Stay tuned!


THE ORPHAN SCRIVENER - ISSUE # ONE HUNDRED AND FORTY SIX - 15 APRIL 2024

We understand Virginia Woolf described letter-writing as the child of the penny post. How then to describe the parentage of emails? Whatever...