Friday, April 15, 2011

THE ORPHAN SCRIVENER -- ISSUE # SIXTY-EIGHT -- 15 APRIL 2011

A Latin proverb points out that spring isn't always green, and it's certainly been the case up to about a fortnight ago. Now little pointy fingers of tulip leaves -- or in the case of hyacinths, crowns -- are at last starting to poke up into daylight, and the monochrome landscape of the past three months is getting close to the time when a green mist will spread across it as trees burst into leaf.

However, as Longfellow pointed out in An April Day, some days must be dreary and dark, and arrival of this latest issue of our newsletter serves to underline the wisdom of his words...


ERIC'S BIT or A FUNNY HAT NEVER HURTS

Mary and I recently finished the first draft of Nine For The Devil, the next John the Lord Chamberlain mystery. There are always some bumps along the way and at one point, as I struggled to come up with a description for a minor character, I suddenly remembered how much easier it was to create unforgettable characters with Mr. Potato Head.

I'm old enough to recall when he was a real potato. Now he's just a plastic fraud. Calls himself a potato but he's got no starch. At some point whoever decides such things came to the conclusion that those vicious plastic spikes on the backs of the assorted facial features posed an unacceptable risk. To whom I'm not sure. Amazing as it may seem, even very young children have the ability to stick bulbous noses and floppy ears onto a potato without killing themselves. They might hurt their sides laughing. I reckon kids have more chance getting injured falling down on the playground than they did while playing with Mr. Potato Head.

Besides, the whole point of Mr. Potato Head was not simply that you were creating a funny face, but creating a funny face on a potato.

If you're supplying minor characters with physical descriptions, it isn't good to have a Mr. Potato Head flashback. Let's see, shall I stick on some big lips or small ones? Round eyes or squinty? How about glasses? Now, what kind of hat? They're all funny hats, of course.

Unfortunately I probably do have a mental box of features to stick on characters and maybe it isn't big enough. I tend to think of the same features and in the same varieties. Noses: big, small, straight, bulbous. Hair color: black, brown, blonde, red. Chin: weak, strong, pointed. Eyes: brown, blue, green. Ears:... Well, okay, I can't find any ears in my box.

That might be due to the fact that when I read I don't pay a lot of attention to physical descriptions, even for major characters, unless they are very exaggerated (i.e. Nero Wolf or Blind Pew) and/or play some important role in the story (i.e. the Man in the Iron Mask or the Hunchback of Notre Dame).

In real life I do not analyze people's appearance. I think most of us tend to see others based on our whole conception of them derived from their actions and our feelings toward them.

When I read exquisite descriptions of the angle of a character's cheekbones and the shape of the chin and lips and the type of ears, not to mention the precise shade of the eyes and estimated number of hairs in the eyebrows, I immediately forget every detail and picture the character as looking like I'd expect a person to look who does whatever the character does and thinks the way the character thinks.

Although I can't say for sure whether it is true, it's generally said that Erle Stanley Gardner never gave a good description of Perry Mason. Which I suppose is a bad example since everyone knows he looks like Raymond Burr.

In the end it is probably more important to give minor characters some life, let them say or do a little something, rather than depending on physical descriptions. Give them some juice, like a real potato, in other words, instead of a soulless lump of plastic.

Then again, a funny hat never hurts.


NECESSARY EVIL or THE BSP TICKER

The ticker reports a mixed bag this time....

A FOG BLOG or A TOUCH OF THE TROLLENBERG TERROR

The Dames of Dialogue offer author interviews and host guest bloggers on topics such as travel, food, shoes, pets, and friends. Also fog, about which Mary contributed a blog on 7th March. Check out her thoughts on, among other things, the literary use of fog in Doyle and Dickens http://damesofdialogue.wordpress.com/2011/03/07/fog-by-mary-reed/#comment-3679

A VILLAINOUS GOURD or THURSDAY'S THUG HAD FAR TO GO

Gwen Mayo blogs about writing, writers, characters, and books, with an occasional side trip into history and two regular features: Thursday's Thugs and The Weekend Writer. On March 17th Mary contributed a Thug blog about The Gourd, a real villain with a remarkably thuggish nature who plays an important part in Four For A Boy. Unlike some historical persons in John's time, his ultimate fate is known and so you might say Thursday's thug had far to go. Point your clicker here for the skinny:

http://gwenmayo.blogspot.com/2011/03/thursdays-thugs-guest-blog-by-mary-reed.html

DELUDED AND DEFRAUDED or DEADLY BY THE DOZEN

Our e-anthology debut was in late February in Deadly By The Dozen: 12 Short Stories of Murder and Mayhem, edited by Mark Terry. Currently available on Kindle

http://www.amazon.com/DEADLY-BY-THE-DOZEN-ebook/dp/B004OA6KFQ

Nook

http://search.barnesandnoble.com/DEADLY-BY-THE-DOZEN/Mark-Terry/e/2940012258199

Smashwords

https://www.smashwords.com/books/view/52393

with other formats and a print edition to follow. Contributors are Jude Hardin, Natasha Fondren, Robert Weibezahl, Betsy Dornbusch, Lise McClendon, Keith Snyder, Merry Monteleone, Erica Orloff, Travis Erwin, Simon Wood, and Mark himself.

The table of contents includes the sinister line Whereby Ignorant People Are Frequently Deluded and Defrauded by Mary Reed and Eric Mayer. Naturally we're denying everything!

LITERARY RAGBAG or AT LEAST YOU MIGHT LIKE THE COVER

Eric put on his apprentice webmaster's hat and created a downloadable pdf of The Literary Ragbag, a collection of favourite Orphan Scrivener essays we contributed to the electronic goodie bag for the PPP Webcon a while back. Now the Webcon site is offline we thought subscribers who missed the Webcon might enjoy the Ragbag -- or if not the prose, then the cover may appeal, featuring as it does a dear little cat mosaic. Point your clickers here:

http://home.earthlink.net/~maywrite/ragbag.pdf


MARY'S BIT or STRIKING THOUGHTS

As a long-time lover of classic tales of the supernatural (M. R. James rules!) I'm certain I'm not the first to notice how often inclement weather plays a strong role in creating the appropriate atmosphere for the genre.

Consider the raging thunderstorms so often featured in ghost stories, wherein brilliant flashes of lightning reveal things the hapless protagonist would much rather not see. You know, those sinister movements by dark figures in ancestral oil portraits or oddly mottled, claw-like hands scratching at ivy-framed diamond-paned windows. Rolls of thunder shaking the walls drown out the screams of the doomed innocent locked in the attic, yet never seem to mask the grim sound of the wheels of an approaching coach and four driven by the dissolute and long dead fourth earl, inevitably arriving at the front door on the stroke of midnight, though not with the intention of delivering pizza.

Lately I've been rereading E. F. Benson's fiction and find myself admiring his use of thunderstorms, no doubt because Ninefer is set during the historic heat wave under which Constantinople sweltered in June 548, during which a statue of Emperor Arkadios was struck by lightning.

Never mind about that, let's see an example from Benson, you say?

Happy to oblige.

Consider the familiar sticky heat and strange hush heralding an imminent thunderstorm. As described in The Man Who Went Too Far, before the god Pan pays what readers can only regard as a highly regrettable visit, the pending arrival of a storm is depicted so vividly as to almost cause a headache. His prose is as rolling and menacing as, well, distant rumbles on the thunder kettledrums:

"Then, as is the habit of the English weather, one evening clouds began to bank themselves up in the west, the sun went down in a glare of coppery thunder-rack, and the whole earth broiling under an unspeakable oppression and sultriness paused and panted for the storm."

We've only twice been directly affected by the chief representative of the thunderstorm's unspeakable oppression, which is to say lightning strikes, and sincerely hope we'll never collect the third of the traditional trio of any given event.

On the first occasion lightning hit a tree towering near Casa Maywrite. The bolt split the tree's crown, travelled down its trunk peeling off pieces of bark, and continued on its nasty way underground, throwing stones up along its path. Since the tree began leaning towards the house, it had to come down. To our surprise, the task was accomplished, sawn-up logs loaded into a truck, branches and twigs chipped for garden use, and the workmen gone within three or four hours.

The second time we heard a huge metallic crash and glimpsed a split second flash of purple light. The bolt had hit our neighbour's well and then, having done it injury, travelled far enough under the intervening ground to destroy the control panel of our well.

However, an acquaintance has a more personal, if not as expensive, lightning story. He was in a cabin in the Colorado woods, watching a thunderstorm while listening to music on headphones. His player was plugged into a ceiling socket along with a light bulb, powered by a line passing about ten feet away. A bolt struck the line, there was a flash and a crash, the light bulb exploded, and his hands and feet jerked spontaneously into the air. His feet tingled afterwards for about a quarter of an hour, but he otherwise escaped with only burns on his ears.

His anecdote reminded me of another Benson story. Spinach relates how a pair of fraudulent mediums rent a holiday cottage, only to discover there is a genuine uneasy spirit lurking in the vicinity. The ghost rejoices in the name of Mr Spinach, although he does not rejoice about his situation, given he is earthbound because he can't recall where he buried his uncle after murdering him. Having been killed by lightning as he went about the grisly business, he has lost his memory -- apparently a not uncommon occurrence among those who, unlike Mr Spinach, survive a strike -- and he cannot depart in peace until he regains it.


AND FINALLY

The first torrents of April stotted down like stair rods as this issue was written, and yesterday came the first staccato sounds this year of a pair of dueling woodpeckers giving themselves headaches. And speaking of headaches, a lightning quick reminder to subscribers that the next Orphan Scrivener will thunder into email inboxes on 15th June.

See you then!
Mary R and Eric

who invite you to visit their home page, hanging out on the virtual washing line that is the web at http://home.earthlink.net/~maywrite/ There you'll discover the usual suspects, including more personal essays, Doom Cat (an interactive game written by Eric), and our growing libraries of links to free e-texts of classic and Golden Age mysteries, ghost stories, and tales of the supernatural. There's also the Orphan Scrivener archive, so don't say you weren't warned! Intrepid subscribers may also wish to pop over to Eric's blog at http://www.journalscape.com/ericmayer/

Tuesday, February 15, 2011

THE ORPHAN SCRIVENER -- ISSUE # SIXTY-SEVEN -- 15 FEBRUARY 2011

In writing about his round the world lecture tour, Mark Twain related how a ship's captain told the story of an arctic voyage he had undertaken, during which the weather was so cold the mate's shadow froze to the deck and had to be freed by brute force -- and even then he still lost about a third of it.

With much of the country still snow-covered and shivering it was encouraging to see most of the groundhogs dragged out of their nests on 2nd February forecast an early spring, including a stuffed specimen prognosticating in Pennsylvania. Apart from the fact they are too savage to drag out of dens and sleep too late to be of assistance in forecasting spring, Ambrose Bierce's claim that hibernating bears emerging then are so thin they need two efforts to cast a shadow has never been confirmed so far as we know.

What we do know is the winter-weary look forward to seeing the last of the snow and in the meantime, this latest bone-chilling issue of Orphan Scrivener may make readers wish we had hibernated. Since we didn't, feel free to urn up the heat a bit and read on...


MARY'S BIT or SWEETS, BY GUM!

Glancing out at the expanse of sparkling ice-covered snow lying deep and crisp and relatively even around Casa Maywrite, I observed to Eric the vista reminded me of Kendal mint cake.

Then I explained the nature of Kendal mint cake.

It's been years since I ate any and it has occurred to me it's the sort of reference that could be used to unmask undercover agents. You know, like being able to sing more than the first verse of the British national anthem or the fashion in which they wield knife and fork. For it is not a cake in the sense of the much despised Yuletide fruitcake but rather a small chocolate bar sized smooth slab coloured white with a sparkly look to it and a strong mint taste.

It is not however a sweet we could afford to buy with our shilling pocket money because it was not sold in our part of Newcastle, if indeed anywhere in the city. To make up for the omission, the shelf positioned just inside the door of the corner grocery shop two streets away tempted passing urchins with other sweet delights at a manageable costs, sometimes as low as an old halfpenny at a time when twelve pennies made a shilling.

One of my favourites was, and indeed remains, anything compounded of licorice. Thus my choice might well be a licorice whip, several inches long and bootlace thin, or a catherine wheel formed of a wider strip wound around a flat coin of licorice, or perhaps a piece of licorice root, good to chew on and lasting longer than any other offerings made from that part of Glycyrrhiza glabra.

There were long-lasting gobstoppers that bulged out the cheek and magically changed colour the longer the purchaser resisted the temptation to crunch them and bull's eyes, a brown globular sweet somewhat like clear candy. Flying saucers were fun even though they didn't last long, being made of thin wafer enclosing sherbet. Being a licorice hound I preferred sherbet dips, cyclindrical containers of yellow powder equipped with a licorice stick to lick and dip out the contents. And then there were bright yellow lemon drops whose pucker power was so strong that even thinking about them brings back their powerful sourness, and aniseed balls, shiny and reddish-brown.

Later on, with improved economic fortunes, we could buy all manner of toffees. When in funds we sometimes purchased slab toffee in an oblong foil container accompanied by a small, light metal hammer used for smashing it into chunks and thereafter useful for similar domestic tasks.

Toffee cakes were popular at school. They were made in paper cup cake liners and sold by playground entrepreneurs. A bit of experimentation when mum was out revealed heating a quantity of sugar produced something approaching toffee but the evidence was hard to conceal because it was difficult getting hardened sugar-toffee off the pan.

We never tried recreating fruit gums, still a great favourite, and it's Rowntrees for me rather than Maynards', which have a chewier aspect somewhat similar to jelly babies rather than the harder fruit gums of their competitor.

And let's not forget Mars bars, which I hear are now sold fried in certain places, setting civilization back a few years. Turkish Delight, the rose-scented dark pink jelly (gelatin, not jam) confection covered in chocolate, was advertised as from the fabulous east. I wonder what John would have made of it? With his austere tastes he would probably find it as I do, almost too sweet to eat, a complaint that never applied so far as I am concerned to butterscotch, smooth and yellow brown, or dark chocolate.

Many of these sweet delights are available online at British import shops but it's not the same as going into a corner shop where the brown-coated proprietor would deft sliced cheese on the ghastly whirly thing also used to cut thin wafers from a ham or a few slices of bacon or corned beef while chatting away to his customers and miraculously never losing a finger. You could buy two ounces of loose tea or sugar or cheese when money got short towards the end of the work week but you couldn't buy Kendal mint cake or Turkish Delight at the long gone corner shop on Greenhow Place. It was not stocked and even had it appeared on the shelves of stock rising behind the counter it would have been just too expensive for a child clutching a shillings-worth of pocket money.


NECESSARY EVIL or THE BSP TICKER

Just one bit of news on the ticker this time around, but it's particularly appropriate in view of the current frigid weather and Mary's scribble above.

NO SKILLET NEEDED or DISSIPATED SPIRITS, DECAYED STRENGTH?

In a guest essay published on January 21st on Leila Taylor's blog Mary posed the question are your spirits dissipated and your strength decayed? Being a helpful sort she went on to reveal if so, hot chocolate is what you need to feel better, or at least according to The Natural History of Chocolate: being A Distinct and Particular Account of the Cocoa-tree, its Growth and Culture, and the Preparation, Excellent Properties, and Medicinal Vertues of its Fruit (1719). There's also practical assistance, since her blog includes historical recipes for hot chocolate, that wonderful cold weather indulgence, and all but one do not call for a skillet. Find out more by pointing your clicker at URL

http://www.cncbooks.com/blog/2011/01/21/chocolate-the-ageless-necessity-of-life/


ERIC'S BIT or WRITING ABOUT WRITING

One of the problems with co-authoring books is that sometimes I feel obliged to write about writing. It is, after all, a favorite pastime of authors, judging by the endless blogs and websites and instructional books devoted to writing advice. And surely all this verbiage would not exist if readers did not want to read about how to construct a novel or how to get published.

Unfortunately I've never cared for writing about writing. It is quite possibly because I have no idea what I'm doing at the keyboard -- I've just been winging it -- and thus have nothing useful to impart. But it strikes me that most of what authors say about their art is either self obvious or pure b.s..

To me, writing is not a mechanical process. Ideas are far more important than techniques. Everything you need to know about technique you can find in Strunk and White's Elements of Style, and you probably know most of what's in that little book already.

Picasso once famously remarked that when artists got together they talked about turpentine. But writing, unlike painting, is not a physical medium. Writers don't even have turpentine to discuss. Writers are dealing purely with communication, mind to mind by way of symbols which can be as insubstantial as pixels on a computer screen. Printers might debate inks but it has nothing to do with writing.

Writers can of course describe how they go about their own writing and their personal tastes but how helpful is that? After I read Elmore Leonard laying down his law that books could not ever begin with the weather I glanced at a dozen classic novels at random and noticed that half of them began with the weather.

What is important in writing, in my opinion, is the writer's idiosyncratic imagination. If you are employing someone else's ideas rather than your own ideas, you are not doing anything worthwhile and what are the chances that your original ideas can be conveyed by the techniques someone else uses to convey his or her quite different ideas?

Yes, copying ideas does seem to work so far as publication is concerned. Did so many writers really all decide, practically at once, to start writing about vampires? (Mary and I have joked that we are going to kill off Theodora and then continue the series as She Vampire of Byzantium!) But even there, I would argue, the successful writers are those who bring their own vision to the general concept.

True, if writing is mainly ideas then it can't be taught, because you can't teach anyone to have ideas. But most of us do have ideas and reading too much about writing and the publishing industry can prevent us from noticing that! I believe it is dangerous to pay too much attention to what other writers say about techniques and marketing. It is too easy to obscure one's own ideas -- or to lose track of them entirely -- in fretting over or trying to employ techniques and marketing schemes of others.

What is the basic appeal of writing? We all like to hear stories, don't we? It's a human trait. Even people who don't enjoy reading want to see stories via television or movies. We are also interested in those other people with whom we share the world, who are so much like us but not exactly, who see the world in their own way, and whose stories reflect that.

You can describe techniques, and how to get published, or how to please the critics or this group of readers or that group. There is so much to write about writing. But to me, the only advice that ultimately counts is this.

Tell your own story.


AND FINALLY

Ambrose Bierce reckoned cursing someone was the equivalent of energetically belaboring them with a verbal stick. Invective does not have to be spoken, and our own inscrutable (we hope, or else readers are ahead of the plot) reasons we've featured curse tablets, those wonderfully inventive linguistic creations, more than once in our fiction, both in the short or long forms.

We mention this because the next issue of Orphan Scrivener will grace subscribers' in-boxes on April 15th -- a day on which many US residents are usually found hunched over their yellow legal tablets racing to finish last-minute calculations for their tax return forms both long and short. This year, due to a federal holiday intervening, the IRS has pushed the evil day back to 18th April, so whereas we'll take it as read even the most genteel may feel compelled to utter a curse or two as the due date approaches, if we hear any ripe language on the 15th we'll try not to assume it's directed at the editors of Orphan Scrivener.

See you then!
Mary R and Eric

who invite you to visit their home page, hanging out on the virtual washing line that is the web at http://home.earthlink.net/~maywrite/ There you'll discover the usual suspects, including more personal essays, lists of author freebies and mystery-related newsletters, Doom Cat (an interactive game written by Eric), and our growing pages of links to free e-texts of classic and Golden Age mysteries, ghost stories, and tales of the supernatural. There's also an Orphan Scrivener archive, so don't say you weren't warned! Intrepid subscribers may also wish to pop over to Eric's blog at http://www.journalscape.com/ericmayer/

Wednesday, December 15, 2010

THE ORPHAN SCRIVENER -- ISSUE # SIXTY-SIX -- 15 DECEMBER 2010

As we write it is 15* and we await the next big snowfall and the furnace repair technician. Thus we politely say to heck with William Hamilton Gibson's seeing silent snowflakes as individual gems and positively sneer at John Townsend Trowbridge's praise for snowfall paving the paths with pearl.

The frigid weather currently gripping much of the country reminds Mary of the oft-told family tale of the winter of 1946, when snow was piled up to the windowsills and coal was still on ration. At least the Reeds escaped having their coal stolen, as happened to a friend's parents. Folk legend has it the working class keeps their coal in the bath tub but since the terraced houses in which we grew up did not have bathrooms that would not have worked as a safeguard against nocturnal coal-pinchers. It does however raise the burning question: was it good or naughty children that winter who found a lump of coal in their Christmas stocking?

Before transmitting programmes considered to have disturbing content the BBC used to intone -- and may still -- an announcement to the effect that the following broadcast would not be suitable for persons of a nervous disposition. We would not say this latest issue of Orphan Scrivener will disturb such subscribers, but the only way to find out is to read on....


ERIC'S BIT or THE LAST CHRISTMAS TREE STANDING

Someday natural Christmas trees will probably be about as common during the holidays as horse drawn sleighs. Even people who don't go in for the artificial sort weigh their trees down with so many ornaments (glass, ceramic, knitted, animated) and lights (blinking and bubbling, large and miniature) and so much tinsel, not to mention spray-on snow, that there might as well be a large garden gnome or a Dalek under it all.

Fake trees used to be all but unheard of. My grandparents didn't always buy a tree or cut one down. When I was a kid my dad's first Christmas tree was still growing behind the house where it had been planted decades before, by then a good 60 feet tall. There was a long row of tall pines beside the garden and more than once my grandfather cut the crown off one to use in the living room. In the fifties even the trees had flattops.

My parents were particular about trees. For years we had blue spruce. Beautiful to look at but the sharp needles made decorating the boughs a less than joyful experience.

My parents' trees also had to be straight as a plumb line. Maybe that's why I remember affectionately some of the forlorn trees I've since brought home -- trees that revealed huge gaps when their limbs thawed out and came down, trees with crooked or forked trunks. Still, it seemed in the spirit of the holidays to give those poor trees a good home, to dress them up and make them the center of attention, even if they weren't perfect.

I guess I always felt a little guilty about keeping a sacrificial tree in the house at Christmas. Maybe that's why I was reluctant to dispose of them. Most years I'd leave them up until the second or third week of January. As long as they stood in the corner decked out in lights and ornaments, their browning needles covered with layers of tinsel and artificial icicles, it was easy to ignore the reality of the situation.

The reality became only too clear, at last, as the water in the tree holder was never consumed, needles piled around the base, limbs drooped and twisted grotesquely, spilling glass balls onto the floor.

One January I got up and saw a denuded skeletal object, frozen in rigor mortis, bowed under the weight of dangling strings of lights, a wooden corpse propped up in the living room.

Tree pick-up day had long passed. It cost extra to have trees hauled away after the first week of the year. If only the body could fit into a heavy duty trash bag...

K-Mart boasted a liberal return policy. If an item did not prove suitable it could be returned, no questions asked, so long as you had the receipt. Checking to make sure the car's gas gauge was not too far below empty, I drove to the store and purchased the only saw they sold, a hacksaw of sorts made in Taiwan, and set to work on the tree.

An hour later I was bleeding profusely but the remains of the tree had been dismembered and hidden in a trash bag to be picked up by the unsuspecting sanitation workers.

The saw was in only slightly better shape than the tree. I took the twisted thing and the three broken spare blades back to K-Mart.

The store was good as its word. No one asked how I had managed to run over the saw with a steamroller, bury it in a landfill, dig it up and lend it to King Kong just as Godzilla came along looking for a Taiwanese hacksaw, in less than two hours. Nor did they remark on the bloody fingerprints on the receipt. In fact, they refunded my money very quickly indeed.

It was enough to buy gas to get me home for the final end of the holidays


NECESSARY EVIL or THE BSP TICKER

This time around the ticker tape unspooling is fairly short, but that's appropriate as it concerns two short stories. Read on!

AFTER JOHN or MORE CRIME IN CONSTANTINOPLE

The Mammoth Book of Historical Crime Fiction will appear next year from Constable & Robinson in the UK and Running Press in the US. Editor Mike Ashley reveals the collection includes stories involving Peter Tremayne's Fidelma, Steven Saylor's Gordianus, and Charles Todd's Inspector Rutledge. Other luminaries present include Tom Holt, archaeologist Tony Pollard, Richard Lupoff, and Ian Morson. Stories range in time from the Bronze Age to the eve of World War II. Unfortunately a damper is cast on proceedings by the presence of us ink-stained wretches with Eyes of the Icon, set in Constantinople two centuries after John's time.

CHRISTMAS GHOSTS or A THORNY TALE

The Thorn, a supernatural tale, will appear in the December 25th issue of the online magazine Kings River Life http://KingsRiverLife.com Editor Lorie Ham, author of the Alexandra Walters Gospel Singing Amateur Sleuth series. reveals our story will be found by pointing your clickers at the magazine's new mystery section, Mysteryrats Maze. In addition, an excerpt and link will be provided on the magazine's opening page from the 25th thru the 31st.


MARY'S BIT or GOING ROUND IN CIRCLES

This past couple of years I've been trying my hand -- and doubtless readers' patience -- at writing reviews of Golden Age and classic mysteries.

Given the annual rash of Yuletide articles bearing titles such as Ten Frugal Christmas Gifts or Seven Recipes For Festive Dishes, I took the wink and here are some thoughts under the umbrella heading of Reed's Reviews Of Novels Whose Titles Refer To Circles One Way Or Another And Sometimes Both.

One of my favourite films is The Lady Vanishes, featuring Margaret Lockwood and Michael Redgrave as a young couple trying to discover how Dame May Whitty as the missing Miss Froy was spirited off a train in prewar Europe. Can anyone who has seen this film ever look a packet of herbal tea in the label again without thinking of Miss Froy? I've not read Ethel Lina White's The Wheel Spins, on which the film is based, or otherwise it would have been included in these scribbles, but I really enjoyed Ethel's The Spiral Staircase. Here's how I described it in a 2008 review:

It is a dark and very stormy night as the novel opens, for a terrible gale howls around Professor Sebastian's rambling but solidly built house, l2 miles from the nearest village. The entire countryside is gripped in terror after five local girls have been murdered, and once darkness falls few people venture abroad.

Protagonist Helen Capel works as "lady-help" to the scholarly professor, his chilly sister Blanche, who is firmly under the thumb of their invalid mother Lady Warren, who may or may have killed her husband "by accident" years before, and sinister, mannish Nurse Barker. There also the professor's son Newton, married to and insanely jealous of his flirtatious wife Simone, who has her eye on a fling with the professor's resident pupil Stephen Rice. Mr and Mrs Oates, faithful servants, round out the residents of the house, one of those rambling edifices with a warren of cellars, many rooms, and two staircases -- and not all of it fitted with electric light.

After learning of another murder committed not far from the house, Professor Warren announces that as a matter of safety everyone must stay inside and nobody is to be admitted under any circumstances that night. But just as he gives this order, there is a thunderous knocking at the front door....

As readers will have gathered, I really liked this book and indeed at the time named it my top read of the month.

Next, The Circular Study by Anna Katharine Green, concerning which I wrote the same year:

Oh joy, oh rapture! A mystery with a plan of the titular study!

What's more, the novel takes off at a brisk gallop. Octogenarian New York detective Ebenezer Gryce goes to Mr Adams' mansion after word of a crime there reaches the police department. And what does he find on entering the circular study? In the tapestry-hung, book-lined room with lighting whose colour can be changed at the press of a button, a room filled with curios and dominated by the portrait of a beautiful woman, lies a murdered man with a golden cross on his chest.

There were two witnesses: a deaf mute servant who has become mentally unbalanced by the sight and repeatedly re-enacts the murder and a talking bird described as an English starling, evidently a parrot, for it mimics speech.

Clues? Well, there's a scattering of rose leaves and several black sequins in the study, a pearl-handled parasol left behind, and a silver comb on the floor of the otherwise immaculately tidy bedroom opening off the study. Tracing whoever had been there is a tall task given the size of the city but Detective Gryce begins it, aided by Amelia Butterworth, an aristocratic and occasionally sharp tongued spinster of a certain age who has been involved in Gryce's investigations before, and his young assistant Sweetwater.

Casting an eye over the rest of the review I see the method of tracing certain persons of interest is noted as a particularly interesting demonstration of police leg work in the early l900s and that I recommended the book.

Fortunately for subscribers and the length of this newsletter I haven't yet finished Mary Roberts Rinehart's The Circular Staircase, though my review of The Bat, a novelisation of the stage adaptation by Mary and Avery Hopwood associated with the book, can be seen on Steve Lewis' Mystery*File website http://mysteryfile.com/blog/?p=125 Since Mary is credited with launching the Had I But Known school of mystery fiction, I can only say had I but known I'd be writing on this particular topic I'd have started reading The Circular Staircase sooner.

Finally, in the spirit of the seasonal lists mentioned we offer Four Extremely Frugal Gifts To Our Longsuffering Subscribers in the form of links to etexts of the novels:

The Spiral Staircase, Ethel Lina White http://gutenberg.net.au/ebooks03/0300931.txt

The Circular Study, Anna Katherine Green http://www.gutenberg.org/files/18761/18761-h/18761-h.htm

The Bat, Mary Roberts Rinehart & Avery Hopwood http://www.gutenberg.org/ebooks/2019

The Circular Staircase, Mary Roberts Rinehart http://etext.lib.virginia.edu/toc/modeng/public/RinCirc.html


AND FINALLY

Honore de Balzac reckoned tradesmen regarded authors with a mixture of compassion, curiosity, and terror. Unfortunately he did not give any opinion on what subscribers might feel upon contemplating future Orphan Scriveners flapping into view. Hopefully none of our gallant band are of a nervous disposition, so we'll close with warmest wishes for the holiday season and the blood freezing reminder the next issue will be emailed on February 15th.

See you then!
Mary R and Eric

who invite you to visit their home page, hanging out on the virtual washing line that is the web at http://home.earthlink.net/~maywrite/ There you'll discover the usual suspects, including more personal essays, lists of author freebies and mystery-related newsletters, Doom Cat (an interactive game written by Eric), and our growing pages of links to free e-texts of classic and Golden Age mysteries, ghost stories, and tales of the supernatural. There's also an Orphan Scrivener archive, so don't say you weren't warned! Intrepid subscribers may also wish to pop over to Eric's blog at http://www.journalscape.com/ericmayer/


The Orphan Scrivener -- Issue # One Hundred and Fifty-Four -- 15 August 2025

As with much of the country we continue to cope as best we may with the ongoing heatwave. Fortunately we have yet to reach the type of high ...