Friday, August 15, 2008

THE ORPHAN SCRIVENER -- ISSUE # FIFTY-TWO -- l5 AUGUST 2008

Mid-August echoes with the somnolent buzzing of lawnmowers interspersed with sudden severe downpours, days blue with haze hanging in limp foliage and clouds of dust marking the passage of vehicles along the switchback roads. August nights are hideous with the demented sewing machine treadling of nocturnal insects interrupted by regular bursts of morse code cricket chirping -- but it's a month starting to show signs of summer's fading glory.

Sumacs along the main road are already turning red and the edges of leaves on other trees are distressed. The slanting sunlight is thinner, the shadows longer, and twilight draws its curtain on the day noticeably earlier as the nights start to creep stealthily in at the bottom of the garden. We've seen our resident groundhog hoovering up grass a couple of times this week and he's already rotund, though not quite to the football on legs stage just before he disappears into winter hibernation.

In noting these pastoral vignettes, let us add we have made hay while we may(write) and the fruit of our labours is this latest issue of Orphan Scrivener. Read on....


ERIC'S BIT or A CLUTCH OF CHAMBERLAINS

A reader of One For Sorrow posed some perceptive questions which got me thinking about the historical basis for our characters. Mary and I do our best to stick to the known facts. We don't change the dates of events to fit our plots or decorate Constantinople with architecture that wasn't there at the time. At the beginning of the eighth book, which we've just begun, we were forced to remove a monument we wanted a character to see because, unfortunately, the monument -- which would have been a nice touch -- had yet to be erected.

Most of our characters are figments of our imaginings but even they are occasionally threatened by reality.

What about Thomas, we were asked, the knight from King Arthur's court who appears in One for Sorrow in search of the Holy Grail? Does he make any sense, historically? Probably not from an academic point of view since the knights of the round table legend seems to be a medieval literary creation. On the other hand, there is no reason why Wolfram Von Eschenbach's fictional Parsifal, or a character like him, should not meet up with our fictional Lord Chamberlain John.

We decided to include a knight in our story after being surprised to discover that if King Arthur were indeed a real person -- and there may have existed a powerful warlord around whom the legend sprung up -- he was a contemporary of Emperor Justinian. Since Constantinople and its many churches were awash in relics, such as the famous Virgin's girdle hauled out to protect the walls when the city was under attack, it struck us that it would be the first place in the world a questing knight with any sense would look. I'm not sure the grail legends have the knights looking for the grail or finding it in any locations that can be reliably linked to known geography. But they did travel a lot. One of the places associated with the grail -- the island of Sarras -- has been said to be in the vicinity of Egypt, even further from Britain than Constantinople. Then too, Mary and I are still not convinced that Thomas is really a knight rather than a fortune-hunting con artist. Or, he could actually hold the Roman knight's rank of eques and be prone to exaggeration.

Then there is the self-styled seer, Ahaseurus, who also plays a role in the first novel, and returns in the fifth. Does he have a foot in reality? Again, he is based on a legend of later vintage. Ahaseurus was one of many names given to the Wandering Jew, a man who supposedly mocked Jesus on the way to the Crucifixion and was subsequently condemned to walk the earth until the Second Coming. In some versions of the story he is identified with Joseph of Arimathea who, in certain variations of his own story, is a guardian of the grail. Those old legends serve up a smorgasbord of tempting possibilities for authors.

And like King Arthur, the Wandering Jew was not made up out of thin air. Some conjecture that the legend arises from Jesus's words in Matthew 16:28: "Verily I say unto you, There be some standing here, which shall not taste of death, till they see the Son of Man coming in his kingdom."(King James Version)

Anyway, Mary and I are agnostic on the question of whether our Ahaseurus really is a supernatural being or just a clever charlatan.

Finally, we were asked whether someone checking the history books would find that Justinian actually did have a Lord Chamberlain and he was, unfortunately, not named John the Eunuch. To which the answer is, yes. By 538, according to one scholar, Narses -- a eunuch like John -- served Justinian in the capacity of Lord Chamberlain, having held other high offices for several years.

The term Lord Chamberlain, or sometimes Grand Chamberlain, appears to be a rather loose translation by Victorian historians of the position called "praepositus sacri cubiculi" or more literally "person placed over the emperor's palace." (Somehow I can' see a books being subtitled "A Praepositus Sacri Cubiculi Mystery.") The title doesn't describe the actual duties, which apparently depended on the emperor's whim. Narses is best known to history, not for running the palace, but rather for his efforts on Justinian's behalf during the Nika riots, when the emperor was nearly overthrown, and for his command of the Byzantine armies in Italy. Although he was in his mid-seventies when given his generalship, he helped bring Rome back into the empire, albeit only temporarily.

Narses is an interesting character in his own right, but Mary and I are not fond of historical figures as detectives. We prefer to make up our own protagonists. But where does John fit in?

We reasoned that since Lord Chamberlain meant whatever Justinian wanted it to mean, he could also appoint more than one Lord Chamberlain. The Byzantine Emperor was not only an absolute dictator but even headed the church. The emperor stood at the pinnacle of society and all power flowed downward from him. Our Justinian answers to no one, aside from Mary and me who insisted he appoint a second Lord Chamberlain.

Aside from John once remarking that he prefers to stay in the background rather than being a public figure like Narses, Justinian's real Lord Chamberlain is barely noted in our books. This, however, is due to change since the eighth novel deals with the Nika riots and is more firmly rooted in specific historical events than the previous seven. Narses, unavoidably, will be a major character.

We are still in the process of figuring out in detail his relationship to John. When we do come up with an answer, we hope readers will agree that it doesn't do too much violence to historical fact.


NECESSARY EVIL or THE BSP TICKER

The ticker tape has unspooled by a fair bit since the last issue and here's the evidence....

AUGUST PERSONAGES or EMPRESS FOR A DAY

Last month Kim Malo, webmistress of Crime Thru Time(http://www.crimethrutime.com) put on her interviewer's hat and grilled us like kippers for myshelf.com's August Author of the Month http://www.myshelf.com/aom/08/reedmayer.htm During our conversation we touched upon such questions as which of our characters we'd like to be for a day, whether we became scrivening collaborators before developing a more personal relationship or vice versa, and how we propose to name work-in-progress Eightfer, given the counting rhyme we have used for titles ran out at Seven For A Secret. Our thanks to Kim for the honour of being chosen for this feature!

THOUGHTS ON THEODORA or VISIBLE TO THE NAKED EYE

Michelle Moran, author of Nefertiti: A Novel, interviewed us for her History Buff blog http://historicalfictionauthorinterviews.blogspot.com/ last month. (Scroll down the page) Among other things we spoke about our interpretation of Theodora's personality and how she defied the conventions of her time. If nothing else, be sure to pop over to check out the wonderfully witty History Buff caricature!

KINDRED INTERESTS or RELATING TO HISTORY

Forsaken Soul, the latest Prioress Eleanor/Brother Thomas medieval mystery by Priscilla Royal, has just appeared. Her series revolves around a house of the Order of Fontevraud, which at the time of her novels was a double institution where women ruled men -- a fact that surprises many. In late June Priscilla kindly contributed a guest essay to Eric's blog http://www.journalscape.com/ericmayer/2008-06-27-13:58 concerning history and memory, and we'd like to thank her for a thoughtful piece on how history is really about our kin, just further back than our own limited memories of them. Point your clickers to http://www.priscillaroyal.com/ to find out more about Priscilla's novels.

GOLDEN OLDIES or COSY REEDING

Diana Vickery is proprietor of the Cozy Library, a website for readers who enjoy this particular child of the mystery family. Last month Mary contributed an essay entitled In Praise of Golden Age Mysteries, the nub of which was her contention many cosy readers would enjoy works written during the Golden Age of Detection, although certain caveats apply for some modern readers. Point your clickers here http://www.cozylibrary.com/default.asp?id=1 for her comments and links to a couple of resources for those interested in mysteries written during that era.

FILED IN A FANZINE or HU GO(E)S THERE?

We met through the pages of science fiction fanzines and a lengthy interview last month returned us to them when Mike Glyer interviewed us for his File 770. We chatted about such arcane topics as publishing taboos, contemporary attitudes in historical fiction, and religious controversy in Byzantine culture. Go to http://efanzines.com/File770 and look for issue 153 or download the issue directly from: http://efanzines.com/File770/File770-153.pdf Our thanks to Mike for his interest in our scrivenings. Evidently our appearance in his publication in July didn't do it any damage since File 770 just won the Hugo Award for the Best Fanzine!


MARY'S BIT or THE SANDS OF TYNE

It was a rite of summer. Sunny Sundays invariably saw an exodus from the city, as the electric railway carried load after load of families, older members laden down with baskets and towels, younger fry frisking at the leash, away, away, away to the windy shore of the North Sea. It was time for a trip to the seaside! To Tynemouth, perhaps, or Whitley Bay, or North Shields. Which would it be?

Fortunately for us impatient youngsters, preparations were quickly made. Mum packed a shopping bag with meat-paste sandwiches, bread slices cut thick from yesterday's loaf. There would be apples, green and crisp, which she ate with a spoon. There might be biscuits hidden below her handbag, and bags of crisps with their individual blue paper twists of salt, and, lastly, a huge thermos of tea, well-sweetened and milked. Ordinary fare, to be sure, but the food of the gods after the long walk down from the Victorian railway station, taking us past rows of boarding houses with their neat little gardens and mercurial signs flashing VACANCY or NO VACANCY. We tumbled by, the smell of the sea already in our nostrils, scorning the fairground we passed on the way, with its rides and stalls and lounging ne'er-do-wells. It was the beach which called us.

And what delight it gave! There, seaweed made a slippery carpet on limpet-encrusted rocks around dark pools of water trapped along the shoreline, microcosms of the ocean. Small, dark crabs lurked boulder-like in them, the occasional rippling fronds of a sea-urchin dancing lightly in the current. Round, raspberry-like sea creatures lurked in sinister clusterings near the waterline. Were they really the bloodsucking mutant jellyfish with which we scared each other? Taking no chances, we paddled in pools scoured clean of marine life each time the tide turned.

But the adults were less squeamish about jellyfish, more coy about clothing. Men rolled up their trouser legs to the daring height of mid-calf, slung their jackets over their arms and entered the surf for a paddle. Even dad, who was rarely seen without a tie and immaculately polished shoes, got his feet wet. We children, in scratchy woolen bathing-suits, rushed in and out of the water, frolicking loudly. We had donned our waterwear by modestly contorting winter-pale bodies behind towels held up around us by tightly permed and corseted mothers and aunts. Later, these female relatives would brave the briny themselves, holding frou-frou petticoats above their knees, Kiss-Me-Quick hats perched at a jaunty angle on back-combed hair stiff with hairspray. The salty wind cutting in from the horizon to give us all goosepimples had come "all the way from Roosha", our parents commented, downing another cup of hot, sweet tea and munching on sand-gritty sandwiches.

But what cared we? There were sand-castles to be built, intricate fortifications topped by a piece of grey driftwood, waiting to be captured on black and white deckle-edged photographs for the family album. The castle's underground network of tunnels carved haphazardly in the wet sand were a constant snare for unwary beach cricket players. Caves which were under water at high tide had to be explored, as we scared each other half to death with tales of kids perishing in kicking agony, trapped by the raging tide.

Along the railed promenade, deckchair men sold tickets for renting wood and canvas loungers, which invariably took ten minutes of wrestling to get ready for use, with much muttering under the breath as renters grappled with the Escher-like pieces of furniture. We just sat on a blanket, if we could be dragged out of the water.

Meanwhile, a brass band played gamely on, melancholy and slow, over the sound of crashing waves, mewling seagulls and music from the fairgrounds, blended with hoarse shouts from sideshow men and the screams of teenagers splashing each other with sea-water. And over it all lay that distinctive seaside aroma, a tantalizing mixture of salt air, frying chips, drying seaweed and the occasional dead fish temporarily overlooked by the swooping seagulls.

If we were lucky, we might be treated to those delights available only at the coast. There might be paper cones of snail-like "whellecks", winkled out from their shells with a free pin. Or candy tuft, cloudy and white, sweet on the tongue for a few moments and then gone as quickly as summer was speeding by. There were long ropes of licorice, and hard-crusted toffee apples whose flat tops defied our teeth even as the apple juice ran down our wrists. And when we had eaten, we scavenged along the shore-line, booty popped into our sand buckets. There might be chalky coloured, ridged barnacles, or a weathered piece of bleached and knotty driftwood, or waxy yellow, brown or white shells which had survived the grind of the surf. Long strands of brown-olive seaweed were collected, pulled from piles deposited against rocks, for its wetness or dryness, so it was said, accurately, predicted the weather.

And so the afternoon rolled by, as our city-pale skins were burnt scarlet by sun and salt. We played until the setting sun's liquid gold path made a bridge from horizon to shore. Then, because it was Monday the next day and that meant work and school, it was time to pack up the towels and the thermos, the shells and the seaweed, and go home. As stars twinkled and winked over the restless sea and strings of coloured lights popped on along the promenade and in the fairground, we toiled back up the street to the railway station, our shoes uncomfortable with sand. On the return journey, half asleep, we children looked out at the backs of houses as we travelled by, clackety-clack, clackety-clack, clackety-clack, all along the shining rails to Newcastle, nodding, dozing, dreaming.


AND FINALLY

According to Lord Byron, writing letters was the only way to combine good company with solitude. In reminding subscribers the next issue of this newsletter will disturb the solitude of their inboxes on l5th October, we trust their thoughts do not immediately fly from Byron's aphorism to Hubert's angst in Shakespeare's The Life and Death of King John when he announces the receipt of horrible, black, and fearful news.

Whatever the news may be two months hence, we'll see you then!

Mary R and Eric

who invite you to visit their home page, hanging out on the virtual washing line that is the web at http://home.epix.net/~maywrite/ There you'll discover the usual suspects, including more personal essays, lists of author freebies and mystery-related newsletters, Doom Cat (an interactive game written by Eric), a jigsaw featuring the handsome cover of Five For Silver, and our growing pages of links to free etexts of classic and Golden Age mysteries, ghost stories, and tales of the supernatural. There's also an Orphan Scrivener archive, so don't say you weren't warned! Intrepid subscribers may also wish to pop over to Eric's blog at http://www.journalscape.com/ericmayer/


Sunday, June 15, 2008

THE ORPHAN SCRIVENER -- ISSUE # FIFTY-ONE -- l5 JUNE 2008

June's full Strawberry Moon is having into view as this issue is written, rising huge and yellow in the nocturnal haze of the current heat wave. However, our offerings in this latest Orphan Scrivener may well remind subscribers not so much of the fragrantly refreshing scarlet fruit as of strawberry wives, of whom Francis Bacon complained they covered smaller or less choice berries in their containers with a couple of larger, ripely sweet specimens. Indeed, readers may wistfully wish we were among those absentee ministers dubbed strawberry preachers because they only appeared in the parish once a year. Alas, as you see, this newsletter arrives somewhat more frequently than an annual visitation....


MARY'S BIT or FOOTNOTES ON HISTORY

It's been said wrinkles form maps of our lives. If that's the case, I must have rambled all over the landscape in my youth, for I was already sporting crow's feet at twenty.

It's but a short step from avian claws to shoes and I am here to declare if my battered old runners could speak, what footnotes to my history they could reveal. But, as the Christmas cracker joke has it, while they have tongues they cannot speak and so I shall have to be their interpreter.

For every mark on their scuffed once-white surface tells a story. The long smear of rust on the outer side of the left shoe was acquired from the remains of an ancient exhaust pipe that fell off the old buggy in Connecticut. We were on the way to Maine for a family holiday and decided to put the pipe in the right wheel well -- there were five people and luggage aboard and the car was exceeding small -- so that if stopped for disturbing the peace we could produce the relic and explain we intended to get a new one fitted as soon as we arrived at our destination. Fortunately we weren't stopped as we coughed and roared, or rather the exhaust pipe deprived buggy did, through several states. A new muffler was fitted the day after we arrived, and ultimately it outlasted the car.

It was in Maine the runners acquired a tidemark from sea-wading. We spent a fair bit of time on the beach, resulting in my painful attack of Lobster Legs, now passed into family legend. I unwisely remained too long in the sun and wind one afternoon and subsequently the skin "tightened" and blistered so badly I had to shamble about in a semi-crouched fashion for the first few hours after getting up and descending the stairs, child like, on my rear end.

Then there's a scattering of grass stains, picked up in woodlands while out with compass and map at orienteering meets. At least I never had to blow the mandatory whistle to summon aid or get rescued from being lost. In my ramblings through the greensward I saw much wild life, not least annoyed orienteers passing in the far distance muttering about controls being missing from where they should have hung, as sometimes happened when people pinched the orange and white flags. One afternoon a family of deer broke cover as I passed through a thick stretch of trees on a road less travelled. A magnificent buck led a single file of does and one or two fawns across the narrow track and faded away into the distance. It amazed me how their spindly legs could carry such large bodies up and down those really steep declines.

Several dark mud stains decorate my shoes, mementoes of plodging in the clart, as we say up north, in more than one state for more than one reason, although some of the other brownish marks are relics of spilt coffee, imbibing vast quantities of Satan's brew being my only vice. Well, not unless you count reading the Daily Mail online. There are also traces of sun screen oil, not that I ever turn brown as all I accomplish is to turn scarlet and then peel, and the spattering of black splashes are reminders of wet tarmacadam after crossing a rural road newly treated with tar and stone chips.

Years ago an elderly lady remarked to me she could tell a lot about a person by their shoes. That would certainly be useful in a mystery novel, though what could the detective deduce about a character whose footwear exhibited traces of rust, seawater, grass, mud, coffee, oil, and tar? In toto they immediately suggest a sailor newly returned from foreign climes who, in a heat wave akin to that currently roasting much of the US, has refreshed himself before creeping through a wooded estate to lurk in the flowerbed outside milord's study, intent on getting up to no good...but I deny it all! I may have crow's feet but with my dislike of heights, you'd never catch me in a crow's nest, not even to spot the great white whale and be rewarded with the Spanish gold coin Captain Ahab hammered into the main-mast!


NECESSARY EVIL or THE BSP TICKER

This past month or two have been quiet although not completely silent. Read on for the latest news....

A FEW WORDS FROM MARY or REED ALL ABOUT IT

In April, Mary had a chat with fellow Poisoned Pen Press scrivener Betty Webb, author of the contemporary Lena Jones series set in south-west. Topics touched upon included how Eric and I came to turn up in a basket on PPP's doorstep, web-based promotion, and the perils of co-writing. The skinny's available at http://bloggingwebb.blogspot.com Thanks to Betty for her interest in John and his creators! Speaking of characters, Betty will debut a zoo-based series in the autumn with The Anteater of Death! Details on her website at http://www.bettywebb-mystery.com/

COFFEE OR TEA? or A LATTE GOOD READING

The No Name Cafe Book Review Corner is a place to enjoy mystery book reviews and interviews with your favorite mystery authors. Lorie Ham invites readers to sit back with a cup of coffee/tea while enjoying interviews, enhancing the feeling of being in a Cafe. Just go to http://www.LorieHam.com and click on the Cafe logo. And while you're there you might like to peruse our interview, which is sitting at the table in the corner at http://www.lorieham.com/reedmayer.html

JANUARY IN APRIL or A REAL PICKER-UPPER

We are always anxious until we see the first review of our latest novel, but after we have, whether it be good for bad, we continue serenely on our way. January Magazine's Jeff Kingston Pierce did not mention Sevenfer first but he did choose it as his Pick of the Week for April 2lst. http://januarymagazine.com/crfiction/piercepicks.html Our toast to Jeff for this real picker-upper of authorial spirits!

A VISITING AUTHOR or ROMAN AROUND THE BLOG-O-SPHERE

We began with a blog and we shall end with one! Jane Finnis is the author of the Aurelia Marcella series, set in first century Roman Britain. The third, Buried Too Deep, was published this very week by Poisoned Pen Press and there's an MP3 edition available from Jane's website at http://www.janefinnis.com/ Today Jane was a guest on Eric's blog and wrote about a question asked at a recent appearance: what one thing matter surprised her when she became a published author? Point your clicker to http://www.journalscape.com/ericmayer/2008-06-15-14:46/ to find out!


ERIC'S BIT or DARK AND STORMY BEGINNINGS

For the past week Mary and I have tried to get a little writing done while we sweltered in 90 degree temperatures and watched bright red thunderstorms brush past us on the National Weather Service radar. Aside from a handful of half-inch bits of ice which quickly turned to droplets on the sun porch roof, the storms let us alone. The power stayed on and we suffered only from heat and distraction, which was bad enough.

I was reminded of Elmore Leonard's silly first rule of his Ten Rules of Writing -- "Never open a book with weather."

What? Never open a book by mentioning the element we're all swimming in? Weather affects how we feel physically and can color our outlook too. Of course, reading what I write, someone might suppose I was a frustrated meteorologist. There's a weather report every other page of our books and if it's not already teeming, rain is in the forecast. My Constantinople tends to be a dark and stormy place.

No doubt what I write reflects my personal preoccupation with the state of the atmosphere. I tend to be very aware of the weather. It affects my moods and changes my perceptions. The world of a cold winter morning is a far different place than that of a humid summer afternoon, and certainly important enough to mention at the start of a book.

Or is that just me? What about other writers? I opened up some books close to hand at random. Here are some first lines I came across in a few minutes:

"On an exceptionally hot evening early in July a young man came out of the garret in which he lodged in S. Place and walked slowly, as though in hesitation, towards K. bridge." -- Fyodor Dostoevsky, Crime and Punishment

"To the red country and part of the gray country of Oklahoma, the last rains came gently, and they did not cut the scarred earth." ---John Steinbeck, The Grapes of Wrath

"The cold passed reluctantly from the earth, and the retiring fogs revealed an army stretched out on the hills, resting." -- Stephen Crane, The Red Badge of Courage

Well, Okay, so what do all those old time writers know? How about someone newer:

"A big noisy wind out of the northeast, full of a February chill, herded the tourists off the afternoon beach, driving them to cover, complaining bitterly." -- John D. MacDonald, The Quick Red Fox

Glancing through Travis McGee books it struck me that every other one began with a reference to the weather. How about something totally different, though -- a fantasy written recently:

"Thunderstorms were common in Sarantium on midsummer nights..."-- Guy Gavriel Kay, Sailing to Sarantium

See, someone else thinks thunderstorms are important.

To be fair, as soon as Leonard stated his rule he admitted he was blowing hot air. "Never open a book with weather," he said. "If it's only to create atmosphere, and not a character's reaction to the weather, you don't want to go on too long. The reader is apt to leaf ahead looking for people. There are exceptions. If you happen to be Barry Lopez, who has more ways to describe ice and snow than an Eskimo, you can do all the weather reporting you want."

Don't start with the weather unless it has to do with the story or you can write brilliantly enough to get away with it. That's probably good advice, generally, but it applies to anything. Not just to weather. And besides, I still think most of the writers I quoted broke Leonard's rule because most of those first lines strike me as being mainly for the sake of atmosphere.

My rules of writing are more concise than Elmore Leonard's:

Rule 1 -- There are no rules.

Oh, and let's not forget that Mike Hammer makes his first appearance coming through a doorway and shaking rain off his hat.

I could use some rain on my hat right now. The office is stuffy. Hot weather makes me curt and cranky. Not that I ought to write about it.


AND FINALLY

There is a Chinese saying to the effect that when a barn has been burnt to its foundations, at least its owner can now see the moon. August's full moon has acquired several nicknames, the most striking of which is Lightning Moon. Readers of Oscar Wilde will recall he described the work of another author as chaotic and illuminated by flashes of lightning. Which is not a bad description of Orphan Scrivener, the next issue of which will bolt into subscribers' email inboxes on l5th August.

See you then!

Mary R and Eric
who invite you to visit their home page, hanging out on the virtual washing line at http://home.epix.net/~maywrite/ There you'll discover the usual suspects, including more personal essays, lists of author freebies and mystery-related newsletters, Doom Cat (an interactive game written by Eric), a jigsaw featuring the handsome cover of Five For Silver, and our growing pages of links to free etexts of classic and Golden Age mysteries, ghost stories, and tales of the supernatural. There's also an Orphan Scrivener archive, so don't say you weren't warned! Intrepid subscribers may also wish to pop over to Eric's blog at http://www.journalscape.com/ericmayer/


Tuesday, April 15, 2008

THE ORPHAN SCRIVENER -- ISSUE # FIFTY -- l5 APRIL 2008

Sir William Watson advised April to laugh girlishly and then weep in like fashion. We take it he was referring to the month's changeable weather rather than a particularly emotional lady of his acquaintance but be that as it May, er, may, upon arrival of this latest Orphan Scrivener subscribers might well do one or the other or perhaps both.

Indeed, some would doubtless be just as happy to take the classic song's hint and spend April in Paris lurking under the blooming chestnuts. Others might well echo Browning's wish to be in England now April is here, given in the US it brings not only the deadline for filing tax returns but also another issue of our newsletter.

Still, as Charles Dickens observed in Barnaby Rudge, being gregarious by nature troubles fly in flocks, so if you've taken the trouble to read this far, read on!


ERIC'S BIT or CURSES SPRING ETERNAL

Since I am a baseball fan, and a fan of the Yankees in particular since I was a kid, I couldn't help noticing when the New York Post revealed that the new Yankee Stadium may be cursed. According to the tabloid:

"A devilish Boston fan working on a concrete crew at the $1.3 billion stadium covertly buried a Red Sox T-shirt under what will become the visiting team's locker room to jinx the Yanks...'In August, a Red Sox T-shirt was poured in a slab in the visitor's clubhouse. It's the curse of the Yankees,' one worker said. 'Nobody knows about it. It's in the floors, it's buried.'"

I am not so sure that sports curses actually work but over-zealous fans have been trying them out since Roman times. Back in issue 43 of The Orphan Scrivener ( http://home.epix.net/~maywrite/tos43.htm#curse ) Mary wrote about curse tablets, malevolent requests, usually inscribed on a thin sheet of lead which was rolled up and often buried. Curse tablets were employed against business competitors, rivals in love, and, naturally, chariot teams belonging to the wrong color faction.

A favorite burial place was the race course of the hippodrome. The sort of thing a follower of the Blues might wish upon the Greens' team in sixth century Constantinople, where our Lord Chamberlain John does his detecting, is illustrated by a very small (believe it or not) portion of the inscription from a tablet found in Carthage as translated by John Gager in Curse Tablets and Binding Spells from the Ancient World:

"I invoke you, spirit of one untimely dead, whoever you are, by the mighty names SALBATHBAL AUTHGEROTABAL BASULTHATEO ALEO SAMABETHOR. Bind the horses...Bind their running, their power, their soul, their onrush, their speed. Take away their victory, entangle their feet, hinder them, hobble them, so that tomorrow morning in the hippodrome they are not able to run or walk about, or win, or go out of the starting gates, or advance either on the racecourse or track..."

Usually it is the differences between historical periods that most interest me, but there's no doubt that some things never change, especially basic human emotions like love for one's team and hatred towards its rival. It is hard to think about the Blue and Green factions of the sixth century, without seeing a similarity to today's baseball rivalry between the Yankees and the Boston Red Sox. It also isn't hard to understand how the Greens and Blues ended up rioting in the streets so often. As bitter as the Yankee/Red Sox rivalry may be, they compete with 28 other teams and play each other only a fraction of the time. What would baseball be like if there were only the Yankees and Red Sox locked in endless head to head combat? We would probably see rioting in the streets too.

Sports stadiums are also much the same, both architecturally and in the impulses behind them. The new Yankee Stadium, replacing the stadium built in the Bronx in 1923, will duplicate the facade of the original, and retains the current field dimensions, even though the rest of the facility will be modern. The new stadium is, of course, supposed to be a source of civic pride as well as a reminder of the Yankees' storied past. So too the hippodrome in Constantinople, modeled on Rome's Circus Maximus, was intended to mark the new capital as a great city in its own right while reminding citizens of the past glory of the Roman Empire.

Modern and ancient stadiums share physical characteristics which go beyond the obligatory seating for spectators. High priced luxury boxes for the well-heeled are nothing new. The hippodrome's kathisma, from which the emperor viewed the races and sometimes faced hostile crowds, was connected directly to the Great Palace and was a sort of mini-palace, boasting special lodges for dignitaries, as well as a dining area, bedchamber, and dressing room.

Along the spina in the center of the hippodrome's racecourse were arrayed a variety of monuments, some of which commemorated the exploits of the famous charioteer Porphyrios. Yankee Stadium features its own Monument Park with monuments and plaques honoring great players including Babe Ruth, Lou Gehrig, and Joe DiMaggio. The monuments used to be located in the hinterlands of the former, far flung centerfield, but now sit behind the fences which were moved in, probably to defend against barbarian incursions. Unlike the spina, Monument Park does not feature other delights such as an Egyptian obelisk, brazen eagle, poisoned bull, 60 foot tall Hercules, or a wild boar -- more's the pity, since it would have been thrilling to see Mickey Mantle attempt to run down a ball hit to the Serpent Column.

The Yankee's heroes are each limited to a single monument, unlike Porphyrios who had seven along the spina dedicated to his long career. All that survives of the monuments are two bases, but the epigrams engraved on them are preserved and can be read in The Greek Anthology. There, the statistically inclined sports fan can learn that Porphyrios was the only charioteer to have twice won, in a single day, the diversium, whereby the winning charioteer would exchange teams with the loser of the morning's race and compete a second time in the afternoon, thereby proving his success was solely the result of his own skill.

It is disheartening to consider all the similar accomplishments which must have been lost, or never recorded at all. (And just as well baseball didn't exist since it can produce statistics faster than any human being could chisel). We can only wonder about the career records of charioteers like Julian, Faustinus, and Constantine, although they must have been impressive since all three were depicted, along with Porphyrios, in the kathisma.

Computers are much better than monuments for storing records. Never mind Babe Ruth's 714 home runs (mostly for the Yankees...it was his coming over from the Red Sox that started the whole feud...), now everything is preserved for the ages. Even the lone home run Jack Reed hit in his brief Yankee career, on June 24, 1962, at Tiger Stadium in Detroit, off Phil Regan, a right-handed pitcher, with one out and Roger Maris on base, and the score tied 7-7 in the 22nd inning. I saw it on television, not that I remember the details...except going outside to play when the Tigers were batting because I didn't want to risk seeing them win the game.

In an age of science like ours, where we are capable of such splendid feats as recalling the circumstances of every single time a wooden bat has made contact (or missed) a horsehide ball, I guess we can't take curses seriously any more, whether they are conveyed by inscribed lead tablets (and do you think modern demons can still speak Latin or ancient Greek?) or baseball jerseys.

Still, it was reported:

"The New York Yankees have ended a construction worker's attempt to jinx their new stadium with a buried Boston Red Sox jersey. Team officials watched Sunday as construction workers removed the jersey, with slugger David Ortiz's name on it, from 2 feet of concrete in a service corridor of the stadium that's under construction."

It only took about five hours, with jackhammers. Not that anyone was worried but I guess even in the twenty-first century it is better to be safe than sorry.


NECESSARY EVIL or THE BSP TICKER

We've often described freelance work as either feast or famine and each newsletter's budget of news is similar. This month it's the former, so without further ado....

WHO WAS THAT GIRL? or SEVENFER'S SECRETS REVEALED

Seven For A Secret officially leaps into the world on April 15th, so its plot secrets will be public knowledge soon. In John's latest adventure, he meets a woman who claims to have been the model for the little girl in the mosaic on his study wall. But then she is found dyed red in a cistern...and John makes it a personal endeavour to find out who she was and why she was killed.

Sevenfer has been fortunate in already receiving a bit of notice, including a starred review from Library Journal and an unusual double review by Bellaonline mystery editor Karm Halladay. These and other reviewers' comments can be perused by clicking appropriate links at http://home.epix.net/~maywrite/sevrev.htm

KINDLING INTEREST or 'EAR 'EAR

On March 5th our publisher Poisoned Pen Press made a selection of their back list available for downloading to Amazon's new Kindle gizmo. Titles include Onefer, Twofor, and Fourfer, the prequel to the series. As if this news was not exciting enough to make our noses bleed, Sevenfer is also out in a Blackstone Audio edition http://www.blackstoneaudio.com/audiobook.cfm?id=4630

CRIMINAL ADVICE or WRITING HISTORICAL MYSTERIES

Kathy Lynn Emerson tells us her April title How To Write Killer Historical Mysteries: The Art & Adventure of Sleuthing Through The Past could not have been written without the generous contributions of over forty historical mystery writers, including a certain pair of scriveners. Kathy's book offers anecdotes, advice, and research suggestions from authors whose fiction features settings and eras spanning the globe across centuries. Our thanks to her for the opportunity to provide a few thoughts for this entertaining and useful guide.

BRAINSTORMING A PROBLEM or HOW DARE YOU CALL ME THAT!

Mary was thrilled to be chosen to provide an essay for the April issue of Gayle Trent's Writing Up A Storm Newsletter. Her topic? Wrassling with the knotty problem of naming characters. Mary provides a few unusual resources for possible nomenclatures, and her contribution can be read at http://gayletrent.com/newsletter.aspx. Gayle's newsletter is intended to educate and entertain writers, while evoking a sense of camaraderie among writers.

THINKING SMALL or MINIATURISTS AT LARGE, TAKE NOTE

Chris Verstraete's website features reviews and other material but also provides an unusual attraction for those who enjoy making miniatures: scaled down copies of dust jackets offered by authors to print out for your tiny bookshelf. Point your mouse to http://cverstraete.com and once there click on miniatures. Be warned, one of the covers provided belongs to Sevenfer!

FIRST STEPS or WHY YOU ARE READING THIS NEWSLETTER

Heidi Miller's Paths To Publication this month is devoted to Mary's scribble about how it came about John's adventures saw print. Strange to think it was because they did you are now reading this newsletter! Heidi has had quite a few adventures herself, including appearing on Who Wants To Be A Millionaire partnered with SF author Tobias Buckell, and Mary is honoured to have been chosen for this feature, viewable at http://heidirubymiller.blogspot.com/2008/04/paths-to-publication-mary-reed.html

WINGED TERROR or THERE'S GOLD IN THAT THAR WEBSITE

We recently mentioned Mary was donning her Golden Age novel reviewer hat in order to contribute to the Criminal History website. This month she writes about Edgar Wallace's The Angel of Terror. Other reviewers cover Giles Brandreth's Oscar Wilde and The Candlelight Murders and Susanna Gregory's Blood on the Strand, plus there's a competition to win a copy of Scandal Takes A Holiday by Lindsey Davis. View the site at http://www.criminal-history.co.uk/


MARY'S BIT or CAN YOU DIG IT?

Well, yes, you could, but you'd have to wield a large spoon or the small shovel from a fireplace companion set if perchance you wanted to dig in my first garden. An ordinary shovel would be far too big for the task, seeing as my tiny piece of rural estate was contained in an old sink in our back yard in Newcastle.

Creating my bit of England's green and pleasant land meant bringing soil from the triangle of waste ground planted with a trio of hoardings a couple of streets away. After brick fragments, old bed springs, fragments of broken brown ale bottles, and similar urban detritus were removed, three or four trips hauling earth in an old bucket accomplished the task of filling the chipped white sink and it was ready for planting operations. An old fork did sterling duty in lieu of a dibber, and seeds were duly sown and watered.

If this endeavour had been a college class what would this hortus have taught us?

In this particular situation it would be to keep a close eye on marauding cats happy to have a new bit of ground to scratch up and that while throwing a cup of water at them persuaded them to go elsewhere, over-watering is as fatal to plants as allowing a garden to dry out. From these simple lessons Aesop would have drawn two morals: one should keep a sharp lookout in any given situation and also not overdo or conversely neglect tasks at hand.

Despite such incidents, while the resulting floral display of spindly red and white striped petunias would never have won blue ribbons I reckoned it was the bee's knees. It was the only garden in the street, for few green spaces graced our area.

The latter were represented by the cemetery at the top of the street and the occasional bomb site left over from the war, converted by Mother Nature into weedy patches popular with the aforementioned marauding cats, children playing somewhere other than the street, and after nightfall courting couples with no other place to go for privacy. Rosebay willow herb and coltsfoot flourished like the green bay tree, beautifying to urban eyes at least those neglected gaps blasted in the rows of terraced houses years before. Not that we'd ever seen a bay tree, green or otherwise. At least not knowingly, given the limbs of the few soot-blackened trees in the cemetery had been trimmed into sad, twisted travesties of themselves, making their species impossible to name.

Except, that is, for a rugged old horse chestnut, identifiable by its dark brown crops of conkers, much sought after by boys for competitive use and by girls for their beauty though it did not last long.

It's been said that gardens are autobiographies. What, I wonder, would those first gardening efforts have revealed about my early life?

At least one thing is certain: it wasn't a sink of iniquity.


AND FINALLY

Helios, a character introduced in Sevenfer, is a artisan who makes sundials but spends as much time as possible in his underground workshop because he cannot abide sunlight.

Jonathan Swift observed that some men possessed qualities useful to others but not themselves, pointing to the example of a sundial set on a house wall. Such a timepiece informs passersby of the hour but not persons inside the dwelling. Models of tact, we take this cue to remind subscribers that Orphan Scrivener will return to cast a shadow over their inboxes on June 15th.

See you then!

Mary R & Eric

who invite you to visit their home page, hanging out on the virtual washing line at http://home.epix.net/~maywrite/ There you'll discover the usual suspects, including more personal essays, lists of author freebies and mystery-related newsletters, Doom Cat (an interactive game written by Eric), a jigsaw featuring the handsome cover of Five For Silver, and our growing pages of links to free etexts of classic and Golden Age mysteries, ghost stories, and tales of the supernatural. There's also an Orphan Scrivener archive, so don't say you weren't warned! Intrepid subscribers may also wish to pop over to Eric's blog at http://www.journalscape.com/ericmayer/


The Orphan Scrivener -- Issue # One Hundred and Fifty-Four -- 15 August 2025

As with much of the country we continue to cope as best we may with the ongoing heatwave. Fortunately we have yet to reach the type of high ...