Monday, December 15, 2014

THE ORPHAN SCRIVENER -- ISSUE # NINETY -- 15 DECEMBER 2014

As the Swan of Avon wisely observed, unbidden guests are often welcomest when they are gone. The first big snow of winter arrived a week or so ago and, in the fashion of an unwanted visitor or the pervasive odour of over-boiled cabbage, it insists on hanging about far too long. We trust subscribers will not view Orphan Scrivener in the same light. Who knows, while we do not offer cabbages, it may provide food for thought....


ERIC'S BIT or THE SCIENTIFIC SANTA

December is the time to write uplifting essays recalling old-fashioned holidays when people knew the true meaning of Christmas. Being a child of the fifties, my old-fashioned holidays meant waiting for Santa to bring the toys advertised on Saturday morning television between Mighty Mouse, Woody Woodpecker, and Sky King. I'm just being honest.

A big, glowing angel perched on top of the blue spruce with the blue lights in the living room but I was focused on the gifts that would soon be spread over the tree apron and hopefully out across the carpet to the home entertainment center. Do I dare admit it?

Do I dare to reveal that I actually believed that a fat guy in a red suit flew in from the North Pole in a sleigh drawn by reindeer? What did I know, or care? If that was the way it had to be for all those wrapped packages to show up, who was I to question? Why would I want to? Why look a gift reindeer in the mouth?

Strangely, I can't recall any of the things I longed for. With the exception of the Cape Canaveral launch center perched tantalizingly on top of the coolers in the supermarket meat department along with other goodies. From my distant earthbound perspective the towering launch gantries and stately rockets, the trucks for hauling lox and transporting astronauts, were sheer magic, in a scientific way of course! (This was the age of Sputnik). I probably still recall the play set because it was too expensive for the Santa who serviced school teachers' families and so never appeared under the tree to disappoint me in all its close-up tawdriness.

What do I remember? There were the gifts from my parents, specifically designated as such, perhaps so I wouldn't get angry with Santa, mostly clothes. They were easy to pick out, the flattish rectangular boxes a giveaway for the dreaded new shirts inside and irregular squishy packages whose gay wrappings could not assuage the insult of the argyle socks they concealed. I opened these first, quickly, with a controlled fury, saving for last the stuff I was looking forward to, whatever that was. I'm still thinking!

I remember the Christmas stockings hanging from the mantle, promisingly heavy and bulging, but alas invariably stuffed with tangerines and walnuts. Their only saving grace were the gold foil covered chocolate pirate coins stashed between the fruits and nuts.

My aunt and uncle always dropped by with something expensive and often memorable. For example, a gasoline powered airplane. We took it out to the frozen tundra of the garden behind the house and managed to get fuel into its tiny engine. I took hold of the control box to which the plane was attached by a long tether and my uncle spun the propeller. The engine roared into life with a shocking racket like a jet propelled lawnmower. Before I knew what was happening the plane had leapt into the air yanking at its tether. I yanked back and spun around. It's Mighty Mouse! No, it's Sky King to the rescue in his twin-engine Cessna! Or maybe Woody Woodpecker. Cackling raucously the plane circled halfway around me, then dove straight into the icy ground and lay there, its propeller fractured and bent at a weird angle, damaged beyond repair. (Okay, I probably just imagined it laughing at me in retrospect). The Wright Brothers got further on their first try.

The Christmas I received the plastic rocket was even colder. Snow covered the garden. We found a place for the plastic launch pad in the middle of the corn stubble and fixed the rocket in place. Fuel consisted of water and compressed air forced in with a bicycle pump. This was practically lox, given how frigid it was outside. (It's been years since I had the chance to use the word "lox" -- once a real favorite of mine -- so you'll excuse me for using it three times now). When the rocket was pressured up you pulled a string to release the latches holding it to the pad and the powerful launch vehicle would spring upwards upon a mighty whoosh of vapor, climbing majestically until it vanished into the wild blue yonder before returning to mother earth swinging from its red and white parachute. According to the box.

Unfortunately plastic and cold do not get along, as NASA sadly discovered years later when Challenger was victimized by brittle O-Rings. We didn't even make it to the countdown. In the middle of the fueling process both launch pad and rocket destructed with a resounding crack, venting water into the snow through gaping rents, damaged beyond repair. Alan Shepard was destined to get further on his first try atop that lousy little Mercury-Redstone.

But surely, considering my yearly anticipation, I must have received something terrific, some time? How could I have maintained my enthusiasm otherwise? Presumably my bikes and sleds were Christmas gifts, but although I recall biking and sledding fondly I don't remember when I got them. Wait though, there was a chemistry set one year, and a microscope, and a telescope. But none of these were gifts I had asked for and aside from the telescope they didn't interest me much. They were my parents' (or should I say Santa's) way of nudging me towards a career in science, for which I was manifestly unsuited.

Recalling those gifts reminds me of what I enjoyed much more -- Tom Swift Jr. books! Tom Swift in the Caves of Nuclear Fire. Tom Swift and His Ultrasonic Cycloplane. Science intrigued me as a subject to read about. Practicing it would have required long division. Ugh! Besides, what could be better than losing oneself in an adventure? There's never any tawdry and disappointing reality to face in a novel. Our imaginations never let us down.

Before Tom Swift Jr and other juvenile science fiction there were Little Golden Books and Doctor Seuss to lose myself in.

When we went to my grandparents' house stacks of wrapped books awaited me. Nature and science and history. Deluxe volumes, thick enough to hold both words and pictures. I could read about and peer at the inside of an ant colony or a far off galaxy. One book covered the Civil War. Its detailed maps of each battle showing the deployment of the Union and Confederate armies mesmerized me. Back then information about everything under the sun wasn't readily available on the Internet twenty-four hours a day. Those books were windows opening out onto the universe beyond my home town and even the era in which I lived.

Despite all my pining after toys whose names I can't even bring to mind, and the presents it would have done me good to appreciate more, the gifts I remember best are books.

I guess that means that the Christmases I remember are, in their own way, very old-fashioned after all.


NECESSARY EVIL or THE BSP TICKER

The ticker clicks in slow fashion for this issue, but it's probably just as well there's little news to report since it means subscribers will have more time to devote to festive matters. So grab a moment or two to read on...

NEWS OF ELEVENFER or NAMELESS NO LONGER

This past couple of months have been devoted to completing the first draft of Elevenfer, now officially titled Murder In Megara. We are currently at the stage of overpowering the epilogue so we can wrassle it to the mat, and then it's on to the polish-it-up stage before it's ready to fly through the aether to Poisoned Pen Press.

Murder in Megara's official blurb has appeared since our last newsletter and it runs in this wise:

John, former Lord Chamberlain to Emperor Justinian, has been exiled to a rustic estate in Greece not far from where he grew up, but he cannot escape mystery and mayhem. The residents of nearby Megara make it plain John and his family are not welcome and he soon finds himself accused of blasphemy and murder. Now a powerless outsider, his investigations entangle him with a wealthy merchant who spends part of his time as a cave-dwelling hermit and the ruthless and antagonistic City Defender whose position makes him both law enforcer and judge, not to mention a corrupt estate overseer, a shady pig farmer, and the criminals and cut-throats populating a seedy port. Complicating matters further are two long lost childhood friends whose lives have taken very different paths and the stepfather John hated. John realizes that this time the solution to murder does not lie in the dark alleys where previous investigations have taken him but a far more dangerous place -- his own past. Can he find his way out of the labyrinth of lies and danger into which he has been thrust before disaster strikes and exile turns into execution?

ON ORACLES or WRITTEN BY THE WIND

Mary's November 18th contribution to the multi-author Poisoned Pen Press blog was devoted to oracular devices, some of which were featured in Five For Silver -- there are more in the book itself than mentioned in her blog -- and closing with an appropriate straight line, although it's nothing to do with straight line winds. Point your clicker to Written By The Wind at http://www.poisonedpenpress.com/written-wind/ While subscribers are over there they may care to check other entries from a wide range of PPP authors on all manner of topics linked from the main news page at http://www.poisonedpenpress.com/category/news-and-blog/


MARY'S BIT or ABOUT READY TO SNAP

At this time of year Byron's sound of revelry by night comes into its own, and doubtless subscribers planning festive gatherings are pondering how many to invite to their jamboree and what gustatory delights to offer. As to which, on the first question my advice is to remember the proverb declaring guests should number no less than three and no more than nine, and on the second to keep the menu simple.

I must confess I am biased in regard to the latter, since neither of us care to cook. At least Eric was spared the cookery lessons forming part of the curriculum in two of the schools I attended. The dishes prepared were of a simple kind -- Victoria sponge cake, Cornish pasties, rock buns, shepherd's pie, jam tarts, scones, rollmop herrings, sausage rolls, that sort of thing -- but the nadir of these efforts for me was when we created that elegant but culinarily complicated afternoon tea favourite, brandy snaps.

Brandy snaps do not include the spirit itself although I've heard of a drop or two being added to their filling. They do not seem to be well known here, perhaps because of the difficulty in obtaining golden syrup, a prime ingredient (look for a gold and green tin with a lion on the front), so I should add snaps are tubular, present a lacy appearance, and feature a piped-in thick cream filling.

The trickiest part of making brandy snaps is after the cook uses a palette knife to lift a snap from a baking tray fresh from the oven, for the next step is to immediately roll the snap around the handle of a wooden spoon. This sounds easily accomplished but being thin snaps cool rapidly, becoming crisp and easily broken. They may be put back into the turned-off oven to restore them to a warm and more pliable state should they cool before the rolling process is completed. But you don't want to do that too often.

It was an effort doomed to failure. For a start, my attention wandered and so my snaps were overcooked and darker than the pretty golden brown they should have been. Well, we must make the best of what we have, so I began the business of wooden spoon handle rolling. Alas, it was a disaster. I was not quick enough and my snaps began to, er, snap. Back into the oven the remainder went. A number were salvageable, so after they were rolled and set aside to cool I soldiered on to the next stage, to wit, whipping double cream to thicken it sufficiently to be pipeable into my little collection of burnt tubes. Against all the laws of nature and despite its original dense state it steadfastly refused to convert to the required thickness. Time was drawing on, so it had to be piped into the brittle snaps in a condition not quite as it should have been and the result was not neat little lacy golden brown tubes filled with stiff cream but what is best described as a plate displaying a semi-solid cream sea dotted with dark islands, greeted with a burst of laughter from my unkind classmates.

I've never cooked brandy snaps since nor do I intend to darken the handle of our wooden spoon with a second attempt. Subscribers may have better luck.

Not that I have missed snaps, since simpler foods have always been more to my taste, no pun intended. At this cold time of year the childhood dish that stands out most in memory is my mother's smoky-flavoured ham shank and pea soup, but the last time I had a plateful was when my sister cooked it years ago. Plain fare it is to be sure but hearty indeed, not to mention it provided the family with two meals -- first, a thick soup with a sludge of cooked peas, then next day sliced ham served with potatoes and vegetables, not to mention enough ham left over for sandwiches for my brother's bait (translation: packed lunch taken to work).

A certain French poet once claimed a warmed-up dinner was not worth much. If only he had tasted that second-day meal perhaps he would have changed his mind, but I have a suspicion he would turn up his nez at it and call for brandy snaps instead.

And he would be welcome to them.


AND FINALLY

We close this last issue of 2014 by sending all good wishes to our subscribers for the holidays and the new year. What will 2015 bring? Well, it's been said the person who guesses best is the best prophet. There's no guessing about our next appearance in your email in-box next year. The Orphan Scrivener will be there on February 15th.

See you then!
Mary R and Eric

who invite you to visit their home page, to be found hanging out on the virtual washing line that is the Web at http://home.earthlink.net/~maywrite/ There you'll discover the usual suspects, including more personal essays, our bibliography, the Doom Cat interactive game written by Eric, and our growing libraries of links to free e-texts of classic and Golden Age mysteries, ghost stories, and tales of the supernatural. There's also the Orphan Scrivener archive, so don't say you weren't warned! Intrepid subscribers may also wish to visit Eric's blog at http://www.journalscape.com/ericmayer/ or perhaps pop over to our shadow identity M. E. Mayer's blog (largely devoted to reviews of Golden Age mysteries) at http://memayer.blogspot.com/ And just for the heck of it, we'll also mention our noms des Twitter are @marymaywrite and @groggytales Drop in some time!


Wednesday, October 15, 2014

THE ORPHAN SCRIVENER -- ISSUE # EIGHTY-NINE -- 15 OCTOBER 2014

Autumn is advancing and despite occasional high winds and frogstrangler downpours, the foliage is by and large still clinging desperately to the trees, unlike some years when the majority of leaves have fallen before reaching peak colour. As this issue is written yellows dominate, with some ruby patches displayed in corners where red oaks lurk, but the beautiful scarlet of maples can as yet hardly be spotted. With colder overnight weather on the way it's entirely possible a week from now there will be a positive confusion of colour across the landscape.

And speaking of colourful confusion, Talbot Munday once referred to a foreign city as a chaotic jumble flaunted in the face of discipline, which we feel is not a bad description of Orphan Scrivener, as subscribers will discover if they feel inclined to read on...


MARY'S BIT or A TRIO OF ASSASSIN TREES

Sadly, of late there has been an epidemic of tree felling in the county. Thomas Campbell would get no satisfaction from pleading with the woodman to spare the beechen tree, even though most would agree with Edna Ferber's declaration that a stricken, living tree, is -- apart from man -- probably the most touching of wounded objects.

I for one strongly dislike seeing trees cut down. This may well been the result of living in childhood in inner city neighbourhoods where trees were few and far between, except those which somehow or other flourished in cemeteries. And even beyond their beauty and service as valuable assets to humanity, there are many who, as I have, plant trees for departed friends and family, considering them wonderful memorials to those we care about.

I still think so even though assassin trees have three times directly menaced the occupants of Casa Maywrite.

On one occasion, my co-writer and I were strolling through a very pretty forested area in upstate New York admiring the autumn foliage. Passing along a narrow path paralleling a wide stream we suddenly heard a loud creak, turned, and looked back just in time to see a fully grown tree topple over in stately fashion, crashing down on the very spot we had crossed just a minute or so before.

As Thoreau so wisely observed, even trees won't die without groaning but that creak wouldn't have been enough warning to get out of the way.

Then came the night a split second flare of violet light announced lightning had struck a pine behind our house, leaving the stricken tree leaning not so much protectively as in a distinctly menacing fashion towards the building. So, regrettable though it was, the tree had to be removed. It was approximately eighty feet high, the arborist estimating it was about as old in years, and in a sad tribute to man's ingenuity and the defencelessness of nature it took about five hours for it to be cut down and its remains taken away.

And finally there was the unforgettable occasion during a wind storm when a particularly nasty gust howled in, striking a tree next door at such an angle it pushed it right over. It hit the ground with a terrific thud that shook the entire house. Again it was a pine, but by great good fortune it fell in the only place it could have landed without significant damage to either our house or theirs or anyone's buggies.

While it's sad to see trees being cut down and carted away, I endeavour to bear in mind Carlyle's observation that when oaks are felled forests echo with their fall -- but at the same time hundreds of acorns are silently sown.

Let's hope they flourish, despite representing possible future assassin trees, all of 'em.


NECESSARY EVIL or THE BSP TICKER

Not a large budget o' news this time round, so quickly enough read...

JOHN'S NEXT ADVENTURE or ELEVENFER UNDER WAY

We recently had the nod from Poisoned Pen Press to complete Elevenfer, currently the Ms With No Name, and thus much of our time is now taken up in constructing the first draft. All going well and Fortuna smiling, this entry in the series will appear late next year. Set is Greece, to which, as Constant Readers will recall John has been exiled, it reveals something of his earlier life though it is not a prequel but rather involves how, as is so often found in real life, events can and do return to affect us decades later.

AN AWARD (NOT OURS) or IT'S ALL MIKE'S FAULT

The weekend after the last Orphan Scrivener appeared, news arrived of Mike Ashley being presented with the Sam Moskowitz Archive Award, given for possessing a significant collection and using it to inform others. It's another way of saying it's an award for research. A glance at Mike's body of work shows his sterling contributions as well as his many anthologies. It was Mike who published the first short story about John, so our current series is all his fault given it was he who opened the gate for us. Congratulations to Mike on this well-deserved honour!

LATEST BLOG or A GOLDEN OLDIE LEAPS INTO THE SPOTLIGHT

Some call them reprints. We prefer to think of them as golden oldies occasionally reproduced to give newer subscribers an opportunity to read earlier essays. Thus Mary's next appearance on the Poisoned Pen Press multi-author blog will not be familiar to those good souls who signed up for Orphan Scrivener after October 2005. Well, not unless they happened to peruse the archive on our website. In any event, Leaps, Foot, and Leaves details Brown Leaf Reed's only public appearance as an interpretative dancer and will leap into sight as if by magic on October 18th at http://www.poisonedpenpress.com/brown-leaf-reed-rebels/ However, If that topic does not appeal, point your clickers any time to http://www.poisonedpenpress.com/category/news-and-blog/ to discover a mess o' blogs by our fellow PPP authors. There's bound to be something of interest leaping out at you before you leave.


ERIC'S BIT or FALL IN THE AIR

This morning I picked up extra canned goods at the grocery. We're stocking up for the winter. Being snowed in is more tolerable when the shelves are full.

Driving home I realized it felt like autumn. The sky seemed bigger. The light fell less heavily across the fields and mountains. Maybe it had to do with the angle of the sun, or the thinning foliage.

It was around this time of year that my grandfather built the corn hut in the midst of the soon-to-be frozen furrows in the back garden. Corn shocks lashed to a wooden framework formed the walls and roof. Wheelbarrows-full of fragrant pine needles cushioned the floor. A canvas drop cloth hung from the doorway kept out the wind.

My friends and I used it all through November until winter's snows and winds brought it down. Inside, the air was a still, frigid pool, colder than outside, until you became accustomed to it. We would sit with a flashlight in the springy pine needles, exhaling luminous clouds, while we laid out plans for the week.

By the end of November, the garden was frozen. The remains of the hills from which the potatoes had been unearthed, the craters marking where the largest of the rutabagas had been pulled up, would remain, fossilized, until spring, along with the straight rows of corn stubble and tangles of blackened vines.

When we ventured out from the hut to explore we always found a few enormous cucumbers and a squash or two that had hidden successfully beneath the vines and eluded harvest. By November, their camouflage had withered, and they lay exposed, misshapen, frost-bitten and half translucent, preserved in the midst of decay.

It was in the corn hut that I traded my complete set of Davy Crockett bubble gum cards for some plastic trucks I can barely recall. I had collected the cards over the course of a sweltering summer. That was another world, and what had happened there no longer seemed important in November.

I was remembering the corn hut when I hauled my winter supplies into our house, which is somewhat larger and a bit warmer than the hut. Maybe a primitive internal clock was warning me that winter was on the way. An instinct we humans still have that senses things we can't quite identify rationally, urges us to buy large cans of tomato sauce and extra bottles of curry powder. To seek shelter, nestle down in pine needles, or turn on the space heater.


AND FINALLY

Speaking of cold weather, not to mention misery, we'll return on December 15th to leap back into your email inbox with the next issue of Orphan Scrivener tucked securely under our arms.

See you then!
Mary R and Eric

who invite you to visit their home page, to be found hanging out on the virtual washing line that is the Web at http://home.earthlink.net/~maywrite/ There you'll discover the usual suspects, including more personal essays, our bibliography, the Doom Cat interactive game written by Eric, and our growing libraries of links to free e-texts of classic and Golden Age mysteries, ghost stories, and tales of the supernatural. There's also the Orphan Scrivener archive, so don't say you weren't warned! Intrepid subscribers may also wish to pop over to Eric's blog at http://www.journalscape.com/ericmayer/ or visit our shadow identity M. E. Mayer's blog at http://memayer.blogspot.com/ And just for the heck of it, we'll also mention our noms des Twitter are @marymaywrite and @groggytales and our author page is at https://www.amazon.com/author/reedmayer Drop in some time!


Friday, August 15, 2014

THE ORPHAN SCRIVENER -- ISSUE # EIGHTY-EIGHT -- 15 AUGUST 2014

Shakespeare wrote of the inaudible and noiseless foot of time. It certainly trots past in speedy but silent fashion, meaning for one thing we have sometimes found ourselves scribbling a newsletter the very morning of its transmission. We do fortunately occasionally get a hint from the universe that it's time to begin composing the next Orphan Scrivener and most recently just such a reminder arrived via a line in E. Phillips Oppenheim's The Great Secret.

The novel gets off to a rattling good start when the narrator takes Room 317 in London's Hotel Universal. He is just preparing to retire when a terrified man rushes in seeking his protection, his unexpected visitor being described in Lovecraftian mode as looking as if he had seen things "more terrible than human understanding can fitly grapple with".

For some reason this description reminded us of the need to compose this newsletter. And so...


ERIC'S BIT or CRAYOLAS AND CUCUMBERS

The most frequent question asked of authors is "where do you get your ideas?" Or so I'm told. I've never had the question put to me.

I have been asked:

"How long did it take you to write that?"

"Do you have to pay to have books published?"

"Did you type all those pages by yourself?"

The last query occurred on a bus while I was reading someone else's thick manuscript. Not that it was obvious to a stranger in the seat behind me that the manuscript wasn't my own brilliant composition. I guess I look more like a typist than an author. Or maybe the woman was more impressed by typing than writing.

Still, as Robert Benchley once put it, "having been asked (by my cat)..." Well, we no longer have a cat, but I'm sure our cat would have inquired about where I get my ideas were she still with us, so I suppose I have no choice but to answer.

I get my ideas from Mary.

Okay, that's not entirely true. And I'm not saying how close to entirely true it is either. Actually I get a lot of my ideas where I always have -- out of my head.

The same place the school kid gets the idea to tell the math teacher the dog ate his homework and where the grown-up gets the inspiration to assert that the check is in the mail. Human beings just naturally make up stories or appropriate ones that are floating around.

Granted, the human mind is a mystery but the minds of writers are no more mysterious than anyone else's. Probably a lot less mysterious than the minds of barbed wire collectors and adults who go to conventions to dress up like funny animals.

When I was a kid, my friends and I would sit out on the back porch drawing endless stories on the adding machine rolls my grandfather brought from the office, gleefully relating and showing off to one another the ongoing adventures we were creating. Mostly involving guns and bloodshed. We ran through silver and red Crayolas quickly. Even in our play we were usually making up stories, retelling new versions of the gunfight at the O.K. Corral, or enacting entire wars out in the back garden, dropping rock bombs on hapless cucumbers.

During the past couple weeks Mary and I put together a detailed outline for a new Byzantine mystery. We traded thoughts, jotted things down, dove into the web for a bit of research, made up characters, and pictured scenes. It was fun. It was play. There were no secret rites involved, no exercise of super powers, no Muses.

It always annoys me when writers puff themselves up by over-dramatizing the creative process. I remember a newly published writer enthralling a crowd of readers by describing how, being short, she had got up on a stool to see the world through the eyes of her tall protagonist. I'm not tall enough to know what it feels like being six foot four but I doubt it feels like standing on a stool. It's surprising the writer didn't lose her balance and fall off the stool the way she was patting herself on the back.

The truth is that writers aren't unique in having ideas, but through practice they have acquired extra skill in expressing them. That takes work, which is what Mary and I will have to get down to now.

By the way, you may wonder where I got the idea for this essay? The answer is from the electronic notebook I keep on my computer.

Specifically from the folder named "Ideas".


NECESSARY EVIL or THE BSP TICKER

News-wise it's been a quiet two months since last we darkened subscribers' virtual doorsteps, well, quiet if you ignore the bangs and whistlings and assorted loud noises we heard after dark on Independence Day. Not to mention all those noisy fireworks. Still, here are gleamings, er, gleanings that may be of interest.

JOHN'S NEXT ADVENTURE or GREECE IS THE WORD

Or one of them, anyhow. A couple of days ago the outline for Elevenfer was, as Hollywood folk would say, green lighted. Thus by the time this newsletter arrives we will have begun writing John's latest adventure, set in and around his estate near Megara, Greece, a town where the exiled former Lord Chamberlain is not welcome. And that's just the start of it...

AN ART CRITIC SPEAKS or A POOR INSTRUMENT OF MUSICAL BEGGARY

Life in a country house, that perennially favourite setting for mysteries, occasionally provides surprises, and not always those nasty shocks associated with the discovery of a body in the library. So begins Mary's August 18th blog on the Poisoned Pen Press website. It's too early to have its permanent URL but can be reached on that date via http://www.poisonedpenpress.com/category/news-and-blog/ While subscribers are over there, they may care to browse around contributions on a wide variety of topics from other authors in the PPP stable.

TEN GREENE NEIGHBOURS or LITERARY DIS-MEM-BERMENT

Speaking of blogs, we must not neglect to mention the stripped-down blog of our shadow identity M. E. Mayer, to which MEM has been adding a number of reviews of Golden Age mysteries. For those who enjoy that type of ratiocinative fiction, novels that most recently received what we might term literary dismemberment from MEM are Mary Roberts Rinehart's The Man in Lower Ten, S. S. Van Dine's The Greene Murder Case, and Miles Burton's Beware Your Neighbour -- titles that serve as clues to the mystery of the somewhat sanguine header of this paragraph. http://memayer.blogspot.com/


MARY'S BIT or CAREFUL WITH THAT CHRISTMAS CRACKER

It's no secret I love classic tales of the supernatural (pause for obligatory declaration that M. R. James roolz) and Eric's piece up there brought to mind James' essay on Stories I Have Tried to Write, wherein James mentions stories that had crossed his mind but as he put it "never materialized properly" -- which I for one take to be a naughty nod to the ghosts who populate a number of his tales, so aptly described by a friend as often concerning strange noises in the cathedral close at midnight.

In any event, James reveals some of these stories were written but had ideas that did not blossom in their settings, so he recalls several of them for the benefit of other writers.

To paraphrase Leigh Hunt, we can love any author who is generous with ideas.

Two of those James sketches out in his essay have always appealed strongly to me.

The first is quintessential James: a couple of friends are spending Christmas in a country house owned by one of them. Disturbing events take place during their visit, such as disturbances in the shrubbery as they walk home at night after dining with an uncle who lives nearby -- he being next heir in line -- strange tracks in the snow, and efforts to isolate the house owner by luring his companion elsewhere.

The other idea, and I confess it is my favourite so the pointed sticks can be put away, concerns the possibilities of the Christmas cracker. Possibilities, that is, "if the right people pull it, and if the motto which they find inside has the right message on it". And if that is not a theme for a Christmas anthology of a different type I don't know what is. James adds the cracker pullers would probably plead indisposition and leave early, but feels it's more likely a long-standing engagement would be the real reason for their departure.

It seems to me these two ideas could fruitfully be combined. All manner of interesting developments suggest themselves, so shall we give a twirl or two of "what if", that useful crank handle for quick-starting plots?

What if the cracker pulled by the villains of the piece is found to contain a trinket appropriate to the menace hovering over them as well as the customary silly tissue paper hats so beloved of cracker manufacturers? It might for example be a miniature working compass, which was the best prize any of my crackers contained. However, the destinations towards which the needle of this particular artefact joggles back and forth would not be marked with the usual names but all would sport the same name, the place to which the duo is slated to arrive, and that very soon.

What if, having failed in their beastly machinations, they try to avoid their horrid fate? Of course, in the end they won't, but think of the possibilities! What if they attempt to seek sanctuary in a sacred place or one decides to sacrifice the other hoping Old Scratch would be happy with just one victim? Supposing they both refused to go to their meeting?

What if despite their reluctance they were forced to be in the cathedral close at midnight, the witching hour so appropriately described by Hamlet as the time to do business the day would quake to look on?

The possibilities are indeed many.

Inspired by James, we wrote a short ghost story several years ago in homage to his masterfully chilling creations. We couldn't work sinister messages in Christmas crackers into the plot but there's always another occasion...and meantime The Thorn may be read on our website at http://home.earthlink.net/~maywrite/thorn05.htm


AND FINALLY

Distinct signs of impending autumn have begun to appear this past week or so. Although the wood asters have not yet begun flowering, a scanty scattering of dead foliage on the lawns reminds us Thomas Hood observed autumn is the time Nature's book gets short of leaves.

Speaking of which, we'll leave subscribers this time round with our usual short reminder the date of the next issue of Orphan Scrivener will be October 15th.

See you then!
Mary R and Eric

who invite you to visit their home page, to be found hanging out on the virtual washing line that is the Web at http://home.earthlink.net/~maywrite/ There you'll discover the usual suspects, including more personal essays, our bibliography, the Doom Cat interactive game written by Eric, and our growing libraries of links to free e-texts of classic and Golden Age mysteries, ghost stories, and tales of the supernatural. There's also the Orphan Scrivener archive, so don't say you weren't warned! Intrepid subscribers may also wish to pop over to Eric's blog at http://www.journalscape.com/ericmayer/ or visit our shadow identity M. E. Mayer's blog at http://memayer.blogspot.com/ And just for the heck of it, we'll also mention our noms des Twitter are @marymaywrite and @groggytales and our author page is at https://www.amazon.com/author/reedmayer Drop in some time!


The Orphan Scrivener -- Issue # One Hundred and Fifty-Nine -- 15 June 2026

The noiseless feet of time have been marching in double-quick cadence this last couple of months since in retrospect it seems only a few day...