MARY'S BIT or MAKING A READER ATRABILIOUS
Subscribers who've been with us for a while may recall that
in Issue l3 (February 2002) we revealed a correspondent had
clarified something that had exercised us for years, to wit
the identity of obelist, as in Obelists Fly High, C. Daly
King's l935 "locked room" mystery set aboard a lengthy
flight. (Answer: Obelists are folk who mark passages they
think significant in mystery novels. Are *you* guilty...?)
Discovering the meaning of obelist is a good example of when
reading mysteries are educational, as I've also recently
found to be the case when perusing several old mystery
novels and random gothic tales. In doing so, my vocabulary
has been enlarged by several unusual words, the meanings of
which were established only after consultation with Messrs Webster, Funk & Wagnall, Wordsmiths to the Trade.
Even after their sterling lexicographical assistance, I
remain unenlightened as to the meanings of one or two so far
untraceable words. For example, beaupots, spotted in the
description of a manor house garden. If it is not a typo for
beauty spots, my guess is they might be large, decorative
containers in which flowers and greenery such as geraniums
or ivy are planted. And equally puzzling, what should the
reader make of a reference to a Bolo form of government?
From the context it appears nothing to do with either a
machete or a string tie with a fancy clasp, but could well
refer to Bolshevik rule.
I will admit to some surprise when a character "elaborated a
cigarette". At first blush it seems, as the old catch-phrase
declares, a good trick if you can do it. However, further
investigation established that to accomplish this apparently
remarkable feat all the smoker had to do was make an
elaborate show of painstakingly lighting his gasper. Then
again, a slim character's physique, described as an appanage
of birth, gives a hint of its meaning, being something
belonging to someone by right or custom. An example given
was of land settled by a prince on his younger sons, and the
author's word choice is particularly apt given that these
days for many in the public eye their physical appearances
are their fortune.
Then again, I took to rhodomontade (variant of rodomontade),
meaning vain, empty boasting or ranting. Indeed, it strikes
me as a good name for a provocative or controversial
publication, although its euphonious nature might lead
unsuspecting readers to expect a quite different type of
content.
My impression is the authors of many of these older works
assumed readers would be familiar with words in less common
usage nowadays, just as Victorian writers in particular seem
to take it for granted their mythological, literary, and
poetic references (as well as occasional Latin or Greek
phrases) would be immediately understood by their reading
public.
There again, such readers occasionally needed a fair grasp
of esoteric phraseology, although it's always fun to take a
stab at guessing meanings before looking them up. However,
had I perused William Harrison Ainsworth's Auriol or The
Elixir of Life while this bubbling potboiler of a gothic
novel was first serialised in the l840s instead of only a
month or so ago, I'd doubtless have immediately known that
menstruum is a solvent rather than an archaic musical
instrument, a burette isn't a hair ornament but a glass
tube. and athanor signifies an alchemical furnace instead of
one of J. R. R. Tolkien's minor characters, if indeed any of
Professor Tolkien's creations can be termed thus. Auriol
also mentioned gourd-shaped cucurbites which, as it
transpired, are not malformed vegetables, but rather rounded
vessels forming part of a distilling apparatus. Further, I
discovered from this same novel that a fauteuil is an
armchair, and as for estrade (a dais or platform) how many
homes these days can boast one, with or without a fauteuil,
cucurbite, or athanor?
Ainsworth's novel certainly rattles along at a frantic pace
as scenes jump all over, and at times under, the landscape.
Its plot is so byzantine that the closer I reached its
denouement, the more I doubted the author could tie up all
the loose ends dangling hither, thither, and yon. As it
transpired I was not far wrong, for I eventually discovered
this narrative confusion was largely due to the order of the
chapters having been mixed up in the e-text I was reading.
Far worse, however, was that the closing page or so were
such let-downs they must surely have been enough to provoke
readers of even the mildest disposition to become
atrabilious to the extent of provoking rhodomontadic
outbursts of a ranting nature.
-
AND FINALLY
Speaking of provoking readers, this issue is being composed
during what the Swan of Avon described as the uncertain
glory of an April day inasmuch as it's sunny at the moment,
but snow flurries are expected overnight. Even so, daylight
hours are drawing out noticeably and by the time the next
Orphan Scrivener trundles out we'll be into summer, with its
seasonal delights of plump red strawberries and fragrant
orange-fleshed melons, the delicate scent of roses, and
(hopefully) time spent lounging in deck chairs in the back
garden or at the seaside. Not to mention lots of good
reading.
At this point subscribers may suddenly recall Ralph Waldo Emerson's observation that no matter what we do, summer
unfortunately brings flies. In keeping with this, the next
Orphan Scrivener will buzz irritatingly out to you on l5th
June, the month represented by agate, signifying long life and good health. So if even the thought of the next newsletter's impending arrival gives you a headache, break out the aspirin well in advance and meantime take comfort from contemplating there's a reasonable possibility of being able to escape into enubilous meteorological conditions when our June 2004 issue casts its dark cloud over your email in-box.
See you then!
Best wishes
Mary R and Eric
who invite you to visit their home page, hanging out on the
virtual washing line that is the aether at
http://home.epix.net/~maywrite/
Therein you'll find the usual suspects, including more
personal essays and an interactive game as well as an on-
line jigsaw puzzle (if you have a java-enabled browser)
featuring One For Sorrow's boldly scarlet cover. For those
new to the subscription list there's also the Orphan
Scrivener archive, so don't say you weren't warned!