Monday, December 15, 2014

THE ORPHAN SCRIVENER -- ISSUE # NINETY -- 15 DECEMBER 2014

As the Swan of Avon wisely observed, unbidden guests are often welcomest when they are gone. The first big snow of winter arrived a week or so ago and, in the fashion of an unwanted visitor or the pervasive odour of over-boiled cabbage, it insists on hanging about far too long. We trust subscribers will not view Orphan Scrivener in the same light. Who knows, while we do not offer cabbages, it may provide food for thought....


ERIC'S BIT or THE SCIENTIFIC SANTA

December is the time to write uplifting essays recalling old-fashioned holidays when people knew the true meaning of Christmas. Being a child of the fifties, my old-fashioned holidays meant waiting for Santa to bring the toys advertised on Saturday morning television between Mighty Mouse, Woody Woodpecker, and Sky King. I'm just being honest.

A big, glowing angel perched on top of the blue spruce with the blue lights in the living room but I was focused on the gifts that would soon be spread over the tree apron and hopefully out across the carpet to the home entertainment center. Do I dare admit it?

Do I dare to reveal that I actually believed that a fat guy in a red suit flew in from the North Pole in a sleigh drawn by reindeer? What did I know, or care? If that was the way it had to be for all those wrapped packages to show up, who was I to question? Why would I want to? Why look a gift reindeer in the mouth?

Strangely, I can't recall any of the things I longed for. With the exception of the Cape Canaveral launch center perched tantalizingly on top of the coolers in the supermarket meat department along with other goodies. From my distant earthbound perspective the towering launch gantries and stately rockets, the trucks for hauling lox and transporting astronauts, were sheer magic, in a scientific way of course! (This was the age of Sputnik). I probably still recall the play set because it was too expensive for the Santa who serviced school teachers' families and so never appeared under the tree to disappoint me in all its close-up tawdriness.

What do I remember? There were the gifts from my parents, specifically designated as such, perhaps so I wouldn't get angry with Santa, mostly clothes. They were easy to pick out, the flattish rectangular boxes a giveaway for the dreaded new shirts inside and irregular squishy packages whose gay wrappings could not assuage the insult of the argyle socks they concealed. I opened these first, quickly, with a controlled fury, saving for last the stuff I was looking forward to, whatever that was. I'm still thinking!

I remember the Christmas stockings hanging from the mantle, promisingly heavy and bulging, but alas invariably stuffed with tangerines and walnuts. Their only saving grace were the gold foil covered chocolate pirate coins stashed between the fruits and nuts.

My aunt and uncle always dropped by with something expensive and often memorable. For example, a gasoline powered airplane. We took it out to the frozen tundra of the garden behind the house and managed to get fuel into its tiny engine. I took hold of the control box to which the plane was attached by a long tether and my uncle spun the propeller. The engine roared into life with a shocking racket like a jet propelled lawnmower. Before I knew what was happening the plane had leapt into the air yanking at its tether. I yanked back and spun around. It's Mighty Mouse! No, it's Sky King to the rescue in his twin-engine Cessna! Or maybe Woody Woodpecker. Cackling raucously the plane circled halfway around me, then dove straight into the icy ground and lay there, its propeller fractured and bent at a weird angle, damaged beyond repair. (Okay, I probably just imagined it laughing at me in retrospect). The Wright Brothers got further on their first try.

The Christmas I received the plastic rocket was even colder. Snow covered the garden. We found a place for the plastic launch pad in the middle of the corn stubble and fixed the rocket in place. Fuel consisted of water and compressed air forced in with a bicycle pump. This was practically lox, given how frigid it was outside. (It's been years since I had the chance to use the word "lox" -- once a real favorite of mine -- so you'll excuse me for using it three times now). When the rocket was pressured up you pulled a string to release the latches holding it to the pad and the powerful launch vehicle would spring upwards upon a mighty whoosh of vapor, climbing majestically until it vanished into the wild blue yonder before returning to mother earth swinging from its red and white parachute. According to the box.

Unfortunately plastic and cold do not get along, as NASA sadly discovered years later when Challenger was victimized by brittle O-Rings. We didn't even make it to the countdown. In the middle of the fueling process both launch pad and rocket destructed with a resounding crack, venting water into the snow through gaping rents, damaged beyond repair. Alan Shepard was destined to get further on his first try atop that lousy little Mercury-Redstone.

But surely, considering my yearly anticipation, I must have received something terrific, some time? How could I have maintained my enthusiasm otherwise? Presumably my bikes and sleds were Christmas gifts, but although I recall biking and sledding fondly I don't remember when I got them. Wait though, there was a chemistry set one year, and a microscope, and a telescope. But none of these were gifts I had asked for and aside from the telescope they didn't interest me much. They were my parents' (or should I say Santa's) way of nudging me towards a career in science, for which I was manifestly unsuited.

Recalling those gifts reminds me of what I enjoyed much more -- Tom Swift Jr. books! Tom Swift in the Caves of Nuclear Fire. Tom Swift and His Ultrasonic Cycloplane. Science intrigued me as a subject to read about. Practicing it would have required long division. Ugh! Besides, what could be better than losing oneself in an adventure? There's never any tawdry and disappointing reality to face in a novel. Our imaginations never let us down.

Before Tom Swift Jr and other juvenile science fiction there were Little Golden Books and Doctor Seuss to lose myself in.

When we went to my grandparents' house stacks of wrapped books awaited me. Nature and science and history. Deluxe volumes, thick enough to hold both words and pictures. I could read about and peer at the inside of an ant colony or a far off galaxy. One book covered the Civil War. Its detailed maps of each battle showing the deployment of the Union and Confederate armies mesmerized me. Back then information about everything under the sun wasn't readily available on the Internet twenty-four hours a day. Those books were windows opening out onto the universe beyond my home town and even the era in which I lived.

Despite all my pining after toys whose names I can't even bring to mind, and the presents it would have done me good to appreciate more, the gifts I remember best are books.

I guess that means that the Christmases I remember are, in their own way, very old-fashioned after all.


NECESSARY EVIL or THE BSP TICKER

The ticker clicks in slow fashion for this issue, but it's probably just as well there's little news to report since it means subscribers will have more time to devote to festive matters. So grab a moment or two to read on...

NEWS OF ELEVENFER or NAMELESS NO LONGER

This past couple of months have been devoted to completing the first draft of Elevenfer, now officially titled Murder In Megara. We are currently at the stage of overpowering the epilogue so we can wrassle it to the mat, and then it's on to the polish-it-up stage before it's ready to fly through the aether to Poisoned Pen Press.

Murder in Megara's official blurb has appeared since our last newsletter and it runs in this wise:

John, former Lord Chamberlain to Emperor Justinian, has been exiled to a rustic estate in Greece not far from where he grew up, but he cannot escape mystery and mayhem. The residents of nearby Megara make it plain John and his family are not welcome and he soon finds himself accused of blasphemy and murder. Now a powerless outsider, his investigations entangle him with a wealthy merchant who spends part of his time as a cave-dwelling hermit and the ruthless and antagonistic City Defender whose position makes him both law enforcer and judge, not to mention a corrupt estate overseer, a shady pig farmer, and the criminals and cut-throats populating a seedy port. Complicating matters further are two long lost childhood friends whose lives have taken very different paths and the stepfather John hated. John realizes that this time the solution to murder does not lie in the dark alleys where previous investigations have taken him but a far more dangerous place -- his own past. Can he find his way out of the labyrinth of lies and danger into which he has been thrust before disaster strikes and exile turns into execution?

ON ORACLES or WRITTEN BY THE WIND

Mary's November 18th contribution to the multi-author Poisoned Pen Press blog was devoted to oracular devices, some of which were featured in Five For Silver -- there are more in the book itself than mentioned in her blog -- and closing with an appropriate straight line, although it's nothing to do with straight line winds. Point your clicker to Written By The Wind at http://www.poisonedpenpress.com/written-wind/ While subscribers are over there they may care to check other entries from a wide range of PPP authors on all manner of topics linked from the main news page at http://www.poisonedpenpress.com/category/news-and-blog/


MARY'S BIT or ABOUT READY TO SNAP

At this time of year Byron's sound of revelry by night comes into its own, and doubtless subscribers planning festive gatherings are pondering how many to invite to their jamboree and what gustatory delights to offer. As to which, on the first question my advice is to remember the proverb declaring guests should number no less than three and no more than nine, and on the second to keep the menu simple.

I must confess I am biased in regard to the latter, since neither of us care to cook. At least Eric was spared the cookery lessons forming part of the curriculum in two of the schools I attended. The dishes prepared were of a simple kind -- Victoria sponge cake, Cornish pasties, rock buns, shepherd's pie, jam tarts, scones, rollmop herrings, sausage rolls, that sort of thing -- but the nadir of these efforts for me was when we created that elegant but culinarily complicated afternoon tea favourite, brandy snaps.

Brandy snaps do not include the spirit itself although I've heard of a drop or two being added to their filling. They do not seem to be well known here, perhaps because of the difficulty in obtaining golden syrup, a prime ingredient (look for a gold and green tin with a lion on the front), so I should add snaps are tubular, present a lacy appearance, and feature a piped-in thick cream filling.

The trickiest part of making brandy snaps is after the cook uses a palette knife to lift a snap from a baking tray fresh from the oven, for the next step is to immediately roll the snap around the handle of a wooden spoon. This sounds easily accomplished but being thin snaps cool rapidly, becoming crisp and easily broken. They may be put back into the turned-off oven to restore them to a warm and more pliable state should they cool before the rolling process is completed. But you don't want to do that too often.

It was an effort doomed to failure. For a start, my attention wandered and so my snaps were overcooked and darker than the pretty golden brown they should have been. Well, we must make the best of what we have, so I began the business of wooden spoon handle rolling. Alas, it was a disaster. I was not quick enough and my snaps began to, er, snap. Back into the oven the remainder went. A number were salvageable, so after they were rolled and set aside to cool I soldiered on to the next stage, to wit, whipping double cream to thicken it sufficiently to be pipeable into my little collection of burnt tubes. Against all the laws of nature and despite its original dense state it steadfastly refused to convert to the required thickness. Time was drawing on, so it had to be piped into the brittle snaps in a condition not quite as it should have been and the result was not neat little lacy golden brown tubes filled with stiff cream but what is best described as a plate displaying a semi-solid cream sea dotted with dark islands, greeted with a burst of laughter from my unkind classmates.

I've never cooked brandy snaps since nor do I intend to darken the handle of our wooden spoon with a second attempt. Subscribers may have better luck.

Not that I have missed snaps, since simpler foods have always been more to my taste, no pun intended. At this cold time of year the childhood dish that stands out most in memory is my mother's smoky-flavoured ham shank and pea soup, but the last time I had a plateful was when my sister cooked it years ago. Plain fare it is to be sure but hearty indeed, not to mention it provided the family with two meals -- first, a thick soup with a sludge of cooked peas, then next day sliced ham served with potatoes and vegetables, not to mention enough ham left over for sandwiches for my brother's bait (translation: packed lunch taken to work).

A certain French poet once claimed a warmed-up dinner was not worth much. If only he had tasted that second-day meal perhaps he would have changed his mind, but I have a suspicion he would turn up his nez at it and call for brandy snaps instead.

And he would be welcome to them.


AND FINALLY

We close this last issue of 2014 by sending all good wishes to our subscribers for the holidays and the new year. What will 2015 bring? Well, it's been said the person who guesses best is the best prophet. There's no guessing about our next appearance in your email in-box next year. The Orphan Scrivener will be there on February 15th.

See you then!
Mary R and Eric

who invite you to visit their home page, to be found hanging out on the virtual washing line that is the Web at http://home.earthlink.net/~maywrite/ There you'll discover the usual suspects, including more personal essays, our bibliography, the Doom Cat interactive game written by Eric, and our growing libraries of links to free e-texts of classic and Golden Age mysteries, ghost stories, and tales of the supernatural. There's also the Orphan Scrivener archive, so don't say you weren't warned! Intrepid subscribers may also wish to visit Eric's blog at http://www.journalscape.com/ericmayer/ or perhaps pop over to our shadow identity M. E. Mayer's blog (largely devoted to reviews of Golden Age mysteries) at http://memayer.blogspot.com/ And just for the heck of it, we'll also mention our noms des Twitter are @marymaywrite and @groggytales Drop in some time!


Wednesday, October 15, 2014

THE ORPHAN SCRIVENER -- ISSUE # EIGHTY-NINE -- 15 OCTOBER 2014

Autumn is advancing and despite occasional high winds and frogstrangler downpours, the foliage is by and large still clinging desperately to the trees, unlike some years when the majority of leaves have fallen before reaching peak colour. As this issue is written yellows dominate, with some ruby patches displayed in corners where red oaks lurk, but the beautiful scarlet of maples can as yet hardly be spotted. With colder overnight weather on the way it's entirely possible a week from now there will be a positive confusion of colour across the landscape.

And speaking of colourful confusion, Talbot Munday once referred to a foreign city as a chaotic jumble flaunted in the face of discipline, which we feel is not a bad description of Orphan Scrivener, as subscribers will discover if they feel inclined to read on...


MARY'S BIT or A TRIO OF ASSASSIN TREES

Sadly, of late there has been an epidemic of tree felling in the county. Thomas Campbell would get no satisfaction from pleading with the woodman to spare the beechen tree, even though most would agree with Edna Ferber's declaration that a stricken, living tree, is -- apart from man -- probably the most touching of wounded objects.

I for one strongly dislike seeing trees cut down. This may well been the result of living in childhood in inner city neighbourhoods where trees were few and far between, except those which somehow or other flourished in cemeteries. And even beyond their beauty and service as valuable assets to humanity, there are many who, as I have, plant trees for departed friends and family, considering them wonderful memorials to those we care about.

I still think so even though assassin trees have three times directly menaced the occupants of Casa Maywrite.

On one occasion, my co-writer and I were strolling through a very pretty forested area in upstate New York admiring the autumn foliage. Passing along a narrow path paralleling a wide stream we suddenly heard a loud creak, turned, and looked back just in time to see a fully grown tree topple over in stately fashion, crashing down on the very spot we had crossed just a minute or so before.

As Thoreau so wisely observed, even trees won't die without groaning but that creak wouldn't have been enough warning to get out of the way.

Then came the night a split second flare of violet light announced lightning had struck a pine behind our house, leaving the stricken tree leaning not so much protectively as in a distinctly menacing fashion towards the building. So, regrettable though it was, the tree had to be removed. It was approximately eighty feet high, the arborist estimating it was about as old in years, and in a sad tribute to man's ingenuity and the defencelessness of nature it took about five hours for it to be cut down and its remains taken away.

And finally there was the unforgettable occasion during a wind storm when a particularly nasty gust howled in, striking a tree next door at such an angle it pushed it right over. It hit the ground with a terrific thud that shook the entire house. Again it was a pine, but by great good fortune it fell in the only place it could have landed without significant damage to either our house or theirs or anyone's buggies.

While it's sad to see trees being cut down and carted away, I endeavour to bear in mind Carlyle's observation that when oaks are felled forests echo with their fall -- but at the same time hundreds of acorns are silently sown.

Let's hope they flourish, despite representing possible future assassin trees, all of 'em.


NECESSARY EVIL or THE BSP TICKER

Not a large budget o' news this time round, so quickly enough read...

JOHN'S NEXT ADVENTURE or ELEVENFER UNDER WAY

We recently had the nod from Poisoned Pen Press to complete Elevenfer, currently the Ms With No Name, and thus much of our time is now taken up in constructing the first draft. All going well and Fortuna smiling, this entry in the series will appear late next year. Set is Greece, to which, as Constant Readers will recall John has been exiled, it reveals something of his earlier life though it is not a prequel but rather involves how, as is so often found in real life, events can and do return to affect us decades later.

AN AWARD (NOT OURS) or IT'S ALL MIKE'S FAULT

The weekend after the last Orphan Scrivener appeared, news arrived of Mike Ashley being presented with the Sam Moskowitz Archive Award, given for possessing a significant collection and using it to inform others. It's another way of saying it's an award for research. A glance at Mike's body of work shows his sterling contributions as well as his many anthologies. It was Mike who published the first short story about John, so our current series is all his fault given it was he who opened the gate for us. Congratulations to Mike on this well-deserved honour!

LATEST BLOG or A GOLDEN OLDIE LEAPS INTO THE SPOTLIGHT

Some call them reprints. We prefer to think of them as golden oldies occasionally reproduced to give newer subscribers an opportunity to read earlier essays. Thus Mary's next appearance on the Poisoned Pen Press multi-author blog will not be familiar to those good souls who signed up for Orphan Scrivener after October 2005. Well, not unless they happened to peruse the archive on our website. In any event, Leaps, Foot, and Leaves details Brown Leaf Reed's only public appearance as an interpretative dancer and will leap into sight as if by magic on October 18th at http://www.poisonedpenpress.com/brown-leaf-reed-rebels/ However, If that topic does not appeal, point your clickers any time to http://www.poisonedpenpress.com/category/news-and-blog/ to discover a mess o' blogs by our fellow PPP authors. There's bound to be something of interest leaping out at you before you leave.


ERIC'S BIT or FALL IN THE AIR

This morning I picked up extra canned goods at the grocery. We're stocking up for the winter. Being snowed in is more tolerable when the shelves are full.

Driving home I realized it felt like autumn. The sky seemed bigger. The light fell less heavily across the fields and mountains. Maybe it had to do with the angle of the sun, or the thinning foliage.

It was around this time of year that my grandfather built the corn hut in the midst of the soon-to-be frozen furrows in the back garden. Corn shocks lashed to a wooden framework formed the walls and roof. Wheelbarrows-full of fragrant pine needles cushioned the floor. A canvas drop cloth hung from the doorway kept out the wind.

My friends and I used it all through November until winter's snows and winds brought it down. Inside, the air was a still, frigid pool, colder than outside, until you became accustomed to it. We would sit with a flashlight in the springy pine needles, exhaling luminous clouds, while we laid out plans for the week.

By the end of November, the garden was frozen. The remains of the hills from which the potatoes had been unearthed, the craters marking where the largest of the rutabagas had been pulled up, would remain, fossilized, until spring, along with the straight rows of corn stubble and tangles of blackened vines.

When we ventured out from the hut to explore we always found a few enormous cucumbers and a squash or two that had hidden successfully beneath the vines and eluded harvest. By November, their camouflage had withered, and they lay exposed, misshapen, frost-bitten and half translucent, preserved in the midst of decay.

It was in the corn hut that I traded my complete set of Davy Crockett bubble gum cards for some plastic trucks I can barely recall. I had collected the cards over the course of a sweltering summer. That was another world, and what had happened there no longer seemed important in November.

I was remembering the corn hut when I hauled my winter supplies into our house, which is somewhat larger and a bit warmer than the hut. Maybe a primitive internal clock was warning me that winter was on the way. An instinct we humans still have that senses things we can't quite identify rationally, urges us to buy large cans of tomato sauce and extra bottles of curry powder. To seek shelter, nestle down in pine needles, or turn on the space heater.


AND FINALLY

Speaking of cold weather, not to mention misery, we'll return on December 15th to leap back into your email inbox with the next issue of Orphan Scrivener tucked securely under our arms.

See you then!
Mary R and Eric

who invite you to visit their home page, to be found hanging out on the virtual washing line that is the Web at http://home.earthlink.net/~maywrite/ There you'll discover the usual suspects, including more personal essays, our bibliography, the Doom Cat interactive game written by Eric, and our growing libraries of links to free e-texts of classic and Golden Age mysteries, ghost stories, and tales of the supernatural. There's also the Orphan Scrivener archive, so don't say you weren't warned! Intrepid subscribers may also wish to pop over to Eric's blog at http://www.journalscape.com/ericmayer/ or visit our shadow identity M. E. Mayer's blog at http://memayer.blogspot.com/ And just for the heck of it, we'll also mention our noms des Twitter are @marymaywrite and @groggytales and our author page is at https://www.amazon.com/author/reedmayer Drop in some time!


Friday, August 15, 2014

THE ORPHAN SCRIVENER -- ISSUE # EIGHTY-EIGHT -- 15 AUGUST 2014

Shakespeare wrote of the inaudible and noiseless foot of time. It certainly trots past in speedy but silent fashion, meaning for one thing we have sometimes found ourselves scribbling a newsletter the very morning of its transmission. We do fortunately occasionally get a hint from the universe that it's time to begin composing the next Orphan Scrivener and most recently just such a reminder arrived via a line in E. Phillips Oppenheim's The Great Secret.

The novel gets off to a rattling good start when the narrator takes Room 317 in London's Hotel Universal. He is just preparing to retire when a terrified man rushes in seeking his protection, his unexpected visitor being described in Lovecraftian mode as looking as if he had seen things "more terrible than human understanding can fitly grapple with".

For some reason this description reminded us of the need to compose this newsletter. And so...


ERIC'S BIT or CRAYOLAS AND CUCUMBERS

The most frequent question asked of authors is "where do you get your ideas?" Or so I'm told. I've never had the question put to me.

I have been asked:

"How long did it take you to write that?"

"Do you have to pay to have books published?"

"Did you type all those pages by yourself?"

The last query occurred on a bus while I was reading someone else's thick manuscript. Not that it was obvious to a stranger in the seat behind me that the manuscript wasn't my own brilliant composition. I guess I look more like a typist than an author. Or maybe the woman was more impressed by typing than writing.

Still, as Robert Benchley once put it, "having been asked (by my cat)..." Well, we no longer have a cat, but I'm sure our cat would have inquired about where I get my ideas were she still with us, so I suppose I have no choice but to answer.

I get my ideas from Mary.

Okay, that's not entirely true. And I'm not saying how close to entirely true it is either. Actually I get a lot of my ideas where I always have -- out of my head.

The same place the school kid gets the idea to tell the math teacher the dog ate his homework and where the grown-up gets the inspiration to assert that the check is in the mail. Human beings just naturally make up stories or appropriate ones that are floating around.

Granted, the human mind is a mystery but the minds of writers are no more mysterious than anyone else's. Probably a lot less mysterious than the minds of barbed wire collectors and adults who go to conventions to dress up like funny animals.

When I was a kid, my friends and I would sit out on the back porch drawing endless stories on the adding machine rolls my grandfather brought from the office, gleefully relating and showing off to one another the ongoing adventures we were creating. Mostly involving guns and bloodshed. We ran through silver and red Crayolas quickly. Even in our play we were usually making up stories, retelling new versions of the gunfight at the O.K. Corral, or enacting entire wars out in the back garden, dropping rock bombs on hapless cucumbers.

During the past couple weeks Mary and I put together a detailed outline for a new Byzantine mystery. We traded thoughts, jotted things down, dove into the web for a bit of research, made up characters, and pictured scenes. It was fun. It was play. There were no secret rites involved, no exercise of super powers, no Muses.

It always annoys me when writers puff themselves up by over-dramatizing the creative process. I remember a newly published writer enthralling a crowd of readers by describing how, being short, she had got up on a stool to see the world through the eyes of her tall protagonist. I'm not tall enough to know what it feels like being six foot four but I doubt it feels like standing on a stool. It's surprising the writer didn't lose her balance and fall off the stool the way she was patting herself on the back.

The truth is that writers aren't unique in having ideas, but through practice they have acquired extra skill in expressing them. That takes work, which is what Mary and I will have to get down to now.

By the way, you may wonder where I got the idea for this essay? The answer is from the electronic notebook I keep on my computer.

Specifically from the folder named "Ideas".


NECESSARY EVIL or THE BSP TICKER

News-wise it's been a quiet two months since last we darkened subscribers' virtual doorsteps, well, quiet if you ignore the bangs and whistlings and assorted loud noises we heard after dark on Independence Day. Not to mention all those noisy fireworks. Still, here are gleamings, er, gleanings that may be of interest.

JOHN'S NEXT ADVENTURE or GREECE IS THE WORD

Or one of them, anyhow. A couple of days ago the outline for Elevenfer was, as Hollywood folk would say, green lighted. Thus by the time this newsletter arrives we will have begun writing John's latest adventure, set in and around his estate near Megara, Greece, a town where the exiled former Lord Chamberlain is not welcome. And that's just the start of it...

AN ART CRITIC SPEAKS or A POOR INSTRUMENT OF MUSICAL BEGGARY

Life in a country house, that perennially favourite setting for mysteries, occasionally provides surprises, and not always those nasty shocks associated with the discovery of a body in the library. So begins Mary's August 18th blog on the Poisoned Pen Press website. It's too early to have its permanent URL but can be reached on that date via http://www.poisonedpenpress.com/category/news-and-blog/ While subscribers are over there, they may care to browse around contributions on a wide variety of topics from other authors in the PPP stable.

TEN GREENE NEIGHBOURS or LITERARY DIS-MEM-BERMENT

Speaking of blogs, we must not neglect to mention the stripped-down blog of our shadow identity M. E. Mayer, to which MEM has been adding a number of reviews of Golden Age mysteries. For those who enjoy that type of ratiocinative fiction, novels that most recently received what we might term literary dismemberment from MEM are Mary Roberts Rinehart's The Man in Lower Ten, S. S. Van Dine's The Greene Murder Case, and Miles Burton's Beware Your Neighbour -- titles that serve as clues to the mystery of the somewhat sanguine header of this paragraph. http://memayer.blogspot.com/


MARY'S BIT or CAREFUL WITH THAT CHRISTMAS CRACKER

It's no secret I love classic tales of the supernatural (pause for obligatory declaration that M. R. James roolz) and Eric's piece up there brought to mind James' essay on Stories I Have Tried to Write, wherein James mentions stories that had crossed his mind but as he put it "never materialized properly" -- which I for one take to be a naughty nod to the ghosts who populate a number of his tales, so aptly described by a friend as often concerning strange noises in the cathedral close at midnight.

In any event, James reveals some of these stories were written but had ideas that did not blossom in their settings, so he recalls several of them for the benefit of other writers.

To paraphrase Leigh Hunt, we can love any author who is generous with ideas.

Two of those James sketches out in his essay have always appealed strongly to me.

The first is quintessential James: a couple of friends are spending Christmas in a country house owned by one of them. Disturbing events take place during their visit, such as disturbances in the shrubbery as they walk home at night after dining with an uncle who lives nearby -- he being next heir in line -- strange tracks in the snow, and efforts to isolate the house owner by luring his companion elsewhere.

The other idea, and I confess it is my favourite so the pointed sticks can be put away, concerns the possibilities of the Christmas cracker. Possibilities, that is, "if the right people pull it, and if the motto which they find inside has the right message on it". And if that is not a theme for a Christmas anthology of a different type I don't know what is. James adds the cracker pullers would probably plead indisposition and leave early, but feels it's more likely a long-standing engagement would be the real reason for their departure.

It seems to me these two ideas could fruitfully be combined. All manner of interesting developments suggest themselves, so shall we give a twirl or two of "what if", that useful crank handle for quick-starting plots?

What if the cracker pulled by the villains of the piece is found to contain a trinket appropriate to the menace hovering over them as well as the customary silly tissue paper hats so beloved of cracker manufacturers? It might for example be a miniature working compass, which was the best prize any of my crackers contained. However, the destinations towards which the needle of this particular artefact joggles back and forth would not be marked with the usual names but all would sport the same name, the place to which the duo is slated to arrive, and that very soon.

What if, having failed in their beastly machinations, they try to avoid their horrid fate? Of course, in the end they won't, but think of the possibilities! What if they attempt to seek sanctuary in a sacred place or one decides to sacrifice the other hoping Old Scratch would be happy with just one victim? Supposing they both refused to go to their meeting?

What if despite their reluctance they were forced to be in the cathedral close at midnight, the witching hour so appropriately described by Hamlet as the time to do business the day would quake to look on?

The possibilities are indeed many.

Inspired by James, we wrote a short ghost story several years ago in homage to his masterfully chilling creations. We couldn't work sinister messages in Christmas crackers into the plot but there's always another occasion...and meantime The Thorn may be read on our website at http://home.earthlink.net/~maywrite/thorn05.htm


AND FINALLY

Distinct signs of impending autumn have begun to appear this past week or so. Although the wood asters have not yet begun flowering, a scanty scattering of dead foliage on the lawns reminds us Thomas Hood observed autumn is the time Nature's book gets short of leaves.

Speaking of which, we'll leave subscribers this time round with our usual short reminder the date of the next issue of Orphan Scrivener will be October 15th.

See you then!
Mary R and Eric

who invite you to visit their home page, to be found hanging out on the virtual washing line that is the Web at http://home.earthlink.net/~maywrite/ There you'll discover the usual suspects, including more personal essays, our bibliography, the Doom Cat interactive game written by Eric, and our growing libraries of links to free e-texts of classic and Golden Age mysteries, ghost stories, and tales of the supernatural. There's also the Orphan Scrivener archive, so don't say you weren't warned! Intrepid subscribers may also wish to pop over to Eric's blog at http://www.journalscape.com/ericmayer/ or visit our shadow identity M. E. Mayer's blog at http://memayer.blogspot.com/ And just for the heck of it, we'll also mention our noms des Twitter are @marymaywrite and @groggytales and our author page is at https://www.amazon.com/author/reedmayer Drop in some time!


Sunday, June 15, 2014

THE ORPHAN SCRIVENER -- ISSUE # EIGHTY-SEVEN -- 15 JUNE 2014

The classic song from Carousel declared June was busting out all over. With the late summer, just about everything in sight is doing some June busting -- including the mighty Maywrite communication device.

This past weekend our horse-drawn computer finally conked out, so we've spent the past week organising new equipment, kicking off the epic task with a two hour round trip to purchase not just a new machine but also a dial-up modem. We had some difficulty installing the latter by trying to follow two different sets of instructions -- the leaflet and CD-ROM in its box -- as they begged to differ here and there, a distressing situation for the resident Luddites of Casa Maywrite. We managed to install the modem at the second attempt without bringing down the internet, but had to wait a few hours to test it as, you have guessed it, the aetheric connection was out. Then yesterday the machine crashed...

To spare the sensibilities of subscribers of a nervous disposition we shall draw a veil over the entire ghastly proceedings and move hastily on to say as you see our new steam-driven computer is up and running, so management regrets subscribers will not escape receipt of this latest issue after all.


MARY'S BIT or MOVING A RUBBER TREE

Thomas Carlyle was of the opinion that every noble work is at first impossible. We would not call Orphan Scrivener noble as such but getting a computer to work is certainly a noble calling.

Unfortunately neither of us were apprenticed to a guru of that nature. Our chief tool in tinkering in this area is perseverance. Some may call it being stubborn but when the task is get the wheels moving and there is some urgency that they begin to whir round sooner rather than later, it seems best to recall Plutarch. He of course did not work on a computer but doubtless had very bad days when inspiration struck, but his kalamos snapped with no spares to be found, the ink had dried up, and there was a chronic shortage of parchment in the local area. In such circumstances we can only hope he took his own advice: many things that cannot be overcome together can be conquered when taken little by little. Or as one might paraphrase him, nibble 'em to death bit by bit. Or byte.

Not being the sort who employ what is delicately termed in the trade percussive persuasion, we have slogged through enormous numbers of screens and sub screens and the spaghetti innards of a machine that defies understanding. All we ask of it to do is to let us use the web, receive and send email, and keep our files from disappearing. We do not make videos, watch films, or create slide shows. If ever a genius invents a small machine that needs only to be plugged into the wall socket to handle just those tasks, their praises would be sung by many standing in the line to the counter.

Speaking of singing, subscribers may recall one or more of several recordings of High Hopes, which asked, among other seemingly impossible things, why an ant would think it could move a rubber tree. The ubiquitous they would doubtless declare everyone knows an ant could never accomplish such a task, any more than the song's ram could destroy a dam single-hoofed. Our struggle this past week involved a box containing what I believe is called a RAM, and I am sorry to say a damn or two were uttered, but to paraphrase Gloucester in King Lear, we are tied to our stake in having a working machine and therefore have to run the course.

We still have not quite finished racing and now it's time to return to moving that rubber tree...


NECESSARY EVIL or THE BSP TICKER

A few scratchings for this Thrown Together In Five Minutes Special Issue...

TRUNDLING THROUGH TIME or A WHALE OF A TALE

Three For A Letter featured the estate of Anatolius' eccentric uncle Zeno, who owned a number of automatons and for whom we invented a mechanical leviathan. Of course we did not tell him it was really for our own sinister purposes. An 18th April essay for the Type M For Murder blog http://typem4murder.blogspot.com/2014/04/guest-author-mary-reed.html reveals how our whale was constructed and includes a Victorian drawing of the trundler we adapted so the whale could move back and forward under its own, well, not steam exactly...

A DOUBLE INTERVIEW or TENFER AS CHOCOLATE

The Mysteristas ganged up on us on 25th April and shone bright lights in our eyes while grilling us on such topics as our idea of a perfect day, signature phrases at Casa Maywrite, and if Tenfer were chocolate what type it would be. These and other revelations may be read at http://mysteristas.wordpress.com/2014/04/25/interview-mary-reed-and-eric-mayer/

PART I or BREAD AND CHEESE AND FAIRIES, OH MY!

On May 14th Mary posted on the Ladykillers Blog concerning the connection between an old christening custom involving bread and cheese and fairies. Unlikely, you say? Well, see for yourself at http://theladykillers.typepad.com/the_lady_killers/2014/05/cheese-and-bread-and-fairies-oh-my-by-honored-guest-author-mary-reed.html

PART II or DAMMIT, JIM, I'M A WRITER, NOT A CODER

Then on May 28th Eric offered thoughts on websites, noting ours was erected before we even had a novel to sell and is an example of ye olde tyme amateur hand-coding, a relic of how sites were done before style sheets, before frames, before today's bells and whistles... http://theladykillers.typepad.com/the_lady_killers/2014/05/websites-insights-by-honored-guest-author-and-geeky-luddite-eric-mayer.html

ANOTHER BLOG or A SEEDY TALE

Mary will shortly be at her regular spot on Poisoned Pennings, the Poisoned Pen Press multi-author blog, and there will relate A Seedy Tale. It's not what it sounds like and will appear on 18th June at http://www.poisonedpenpress.com/category/news-and-blog/ In the meantime, subscribers can always pop over there and have a schnoot at blogs by other PPP authors if inclined, and we do hope you are.


ERIC'S BIT or TREES IN THE MIDDLE

Just after the sun dropped behind the mountain across the way, after the storms passed, a pale golden light suffused the air, turning the pink blossoms of the ornamental dogwood in the front yard a vivid rose against the dark leaves. As June progresses the blossoms will turn white, lingering into July, to be replaced by autumn with berries which are edible but mostly seeds.

I'm happy to see the dogwood blossoming again. One year it failed to display a single flower. Had I trimmed it back too far the previous year? The tree put on its most spectacular show after I'd pruned it for the first time, and even more severely. I've never figured out the blooming cycle. I've tried all degrees of pruning and even not pruning, but there seems no correlation between what I do and what the tree decides to do.

It's necessary for me to trim the tree at least occasionally because the previous residents planted it squarely in line with the front window. It would quickly obliterate our view if left untended.

Trees are always being planted in inappropriate places. The red maple smack in the middle of the postage stamp sized lawn of our house in New York probably looked cute there as a sapling, but it was already getting too big when we moved in. By now I imagine the limbs are scraping the roof while the roots strangle the storm drain. Not long ago I drove past the home where I grew up and noticed that the rhododendron which had been encroaching on my first story bedroom window during my teens had now grown far taller than the house -- as good as a tree even if it is a shrub -- hiding any sign of the now useless window.

Everyone knows that trees grow over the course of time. Maybe they just never reckon on time moving as fast as it does. That year when a sapling will be far too large for where it's been placed seems too distant to ever arrive. This year I was surprised at how the limbs of the tiny sprout beside the house which I spared from cutting not so long ago are suddenly overshadowing the roof.

But at least the dogwood is back in bloom. In a week or so the pink flowers will fade to white before vanishing for another year. Some time in the autumn I'll probably have to do more pruning but that's a long way off.


AND FINALLY

The next newsletter will be issued on August 15th. By then summer with what Robert Burns called its fervid-beaming eye will be well under way, although whether or not subscribers will beam when their eye falls on the Orphan Scrivener lurking in their in-boxes is anyone's guess.

See you then!
Mary R and Eric

who invite you to visit their home page, to be found hanging out on the virtual washing line that is the Web at http://home.earthlink.net/~maywrite/ There you'll discover the usual suspects, including more personal essays, our bibliography, the Doom Cat interactive game written by Eric, and our growing libraries of links to free e-texts of classic and Golden Age mysteries, ghost stories, and tales of the supernatural. There's also the Orphan Scrivener archive, so don't say you weren't warned! Intrepid subscribers may also wish to pop over to Eric's blog at http://www.journalscape.com/ericmayer/ or visit our shadow identity M. E. Mayer's blog at http://memayer.blogspot.com/ And just for the heck of it, we'll also mention our noms des Twitter are @marymaywrite and @groggytales and our author page is at https://www.amazon.com/author/reedmayer Drop in some time!

Tuesday, April 15, 2014

THE ORPHAN SCRIVENER -- ISSUE # EIGHTY-SIX -- 15 APRIL 2014

Wordsworth described the wind as a sightless labourer whistling at his task, and indeed wind is whistling around the sinister towers of Casa Maywrite as we wordsmiths labour to complete this issue of Orphan Scrivener. Since it's said it's March that comes in like a lion and goes out like a lamb rather than April, it appears the clock of the year is running a bit slow. Fortunately we keep our newsletter well wound up and so, on time unless the wind brings down the power line again, here it is...did someone say read on? We'll second that!

ERIC'S BIT or THE SCHOOL OF HARD ROCKS

Returning from the post office yesterday morning I noticed the green shoots of day lilies jutting up through the brown leaves driven against the wall of the house by winter's winds. Aside from mowing around the ferns, allowing them to continue their steady advance from the woods, we don't do any gardening here, surrounded as we are by trees and perpetual shadow, with soil that's half rocks and half tree roots. The day lilies take care of themselves.

So although many people's fancies turn to gardening this time of year, ours do not. I've been to the school of hard rocks. I've learned through trial and tribulation and error galore that plants need sun on their leaves and water and soil under their roots. Two hours of filtered sunlight might look sufficient to a bipedal mammal but a tomato plant knows better. And so far as I'm aware they don't manufacture fertilizer that contains sunlight.

I grew up surrounded by green thumbs. My grandparents both came from farms and after moving to town they turned their big double lot into a farm in miniature with more vegetables than grass. My grandfather grew rutabagas so huge he needed a yard tractor to pull them out -- or so he told us kids. My father followed in the family tradition. He performed feats like starting an asparagus bed from scratch.

And me...I grew kale once. By the time I chose to harvest it, the leaves were so tough you could've made a poncho out of them and that was after they'd boiled in a pot for four hours.

I've spent my life in apartments and houses with yards inimical to plants. In one place I did my best to carve out a flowerbed in the tiny backyard which had its sustenance perpetually sucked out by my neighbor's massive oak tree. The soil was nothing but a spongy mesh of fine roots. No matter how frequently I dug, the insidious roots would slither back to strangle anything I planted.

In another place I gamely planted flowers and vegetables in the gravel at the end of an electrical contractor's parking lot. I reckoned enough sunlight would get in across the open parking lot of the car dealership across the alley. The portulaca liked it. One year. But plants need dirt, not gravel.

When I moved from Brooklyn to New Jersey I was thrilled to see dirt behind the house whose top half I was renting. True, the dirt was on the almost vertical slope at the top of the retaining wall above the garage, where a precipitous hill ran up to the backyards of the mansions on the street overlooking Manhattan. Still, it was dirt. Life-giving dirt. In Brooklyn, even the park across from the apartment had been paved.

I conceived an audacious engineering scheme. I would terrace the hill. It would be the Hanging Gardens of Weehawken. In the end, after countless blisters and buckets of soil I ended up with five punky radishes and two wretched tomato plants. Every morning I could see my elevated garden through the kitchen window -- those pathetic, fruitless tomatoes a daily, desiccated reproach to my youthful hubris.

So now I am done with trying to force vegetables and flowers to grow under inhospitable conditions. I am happy to watch the ferns creep ever nearer to the house and to see the moss supplant the grass. I am happy to let Nature have her own way and to take the day lilies she offers me.


NECESSARY EVIL or THE BSP TICKER

It's been a busy time since last we met, resulting in a longer than usual BSP section. Make yourself a sandwich and proceed on the journey!

THE VOYAGE BEGINS or TENFER IS LAUNCHED

Last month Ten For Dying, flags flying proudly, sailed off towards the horizon. Readers now have an opportunity to chime in with their thoughts. At this uncertain time we think of the unfortunate author whose book was described in a 1915 issue of Punch as "an unvarnished tale...fashioned according to the naive method of simple enumeration and bald assertion, with such subsidiary trifles as characterisation left to the discretion and imaginative capacity of the reader". Ow!

VIOLENT KITCHEN UTENSILS or OUR STRANGEST RESEARCH QUESTION

In a double interview we talked to Terry Odell about such diverse topics as what kitchen utensils we would be, the strangest thing we've done in the name of research, and what sits on our desks. Point your clicker to Terry's Place for the March 11th entry for the skinny at http://terryodell.com/terrysplace/?p=4601

A FIERY DEATH or TIPPLERS BEWARE!

On March 18th Mary contributed A Fiery Death: Spontaneous Combustion in Literature and Life to the Relevant History feature on Suzanne Adair's blog. Instances of this terrible death took place in Two For Joy -- not to mention Bleak House -- but did you know the phenomenon was presented as a defence in a 1847 murder trial? Info on this and other occurrences at http://www.suzanneadair.net/2014/03/18/fiery-death-spontaneous-combustion-in-literature-and-life/

HOW COLD WAS IT? or SOCKING IT TO WINTER

Longfellow thought snow was beautiful as it silently fell on the roofs of the living and the graves of the dead, but he wouldn't have been so quick to admire its artistic effect had he experienced this past winter's nose-bleeding cold weather carried on the polar vortex express straight from the innermost circle of Dante's hell. On 19th March over at Joanne Tropello's Mustard Seed blog Mary presented a new method of measuring cold: The Sock Index. Our highest index mark was the three-sock level. What about you? https://www.mustardseedmarketinggroup.com/4/post/2014/03/mary-reed-marymaywrite-is-a-guest-at-the-authorscornerblog.html

A DIALOGUE WITH DAMES or PSSST, WANT TO KNOW A STRANGE TIDBIT?

Another interview appeared on April 2nd on the Dames of Dialogue blog, wherein one of us revealed a strange tidbit about their life and the other declared an opinion on whether or not characters are in charge. There's more of course, so point your clicker at http://damesofdialogue.wordpress.com/2014/04/02/writing-duo-mary-reed-and-eric-mayer-answer-the-dames-dozen/

A TAXING TIME or GRINDING OUT A LIVING

We finally wrassled our tax returns to the floor on 6th April, the day after Lorie Ham of Kings River Life Magazine announced its reprint of Mary's essay concerning occupations that, like the Norwegian blue, are no more. You know, organ grinders and strolling sellers of bird cages, violets, household necessaries, and pornography, that sort of job. But have they really all gone? Maybe not. http://kingsriverlife.com/04/05/grinding-out-a-living/

MARY POSES A QUESTION or HISTORY, HERSTORY

Inspired by Edgar Wallace's declaration that the best stories he had heard were those related by ordinary people, Mary asked Did You Ever Hear That Story About...on Lelia Taylor's Creatures and Crooks blog on April 8th. We've all got one! Ours was when a gentleman unknown to us recognised a name in the acknowledgements for one of our novels and enquired at the press if he could be put in touch with the other party...the rest of the story at http://cncbooksblog.wordpress.com/2014/04/08/did-you-ever-hear-that-story-about/

YES, THERE'S MORE AHEAD or IT'S THE DRAG OUT YOUR CALENDAR AND JOT DOWN A REMINDER SECTION

A couple of blogs will appear between now and the next issue of Orphan Scrivener, and you wouldn't want to miss anything now would you?

A WHALE OF A TALE or WHEN WE PUT ON OUR INVENTING HATS

Do you find automatons as fascinating as we do? Several appear in Three For A Letter and they are the subject of Mary's April 18th contribution to the Type M For Murder blog. While most of the engineering marvels mentioned in Threefer are from the writings of Heron of Alexandria, the mechanical whale playing an important role in the plot was our own invention, formed from certain of Heron's instructions and our own fevered imaginations. Details at http://typem4murder.blogspot.com

MORE ON THE 18th or THE BUS MUST BE LATE

Mary will be occupying her usual April 18th slot over at the Poisoned Pen Press multi-author blog. Being as the Muse is apparently still waiting for the bus to Casa Maywrite, a topic has yet to occur so we can't tell subscribers what it will be, but even so, there's bound to be something of interest whatever day you decide to pop over there and browse around http://www.poisonedpenpress.com/category/news-and-blog/


MARY'S BIT or A CANINE PLAN

Secret messages and codes are fascinating and like many readers I always attempt to solve them in mysteries, although I have to confess I have yet to completely read through the inventive example utilised -- no spoilers here, move along now -- in Dorothy L. Sayers' The Nine Tailors.

The Romans employed a number of methods to convey secret messages, and in his work Siege Defense Aeneas Tacticus outlines a number of ways to accomplish the task, including one or two examples used in real life.

I especially liked the suggestion of openly sending a man with an innocent message who, all unknowingly, carries a letter written on thin tin concealed in the sole of one of his sandals. While he sleeps, its stitching is undone, the letter removed, read, and a reply sent in the same hiding place, again with the messenger not aware of what he is carrying. Talk about the game's afoot!

If the recipient is known to be not too handy with the needle, the secret communication could be written on thin lead sheets, rolled up and worn as earrings by a lady messenger. A man with a message on leaves bound to his leg wound is mentioned -- I seem to recall something similar occurred in a James Bond novel -- and there's also an instance where the inventive correspondent scraped the wax off a tablet, wrote on the wood, and poured new wax on to conceal his words. Sent off with a harmless message inscribed on the new wax, a reply could be received by the same process.

A simple way of sending a message secretly involved sewing again. There must surely be a Roman proverb to the effect that a man who carries a needle needs a a sharp eye kept on him, and not meaning the sewing implement. In this instance the sender takes the dog owned by the recipient, sews a letter inside a strap round the dog's neck, then lets the animal out to return to its owner. To misquote the catchphrase of a certain character in the Blackadder series, it's certainly a canine plan.

A more complicated arrangement involved writing, using a mixture of glue and ink, on a deflated, dried bladder, inserting same into a flask and inflating it, cutting off the excess at the mouth of the container, and filling the flask with oil. The recipient removes the oil, and bladder, inflates the latter, reads the message, removes the writing with a sponge, and replies by the same method.

The work mentions a man who ordered a trusted slave's head shaved and tattooed with certain marks. After the hair had regrown, the slave was sent to the recipient with a request the latter shave his, the slave's, head and read it. A case of hair today, gone next month -- from which we must deduce this message was not urgent.

It was inevitable we would give John the task of untangling a secret message. In Two For Joy he translates a simple code, but first there was a greater problem to be resolved. Since he was not expecting any such communication, how could he know it was there to begin with? We solved that, and the matter of the code involved, with a nifty bit of footwork out in plain sight.

We're keeping the method secret here, given we wish to surprise readers...


AND FINALLY

Speaking of which, it's no secret Orphan Scrivener is issued every two months, so subscribers will not be surprised when the next issue sneaks into their in-boxes under cover of darkness on June 15th.

See you then!
Mary R and Eric

who invite you to visit our home page, hanging out on the virtual washing line that is the Web at http://home.earthlink.net/~maywrite/ There you'll discover the usual suspects, including more personal essays, our bibliography, the Doom Cat interactive game written by Eric, and our growing libraries of links to free e-texts of classic and Golden Age mysteries, ghost stories, and tales of the supernatural. There's also the Orphan Scrivener archive, so don't say you weren't warned! Intrepid subscribers may also wish to pop over to Eric's blog at http://www.journalscape.com/ericmayer/ or visit our shadow identity M. E. Mayer's blog at http://memayer.blogspot.com/ And just for the heck of it, we'll also mention our noms des Twitter are @marymaywrite and @groggytales and our author page is at https://www.amazon.com/author/reedmayer Drop in some time!


Saturday, February 15, 2014

THE ORPHAN SCRIVENER -- ISSUE # EIGHTY-FIVE -- 15 FEBRUARY 2014

Much of the American landscape is hidden under thick layers of Satan's icing sugar as this newsletter is written. Many of us have experienced bitter cold more than enough to be getting along with, or not, if your buggy is snowed in or otherwise put out of commission by the weather. For many, as Shakespeare so aptly put it, the storm's up and all is on the hazard.

Speaking of which, this latest issue of Orphan Scrivener might be a hazard in itself for it may afflict subscribers with the cold collywobbles. So be sure to dress in warm clothing before venturing into it...


MARY'S BIT or AN EGGSHELL-ENT CUSTOM

The thing I most love about folklore are those unexpected cross-threads that constantly emerge in the most unexpected places.

Consider the humble egg.

Which is what I found myself doing just the other day.

But first a bit of background. When we were children it was our custom to poke our spoons through the base of the shells after eating boiled eggs or sometimes to turn the shell over and savagely beat in its bottom. This ceremonial destruction was carried out in the firm conviction it prevented empty shells being utilised by witches to sail to sea and cause shipwrecks and death on the vasty deeps.

It's been a while since I ate a boiled egg but I'd still put my spoon through the eggshell and it was wondering, in the way stray thoughts occur, why the same fate was not meted out to eggshells from bacon and eggs or baking led me to debating how old the belief could be.

It was nagging at me somewhat so I went in search of information and soon located a poem written by Elizabeth Fleming in 1934 entitled, you have it, Egg-Shells. The first verse goes in this wise:

Oh, never leave your egg-shells unbroken in the cup; Think of us poor sailor-men and always smash them up, For witches come and find them and sail away to sea, And make a lot of misery for mariners like me.

And she goes on to describe how witches "climb the rigging and dance upon the decks" as masts fall over and the ships are wrecked.

This being a relatively recent reference, just for the heck of it I set sail on a journey to see what else I could discover.

My google-telescope found Kipling's The Egg-Shell (1904) which tells how the Witch of the North sends "a little blue devil" to sea in just such a shell to sink or swim, she cares not which. When the little devil returns, he says he swam but thinks "there's someone sinking outside". While it seems accepted the poem refers to instructions from a naval higher-up to sink a ship, as indeed happens, the form of the poem assumes, I would think, readers' familiarity with the shell-bashing practice.

Reginald Scot mentions in The Discoverie of Witchcraft (1584) that witches could sail not only in egg shells but also in cockle and mussel shells "through and under the tempestuous seas." This leads me to suspect that had she lived earlier, quite possibly Molly Malone would not be too welcome in Dublin as she wheeled her barrow through the city streets singing her wares were cockles and mussels alive-oh, being as it's a port city.

There's a surely related belief mentioned by Pliny in his Natural History. He states there was no-one who did not dread "being spell-bound by means of evil imprecations" and thus the custom of breaking or piercing egg or snail shells immediately after eating their contents, but unfortunately does not say how such shells could be used by persons of ill will to harm the eaters.

Could our childhood custom have been brought to Bretania by its Roman occupiers? The mental picture of foreign soldiery and administrators sitting down to break bread -- and shells -- with locals is so appealing I'd like to think it was so.


NECESSARY EVIL or THE BSP TICKER

What light thru yonder window breaks? Why, t'is the spotlight we're shining in to direct subscribers' attention to our latest budget of news, although they may need to write notes on their cuffs as an aide memoir for certain entries. Get out your writing implement and read on!

TENFER ON THE SLIP or A MARCH LAUNCH

We'll be standing on the dock waving our hankies as Ten For Dying is launched upon a largely unsuspecting world next month. Whether it sails serenely around flying triumphant flags or semaphores us for money to come limping home remains to be seen, but Tenfer is available for pre-ordering right this very minute from Poisoned Pen Press http://www.poisonedpenpress.com/ten-for-dying/ as well as from Amazon http://www.amazon.com/Ten-Dying-Chamberlain-Mystery-Series/dp/1464202273 and the usual suspects.

TWELVE QUESTIONS or NO ENQUIRY ABOUT A FAVOURITE COLOUR

In Holli Castillo's Twelve Question Tuesday feature on Mary speculates whether she would be food or fighter if the zombie apocalypse were to happen and reveals the most daring things she ever did (not as lurid as it sounds). All this and more can be discovered at http://www.gumbojustice.blogspot.com on March 18th. And in case you were wondering, her favourite colour is blue.

RELICS or NEVER THE TWAIN SHALL AGREE

No less a personage than Mark Twain was dubious about the authenticity of relics he saw on his European travels. Mary's blog, slated to appear on Jean Henry Mead's View From My Mountaintop blog http://theviewfrommymountaintop.blogspot.com/ on March 15th, concerns these sacred artefacts and how a particular relic became the pivot of the plot for the about-to-be published Ten For Dying. Thanks to Jean for providing a place to talk about an unusual entry in the Lord Chamberlain series and a reminder to subscribers calendar marking is in order!

A COLLECTION AND A SHORT STORY or A MEMO ABOUT MEM

It's an open secret we sometimes move about cloaked in the shadow identity of M. E. Mayer, under which name British publisher Head of Zeus is publishing John's first nine adventures in various formats. In December HoZ also issued Death In Byzantium, a boxed set featuring ebooks of the first four novels about our protagonist John, comprising over a thousand "pages". Talk about a bargain! Point your clicker here for further info: http://headofzeus.com/books/Death+in+Byzantium+-+Box+Set?field_book_type_value_1=E-Book&bid=9781781859063

Head of Zeus is also offering an e-edition of our second short story about John, reworked and twinkled up a bit. The Body In The Mithraeum awaits your scrutiny, so hasten ye over to: http://headofzeus.com/books/The%20Body%20in%20the%20Mithraeum

MORNING MUMBLINGS or COFFEE POTS AND ELEPHANTS

On December 18th last year we related the horror of The Morning The Coffee Pot Fell Down on the Poisoned Pen Press multi-author blog. The blog masqueraded as by Eric but was written, like our fiction, by both of us. http://www.poisonedpenpress.com/the-morning-the-coffee-pot-fell-down/

Continuing our homage to Thurber, the January 18th blog related the ghastly tale of The Day The Light Fell down, and in passing urgently requested elephants not be sent. http://www.poisonedpenpress.com/21720/

If neither of the above appeal, well, there's bound to be something of interest if you browse around. Why not pop over to the PPP website and take a schnoot?


ERIC'S BIT or STYX AND STONES

Mary and I have managed to keep our noses above the snow and ice these past few months, just barely. It's been a rough winter in the northeast especially out here in the sticks. Or should I say Styx?

Although it feels like we've been living a tale of the Yukon by Jack London, in fact, during the last cold snap, I was reading Dante's Inferno. As I followed the two old poets down into the ninth circle, temperatures during the day struggled to reach fifty and that was in the house. Outside, overnight, it was well below zero. I could empathize with those wretched souls encased up to their necks in the icy Cocytus lake. At least they deserved their fate. And they don't need to pay our propane bills either.

The worst part is how do they wipe their noses? The cold must make them run. When I have to trundle the trash down to the road around dawn on pickup day my nose and eyes stream the moment the cold hits them.

It was more pleasant warming myself over the boiling pitch in the eighth circle. I reached that level about the time Chris Christie's machinations were being exposed and I couldn't help imagining the devils plying their pitchforks to push him back down like a big dumpling into the bubbling stew of corrupt politicians.

One of my favorite cantos was the one where Dante and Virgil were double-crossed and pursued by the Malebranche ("Evil claws" -- what a great name for devils) who patrol the pitch lake. Plot twists, action, danger!

Here's a confession. Whereas many readers approach every book as if it were a literary novel, alert for symbols and psychological insights, I read classics as if they were genre novels. I grew up on genre fiction -- science fiction and fantasy and then mysteries -- and I never did outgrow those kinds of stories.

So to me the horror at the end of Heart of Darkness is worthy of Stephen King. Conan the Barbarian would have been right in his element hacking away in the middle of the bloody chaos in The Red Badge of Courage. The dark, perverse romantic triangle described by Hawthorne in The Scarlet Letter might have served as a noir plot device for Cornell Woolrich. And what is Crime and Punishment except a long example of the "inverted detective story" for which R. Austin Freeman is famous amongst mystery aficionados?

I know I should be paying more attention to Dante's allusions to the classics rather than being entranced by the amazing fantasy world he created. Yes, I am studying the footnotes. But how many people today are familiar enough with ancient Roman poets, classical mythology, and the Bible -- not to mention thirteenth and fourteenth century Italian artists and public figures -- to read The Inferno as Dante intended? How much of the population of Dante's time was educated enough to read it as he intended, or to read it at all?

What an author purposely puts into words is only a part -- and probably a small part -- of what readers experience. We all bring our own learning and memories, our own approaches to literature. Different people will look for different things from the same book and find them. To the surprise of the author who had no idea he'd written any such things.

Maybe I'm just trying to excuse my reading Dante's Inferno as if it were Jules Verne's Journey to the Center of the Earth. Be that as it may, when Dante describes the shades fully covered by ice but visible as wisps of straw in glass, I can feel the unbearable cold stinging my soles, can see below my feet ghostly distorted forms, suspended at all angles and different depths, exactly like the goldfish invariably trapped and frozen in the pond where I ice skated as a kid.

I am out of the Inferno now, and halfway through Purgatorio which is not nearly as exciting. Still plenty of cliffs but no cliffhangers. On the first terrace the proud are bent over by the weights of huge stones on their backs. I know how they feel. Every morning it feels like I have to push off a boulder along with the covers, in order to get out of our warm bed and face another freezing day. Luckily we are not condemned to suffer winter for much longer. Soon I will start on Paradiso and hope for spring.


AND FINALLY

While we're all waiting for this purgatorious winter to end, a reminder that the next Orphan Scrivener will spring into your in-box on April 15th, tax return day of doom.

See you then!
Mary R and Eric

who invite you to visit our home page, hanging out on the virtual washing line that is the Web at http://home.earthlink.net/~maywrite/ There you'll discover the usual suspects, including more personal essays, our bibliography, the Doom Cat interactive game written by Eric, and our growing libraries of links to free e-texts of classic and Golden Age mysteries, ghost stories, and tales of the supernatural. There's also the Orphan Scrivener archive, so don't say you weren't warned! Intrepid subscribers may also wish to pop over to Eric's blog at http://www.journalscape.com/ericmayer/ or visit our shadow identity M. E. Mayer's blog at http://memayer.blogspot.com/ And just for the heck of it, we'll also mention our noms des Twitter are @marymaywrite and @groggytales. Drop in some time!


THE ORPHAN SCRIVENER - ISSUE # ONE HUNDRED AND FORTY SIX - 15 APRIL 2024

We understand Virginia Woolf described letter-writing as the child of the penny post. How then to describe the parentage of emails? Whatever...